Thursday, July 10, 2025

A Doctor Denied but Daniel Hale Williams Performed the First Open Heart Surgery

 

Dr. Daniel Hale Williams performing the first successful open heart surgery at Provident Hospital in Chicago.

Things were tense in the operating room of two year old Provident Hospital in Chicago on July 10, 1893.  James Cornish had been carried to the hospital with what was surely a fatal wound—a knife was sticking out of his chest and lodged in the heart.  The only way to save him—open the chest, remove the knife and suture the pericardium—the tough double layered membrane which covers the heart—would probably kill him.  No one had previously survived the handful of attempts at the procedure.

Dr. Daniel Hale Williams, a 37 year old surgeon and founder of the only hospital in Chicago with an integrated staff, was used to breaking new ground and confident in his skills.  He was also a pioneer of the sterile operating room, being one of the first American surgeons to heed the groundbreaking research of Louis Pasteur and Joseph Lister at a time when older doctors were still performing multiple operations on the same bloody table without washing their hands in between.  That reform alone had greatly boosted survival rates among his patients.

 

 James Cornish recovering from his heart surgery.

Without the benefit of modern antibiotics and with unreliable anesthetics he went to work.  And he had to work fast because he also had no access to blood transfusions.  He quickly and skillfully cracked the chest, removed the knife, sutured the pericardium, closed and sutured the chest.  Within ten days Cornish had fully recovered and went on to live a normal life for many years.

 

                Dr. Daniel Hale Williams. 

Dr. Williams had just performed the first successful open heart surgery.

Did I mention that he was Black?

Williams was born on January 18, 1856 in Hollidaysburg, Pennsylvania.  His parents were free Blacks, and his father made a good living as a barber.  The elder Williams was also a community leader and active in the Equal Rights League, an early civil rights organization active during the Reconstruction Era.

At the age of ten the boy’s security was shattered with the sudden death of his father.  He was sent to live with relatives in Baltimore where he got a little more basic education before being unhappily apprenticed to a shoemaker.

Dissatisfied, he left Maryland to join his mother and other members of his family who had relocated to Chicago.  He took up his father’s trade and was soon made enough money to better himself by apprenticing to Dr. Henry Palmer, a highly accomplished surgeon. He then completed formal training at Chicago Medical College, one of the few schools in the country to accept Black students.

Unable to gain a position or admitting status at any Chicago hospital because of his race, Williams set up a private practice on the South Side.  Then he was hired as a doctor for the Chicago Street Railway, treating mostly white workers and injured passengers.  Despite the general racism of the times, he was well thought of by the men and affectionately called Dr. Dan.

Private practice or the Railway offices, however, did not offer the kind of recovery facilities necessary to perform the most difficult and challenging operations.  For that he needed a full service hospital.  He also wanted to encourage more blacks to enter medicine, not only as doctors, but as nurses and other support personnel.  

 

 The original Providence Hospital building.

So, in 1891 Dr. Williams founded Provident Hospital and Training School for Nurses, the nation’s first hospital with a nursing and intern program that had a racially integrated staff.

Dr. Williams’ work soon attracted the attention of the aging abolitionist Fredrick Douglass who championed him among friends in Washington.  As a result, in 1894 Williams was appointed the chief surgeon of the Freedmen’s Hospital, serving former slaves.  It was a daunting task.  Poorly equipped and funded from its beginning in the Reconstruction Era, it had been allowed to deteriorate and offered substandard care with an astonishing mortality rate.

 

Freedmen's Hospital in Washington, D.C. 

Williams worked feverishly on the turn-around, instituting modern hygienic standards, re-training the staff, improving surgical procedures including public viewing of surgeries which he believed would be an incentive for the staff to operate on the highest level.  He also added specialists in more fields, launched an ambulance service, and on the model of Provident, adding a multiracial staff, continuing to provide opportunities for black physicians and nursing students.

The following year, in 1895 William co-founded the National Medical Association, an alternative to the American Medical Association, which then did not allow African-American membership.

 

 The school for nursing was an important part of Provident hospital and bringing Black women into medical careers one of the most treasured parts of Dr. Williams' legacy.

In his years in Washington, Williams met Alice Johnson who he married in 1898.  The couple returned to Chicago where he resumed his position at Provident.  Later he would practice at Cook County Hospital and St. Lukes, major modern hospitals who could no longer deny privileges to one of the most distinguished surgeons in the nation.

From 1901 he spent part of every year in Nashville where he was a voluntary visiting clinical professor at Meharry Medical College for more than two decades. He became a charter member of the American College of Surgeons in 1913.

Dr. Williams was active until he suffered a stroke in 1926.  On August 4, 1931 he died in Idlewild, Michigan.

Williams was widely honored in his lifetime and his story has become a staple of Black History Month commemorations.  But he is largely unknown to white Americans.

Williams’s beloved Providence Hospital, one of the few full service hospitals on the under-served South Side, was forced to close in 1987 due to financial problems.  In 1993 it reopened as Provident Hospital of Cook County, part of the Cook County Bureau of Health Services.  Finances continue to threaten the public hospital and its future is far from certain.

  

Wednesday, July 9, 2025

Flo Ziegfeld Listened to His Wife’s Good Advice

 

Polish star Anna Held toasts her husband, producer Florenz Ziegfeld in 1905 two years before she advised him to introduce an American version of the Folies Bergère at his new venue. 

Showman Florenz Ziegfeld had the good sense to listen to his wife.  He had been named manager of the former Roof Garden Theater in New York City, an intimate venue on the top of Oscar Hamersteins Olympic Theater.  The new owners needed a hit to fill the seats and Ziegfeld needed a new idea for a show to open the room which had been rechristened the Jardin de Paris. 

The showman’s wife was the Polish born curvaceous and highly successful stage performer Anna Held who Ziegfeld had wed in Europe.  She was a huge star in her own right in this country since her arrival here in the mid 1890’s.  Held suggested an American version of the famed Folies Bergères of Paris—a lavish production featuring beautiful chorus girls and top talent from the Broadway and vaudeville stage.  Held hoped to star in the show but could not when she became pregnant.  Eventually she either lost or aborted the baby, but it was too late to be featured in the show.  The loss caused a rift with her husband who was soon busying himself with other beautiful actresses.  Anna never got to be a Ziegfeld girl, although she continued to have a successful career until her early death at the age of 45 in 1918.

 

Not quite yet Ziegfeld Girls--the first Follies chorus line performed at the Jardin de Paris on the roof of Oscar Hamerstein's theater in 1907. 

The first edition of the Ziegfeld Follies opened on July 8, 1907.  The first cast included Grace La Rue, Emma Carus, Harry Watson, Helen Broderick, and Nora Bayes.  Although only Bayes is much remembered now, all were solid, well known performers if not yet top stars.  The show was a success.

But the Follies really established themselves as a Broadway fixture the next year when the lovely chorines were dubbed the Ziegfeld Girls for the first time.  Among the beauties was Mae Murray, who would be headlining the show in a few years and who became a leading star on the silent screen.  Nora Bayes returned, this time with her new husband John Northwood.  Together they introduced a little ditty of their own composition, Shine On, Harvest Moon.  It was the first of dozens of familiar tunes introduced in the Follies.

 

The Follies featured many great stars but the biggest of all was Will Rogers seen here in 1915 with the girls from the late night frolic on the roof--a version of the show with much racier material and flashes of nudity.

Over the years the biggest names in show business got bigger by headlining the Follies.  The rollcall included Sophie Tucker, Fanny Brice, Burt Williams, Ann Pennington, Ed Wynn, W. C. Fields, Ina Clair, Will Rogers, Eddie Cantor, Marilyn Miller, Gallagher & Sheen, Olsen & Johnson, Bert Wheeler, “Gentleman JimCorbett, Paul Whiteman, Ruth Etting, Billie Burke, Helen Morgan, John Bubbles, Ruth Etting, Jane Forman, Buddy Ebbsen, and Eve Arden.

Irving Berlin wrote the songs for three Follies.  Jerome Kern and a parade of other notables contributed many more.

 

For many years photographer Alfred Cheney Jonhston made artistic publicity shots of every Ziegfeld Girl--and nude shots for the boss's personal collection and to be discretely shared.  Many future stars were included  This is Mae Clark, who went on to star in silent films and early talkies and is best remembered for getting a grapefruit smashed in her face by James Cagney.

Many young performers got their starts as Ziegfeld Girls including Murray, Marion Davies, Olive Thomas, Doris Eaton, Barbara Stanwyck, Louise Brooks, Paulette Goddard, and Joan Blondell.

Chicago born Ziegfeld was 40 years old when the first Follies opened in 1907.  He would continue to produce ever more elaborate editions of the show until his death in 1932.  He also produced many other acclaimed Broadway shows, most notably Sally in both 1920 and ’23; Rio Rita and Show Boat in 1927; and Rosalie, The Three Musketeers, and the Eddie Cantor vehicle Whoopie! all in 1928.

Ziegfeld suspended production of the Follies after 1927 to concentrate on the production of these plays and the construction of his own elaborate Ziegfeld Theater.

Despite all of his success, Ziegfeld lost his fortune in the Stock Market Crash of 1929.  He mortgaged his namesake theater to publisher William Randolph Hearst

 

Florenz Ziegfeld and another one of his brightest stars Eddie Cantor who by this time--about 1930--was Hollywood's biggest musical comedy star. 

In an attempt to re-coupe his fortune he mounted a new edition of the Follies in 1931.  Although it was successful, as were films made from his stage plays, Ria Rita, Show Boat, and Whoopie! it was not enough to repay his creditors.  The great impresario died broke in California in 1934 after a lingering illness.  Hearst foreclosed on the Ziegfeld Theater.  His second wife, the comedienne Billie Burke, was left in poverty.  She went on to work in films, usually playing ditzy matrons in comedies.  She is best remembered now as Glenda the Good in the 1939 production of The Wizard of Oz.

Two versions of the Follies were mounted with middling success after Ziegfeld’s death.  His memory was preserved in an MGM musical biography The Great Ziegfeld released in 1936.  William Powell played the producer, Louise Rainer as Anna Held, and a blonde Myrna Loy as Billie Burke.  The film won the Academy Award for Best Picture and Rainer took home the trophy for Best Actress.  The film featured many original Ziegfeld stars but is best remembered for its elaborate production number of A Pretty Girl is Like a Melody.  The cost of that one scene was greater than the cost of any edition of the Follies on the stage.

 

The Great Ziegfeld stared MGM's most bankable screen couple--William Powell and Myrna Loy--was one of the biggest hits of 1936, and took home the Academy Award for Best Picture in a year when its competition included certified  classics like Dodsworth, Libeled Lady, Mr. Deeds Goes to Town, San Francisco, The Story of Louis Pasture, and A Tale of Two Cities.  Austrian born Louise Rainer walked away with the first of her two Oscars for her roll as Anna Held.

In 1941William Powell was unavailable when MGM decided to do another big picture based on the Follies, but he was so associated with the part of Flo Ziegfeld that they elected never to show the producer on screen for Ziegfeld Girl, a star studded extravaganza staring Judy Garland, Lana Turner, and Heddy Lamarr as three chorus girls whose lives were changed in dramatically different ways after becoming Ziegfeld Girls.  The cast also featured James Stewart—top billed despite not having much to do but moon over Lana Turner—Jackie  Cooper, Tony Martin, and a host of familiar faces from the studio’s large stable of character actors.  Also in the mix of supporting players were Al Sheen, half of the classic comedy duo Gallagher and Sheen, former Ziegfeld Girls Mae Bush and Eve Arden, and future song and dance star Dan Dailey.

In 1945 producer Arthur Freed tried to reproduce the feel of the original reviews in his MGM Technicolor extravaganza The Ziegfeld Follies.  Powell reprised his role as the showman and a parade of studio talent appeared in production numbers and sketches including Fred Astaire, Gene Kelly, Cyd Charise, Judy Garland, Katherine Grayson, Red Skelton, Lucile Ball, Lena Horne, and Esther Williams.  Only one star, Fanny Brice, actually ever appeared in the Follies while Ziegfeld was alive. 

All in all, Flo Ziegfeld left a hefty show biz legacy.