Saturday, June 2, 2012

Thirsty Maine-iacs Rumble Over Rum

After the Portland Rum Riots the national press featured cartoons like this with a thuggish, heavily armed, monkey faced Irishman as the face of the Mob.  These exposed the fear and prejudice that drove more and more  American Protestants into the arms of the Temperance/Prohibition movement.


A lot of people were surprised when Maine became the first state to enact a prohibition law way back in 1851.  None were more surprised than the inhabitants of Portland, a busy seaport and the home to a large, and somewhat rowdy Irish population plus a good many wine loving French-Canadians.  They were said to consume more alcohol per capita than any other city in America—and that was a lot even by the thirsty standards of the early 19th Century. 

Over 300 establishments served or sold alcohol along a stretch of street near the wharves, some of it by the dram over the bar, some in jugs and bottles, and some in open tubs to be ladled out to outstretched tin cups.  Previously, by law employers were expected to provide rum breaks to laborers at 11 AM and 4 PM.

Although beer, wine, and other distilled liquors were available the drink of the masses was rum.  And on the rum trade and the distillery business most of the big and fashionable houses of the local merchant elite had been built.  Raw sugar imported from the Caribbean was made into rum for domestic consumption and for export.  The wealth rolled in.

So how could such a state and city become the first to ban the manufacture, sales, and consumption of alcohol?  The credit or blame goes to the tireless efforts of Neal S. Dow, a Quaker and reformer who became known as the Napoleon of Temperance and the Father of Prohibition.  Sailors on the ships calling in Portland and the local Irish rabble called him more colorful names.

Born in 1804 he was a life-long teetotaler and an early zealot of the infant anti-alcohol movement.  He had helped found the Maine Temperance Society in 1827.  When that group proved to be less than absolutist—they only wanted to ban the distilled spirits and beer of working people while allowing the sale and consumption of wine, the preferred beverage of the privileged elite—he split off and created the absolutely 100% dry Maine Temperance Union ten years later.

Unlike many reformers, Dow was not above getting his hands dirty in electoral politics.  In fact he turned out to be a gifted politician.  The first efforts to enact state-wide prohibition began in the Legislature in 1837.  It was soundly defeated, but undeterred supporters came back year after year.  The influx of Irish immigrants in the 1840’s frightened Maine Yankees.  Support for prohibition grew as Dow and other supporters painted lurid pictures of depravity among the unwelcome aliens.  Prohibition quickly became a vengeful arrow point straight at the heart of the immigrant community.  By 1849 supporters got enough support to get a bill through the legislature, but failed to get the Governor’s signature.

In April of 1851 Dow was elected Mayor of Portland.  He put all of powers of persuasion and political clout to reviving the bill.  Again it passed both Houses—many voted for it fully expecting, and hoping that the new Governor, John Hubbard would veto it.  Dow got Hubbard’s ear and persuaded or pressured him to sign, which he did on June 2 of that year.

The national press dubbed it the Maine Law and Temperance forces around the country began pressuring state legislators to copy it.  Dow was hailed as the hero of the movement and was invited to be the keynote speaker at the convention of the largest national Temperance society.

Portland voters, including not only the scummy Irish, but the small merchants who had operated all of those dram shops, bars, and grocery stores that sold liquor, and plenty of thirsty Protestants as well, had a different view.  They handily threw Dow out of office in the next election.

The legislature was also under pleasure and began to ease both the terms of prohibition and the enforcement of the unpopular measure.  Within a few years the rum trade was almost back to normal with various exemptions and exceptions and “home bars” serving the needs of the thirsty.

Undeterred, Dow ran again—and lost again—on a promise of rigorous enforcement in 1854.  The following year, with the public support of the new Republican Party and the clandestine support of the secret, nativist Know Nothings, Dow got his old job back by a razor thin 47 vote margin.

He acted as if he had been given an overwhelming mandate and began once again clamping down on the liquor trade.  The thirsty native grew restless.
In late May of 1851 rumors began to spread that a large supply of liquor, supposedly belonging to Dow, was being kept in the City Hall basement and would be sold at the Mayor’s private profit.  The rumors were half true.  A large shipment of alcohol did arrive at City Hall, and it was slated for sale.  But the booze was bought by the city for strictly controlled sale for “medical and industrial” uses as outlined in the State law.  It was to be sold by a city owned liquor store on the first floor the building.

The angry Irish, suspecting criminal hypocrisy took advantage of a state law that allowed any three citizens to petition a judge for a search warrant, if they believed a crime had been committed.  Judges were required to grant the warrant.  Which a local judge did.

A crowd of about 200 men marched from the Court House to City Hall on the afternoon of June 2, coincidently the anniversary date of the adoption of the state prohibition law.  They presented their warrant at the door and demanded to be admitted to carry out a lawful search.   Not only were they not admitted, but local law enforcement authorities made it clear that they would not execute the warrant or conduct a search.

A stand-off of sorts happened.  But the crowd grew as men heard of the affair and got off work.  By early evening many, some say over a thousand, were angrily milling about and making threats to rush the building.  There was pushing and shoving and some rock throwing. 

Dow called out the local Militia.  When they arrived they gave the crowd one order to disperse, probably not even heard by most.  Then, on Dow’s personal and direct order, the Militia opened fire on the crowd.  Twenty-two year old John Robbins, an immigrant and first mate of a costal merchant ship was killed outright.  At least 7 more were injured, including, apparently at least some bystanders. 

Despite heavy public criticism for excessive use of force, Dow expressed no remorse.  On the contrary, he bragged about “doing his duty” in letters to other national Temperance leaders.  He never expressed condolences to the families of the dead and wounded.  He characterized them as members of a savage, uncivilized mob.  A local group of Temperance women presented him with a large silver cup in gratitude and he accepted it with pride.

But he could not get re-elected.  He was ousted by a wide vote and never regained job again.

Over the next few years the legislature alternately loosened and tightened prohibition laws.  But agitation over Abolition—another of Dow’s causes—put prohibition on the back burner.

When the Civil War broke out, Dow, still a powerful figure in the Republican Party, had no problem being appointed Colonel of the 13th Maine Infantry.  He served under General Benjamin Butler in the capture of New Orleans and was promoted to Brigadier General and was eventually placed in command of the District of Florida.  In an assault on Port Hudson in Louisiana he was badly injured and evacuated to a plantation home for care.  He was captured by Confederate forces and served 7 months in a prison camp before he was exchanged for Robert E. Lee’s son General Fitzhugh Lee.  In broken health, he left the Army.

After the war and after recovering from his wounds, Dow threw himself with customary energy back into his two passions—Temperance and politics.  In 1865 he helped found a new organization, the National Temperance Society and Publishing House which became the vigorous propaganda arm of the movement churning out books, pamphlets, and tracks that flooded the nation.  Eventually he saw dozens of state adopt versions of the Main Law.

Politics was tougher.  Despite the cachet of being a Union General and wounded war hero—credentials enough to launch scores of political careers, and being a powerful figure in the most dominate Republican Party in the country, he was still so hated by the mass of Portland’s working classes that he could not hope to win any elective office.  Moreover as the years wore on he became disenchanted with what he considered the Republican Party’s tepid support of prohibition policies.

In1880 he abandoned his ties to the Republicans and at the age of 76 accepted the Prohibition Party nomination for President.  He garnered only 10,000 popular votes and placed a distant fourth place with James A. Garfield, Democrat Winfield Scott Hancock, and James Baird Wheeler of the Greenbacks.  He thus departed the national political scene as something of a ridiculous figure. 

Dow lived on until October 7, 1897 when he died at the age of 93.  He left his house to the cause to which he dedicated his life.  It is the long time headquarters of Maine’s Women’s Christian Temperance Union and a shrine to his memory.  It was declared a National Historic Site in 1974.
Ironically, after the adoption of national Prohibition in 1919, Portland became a prime center for smuggling whiskey by boat from Canada and Scotland. 

Maine ratified the Twenty-first Amendment to the Constitution in December of 1933 only after the required 36 state had acted to end prohibition.  The state law was overturned at the same time, which was upheld in a statewide referendum in 1934.

Today, despite the 20 old ladies of the WCTU who still gather at Dow House, Maine drinks as the nation drinks.

Friday, June 1, 2012

It’s Tough to be an Icon, Marilyn Monroe

17 year old Norma Jean Doughety on an early pin-up shoot

 Note: Adapted from a post on June 1, 2010

On June 1, 1926 baby Norma Jean was born in Los Angeles to an attractive young woman who worked as an RKO film cutter.  Mortenson  was the name on her birth certificate.  Her father abandoned the family before her birth and her mother Gladys took to calling her Norma Jean Baker, the name she would use through childhood, after an earlier lover.  She was never sure who her father was and her mother, who battled mental illness kept a parade of men through the house between periods in an institution. 

By age six she was being farmed out to relatives and friends with unhappy periods in foster care.  Her longest term care giver, a family friend, filled her with fantasies of becoming a movie star.  At age nine she began two years of Dickensonian torment in the Los Angeles Orphan’s Home working in the kitchen for 5 cents a week.  She was released to yet another foster home. 

After a brief turn at Van Nuys High School, she took a job at age 16 at Los Angeles aircraft plant applying “dope” to canvas wing covers.  She married co-worker James Doughety mostly to avoid being sent to another foster home.  He was soon inducted into the service. 

A photographer visiting the plant to document women war workers zeroed in on the attractive girl and suggested that she become a model.  Although her first shoot paid only $5, it was enough to get her to quit the plant.  Soon she was getting regular work in pin-up and bathing suit pictures, in addition to some commercial work.  She was modeling under the name Norma Jean Doughety when photos came to the attention of producers. 

In 1946, the same year she divorced her husband in Las Vegas, she signed a development contract with 20th Century Fox, where her name was changed to Marilyn Monroe.  Monroe had been her mother’s maiden name.  She was given bit parts and promoted with things like being named Miss California Artichoke Queen in 1947.  After walk-ons and bits she was cast in a small speaking as waitress in the turgid teen melodrama Dangerous Years.  Her contract was not renewed and Marilyn returned to modeling and took acting lessons. 

With an I.Q. above 160 Marilyn was always trying to improve herself and yearned to become a serious actress.  She also read voluminously, focusing on history, biography and literature.  She felt cheated by her lack of formal education and wanted to be able to hold serious conversations.

She was briefly picked up by Columbia Pictures, where she got the second lead with two songs in the burlesque musical Ladies of the Chorus.  Despite personally good notices for this B-picture, Columbia dropped her contract. 

In 1949 she appeared in the Marx Brothers’ final feature film Love Happy in a brief role as detective Groucho’s client.  By this time she had changed her light brown hair to a golden blonde and was rooming with another buxom aspiring blonde, Shelly Winters.  Her modeling assignments, which that year included the famous nude calendar art shoot that ended up years later as Playboy’s first center-fold, were getting more attention. Despite lacking a studio contract her personal publicist was giving her the standard starlet build-up and she was beginning to get noticed in gossip columns and fan magazines. 

1950 was Marilyn’s break out year in two small, but unforgettable appearances—MGM’s Asphalt Jungle, and even more memorably as the bombshell at Margo Channing’s (Bette Davis) party in All About Eve.  Her roles were getting bigger and better.  She was a war-buddy distraction to William Lundigan as the husband of June Haver in the domestic comedy, Love Nest.

 In 1953 Marilyn stunned audiences as the mentally ill hotel babysitter in Don’t Bother to Knock with Richard Widmark, a role which drew on her own insecurities and demons.  The same year displayed her knack for comedy in Monkey Business with Ginger Rogers and Cary Grant.  It was her first performance as a platinum blonde, a shade selected to differentiate her from her aging co-star Rogers.  The same year her turn as a murderess in the film noir Niagara with Joseph Cotton was another reminder of her serious acting chops.   But it was the busy actress’s role in Gentlemen Prefer Blondes with her memorable turn as Lorelei Lee made Monroe a true star of the first rank.  She capped the year playing a very dumb, bespectacled blonde in the ensemble comedy How to Mary a Millionaire with another predecessor as Hollywood’s blonde bombshell du jure, Betty Grable. 

In January of 1954 she married baseball superstar Joe DiMaggio and was soon on a famous USO tour to Korea where the attention of the troops stunned her new husband.  The shy and reserved DiMaggio wanted Monroe to quit her career, resulting in a divorce in less than a year, although the pair remained friendly and DiMaggio famously carried a torch for her even after her death.  Wearing mostly tight jeans and plaid shirt, she made Otto Preminger’s western adventure, The River of No Return with Robert Mitchum and the show-biz musical There’s No Business Like Show Business in which she held her own with musical heavy weights Ethyl Merman, Dan Dailey, and Donald O’Connor.  Her next film was the comic hit Seven Year Itch remembered for its iconic publicity shot of her white dress billowing around her waist as she stood over a subway ventilation grill.

During filming, reports of chronic lateness on the set and other problems began, to surface.  Always plagued with self-doubt and probably suffering from genetic bi-polar disorder, she also had genuine health problems—a serious gynecological condition, endometriosis, that could be quite painful. 

In 1955 Monroe was suspended by Twentieth Century Fox for refusing to make How to be Very, Very Popular and The Girl in the Red Velvet Swing because she wanted to break away from her image as a sex symbol.  She fled to New York City where she joined Lee Strasberg’s Actor’s Studio to study Method acting.  She also began serious Freudian analysis and spent time with the city’s literary set, where she met playwright Arthur Miller.  After nearly a year off, she returned to Hollywood and played in the screen adaptation of William Inge’s acclaimed play Bus Stop.  This time she finally wowed critics as well as the audience with her nuanced performance as the fragile, innocent sexpot Cheri.

Next up was a trip to England to be directed by and co-star with Lawrence Olivier in The Prince and the Show Girl, where her chronic lateness and her devotion to the Method drove the traditionally trained Olivier nearly to distraction. 

Monroe took most of 1958 off to study and spend time with Miller.  In 1959 she had her greatest success in a comedy in writer/director Billy Wilder’s Some Like it Hot.  With personal acting coach Paula Strasberg on the set, she was a problem and demanded as many as 83 takes before she felt she had “nailed it.”  Wilder and co-star Jack Lemon were patient with her, but leading man Tony Curtis was so frustrated that he compared kissing Monroe to “kissing Hitler.” 

Monroe’s troubled marriage to Miller was coming unwound with her bouts of depression, angry accusations that Miller did not respect her, and casual love affairs.  A liaison with French actor Yves Montand during the making of George Cukor’s musical comedy dud Let’s Make Love was just one last straw in the marriage.  Monroe by this time was heavily dependent on sleeping pills and sedatives.

A parting gift from Miller was the script to what would become her final completed film, The Misfits in 1961.  She hated her part, accusing Miller hyping her screen image as a dumb sex object.  It was a stormy set between the two.  Yet director John Huston coaxed brilliant performances from her and co-stars Clark Gable and Montgomery Clift.  Gable, who saw a rough cut just before he died of a heart attack, considered it the best film he ever made and the only one in which he really acted. Monroe also described Clift, who was also ill and troubled on the set as, “the only person I ever met more screwed up than me.” 

Miller and Monroe announced their separation shortly after Gable’s death, for which Marilyn felt guilty.  Soon she was hospitalized in a mental institution so stark that a desperate call to former husband DiMagio got him to drive from San Francisco to retrieve her and help her find another institution.  

Upon release she restlessly became involved with serial affairs including liaisons Rat Pack leader Frank Sinatra and his pal Peter Lawford, who introduced her to his in-laws John and Robert Kennedy.  She had affairs with both, which was an ill kept secret in Hollywood.  Monroe created something of a scandal and a sensation when she crooned “Happy Birthday, Mr. President” to John in a shimmering sheath dress so tight she had to be sewn into it.

These relationships, made public in the years after her death, shaped her legend and fed a thousand conspiracy theories.  One conspiracy theory proved to be true—FBI chief J. Edgar Hoover had every room of her Hollywood home bugged in an attempt to get damaging goods on the President and/or his boss Bobby, the Attorney General.  The super-sophisticated bugging equipment was discovered hidden in the house when it was remodeled in 1972.

Her reputation for reliability made it hard for Monroe to get parts even at her home studio Fox.  They gave her one last chance with the comedy Something’s Got to Give, but production was suspended because of her chronic absences from the set.  Footage released later, including a stunning swimming pool scene, revealed that Monroe remained luminous on film no matter her personal demons.

Despite all of these problems Monroe was in discussion for several projects and was reported in good spirits by friends shortly before her death.  In her last days DiMagio, concerned about “the people she had fallen in with,” reportedly was ready to ask her to re-marry him.  

On August 5, 1962, hours after last speaking to DiMagio, Monroe was found on her bed with the phone in her hand.  She was naked, but ordinarily slept without clothes.  Several bottles of pills were found.  He personal physician reported that he found the body after being alerted by the house keeper. 

Police found several inconsistencies in various accounts given of her final hours and evidence that the scene had been tampered with, including the laundering of the bed linens and removal any water glass.  Autopsy results indicated death as “acute barbiturate poisoning” and a likely suicide.  Revelations of the Kennedy connections have fuel dozens of conspiracy theories.

 DiMagio claimed Monroe’s body and arranged her funeral.  Famously he left a dozen roses at her mausoleum vault every year on the anniversary of her death.   Monroe’s will left 25% of her estate to her acting coach, Lee Strasberg and 25% to the Freud Institute for Psychoanalysis. 

Her life, death and career have sparked a virtual industry, including over 600 books.  In the past year Marilyn seems to be everywhere with new books, an award winning film with Michelle Williams, My Week with Marilyn, based on her time in England doing The Prince and the Show Girl, and the hottest TV hit of the year Smash! chronicling the road to Broadway for a Marilyn musical.  Another feature film with Naomi Watts has been simmering in pre-production.

But back in 1973 Elton John and Bernie Taupin may have summed up Norma Jean/Marilyn Monroe’s life best: a Candle in the Wind.