Note: As
described below this piece appears in the current issue of the Industrial Worker, the newspaper of the
Industrial Workers of the World, on
which I labored happily many years ago.
It is much better managed now than under my care and is invaluable
reading for a fresh and insightful view of the labor movement from a vigorous
and revitalized union. I encourage you
to check out the IWW web site at http://www.iww.org where you can view and
download a copy of the March issue including this article.
I
was stunned and flattered when Nicki
Meyer asked me to profile my old friend and Fellow Worker Penny Pixler for this special Women’s Issue of the Industrial Worker. I was a bit intimidated, too. I haven’t
been asked to contribute to the paper I once helped edit for over three decades
and I fretted how some might respond to a man profiling one of the leading Wobbly women of the last 40 some odd
years. Mostly I fretted about how to
paint a human portrait that
transcended biography or a hagiographic obituary. I started and stopped half a dozen times.
Then
I went to see the film Selma the other night and it all
became clear. As you probably know the movie
tells the tale of the 1965 voting rights
drive in Selma, Alabama and
revolves around the charismatic presence of the Rev. Martin Luther King, Jr.
But it was not a movie about King, no matter how much screen time he
commanded. It was a movie about all of
the people who came together in a tough and dangerous moment to really change
history. We see and are introduced to
all of his key associates—Hosea Williams,
Ralph Abernathy, Andrew Young, James Bevel, C.T. Vivian, John
Lewis, and Bayard Ruskin. But we also see the ordinary people of Selma, the rank and file of the movement, and
especially the overlooked often erased-from history women. Sure, there is Coretta Scott King who in a critical
moment proves wiser than her husband, but there is also key SCLC leader Diane Nash, 54 year old
nursing home aide Annie Lee Cooper
who frames the indignity of trying to register to vote and becomes one of the
first victims of police violence,
local stalwart Amelia Boynton, Viola Lee Jackson marcher and mother of the first martyr of the campaign Jimmie
Lee Jackson, and Viola Liuzzo
the young white Detroit mother who
came unbidden, volunteered and died.
This was not King’s one man show.
It was a movement.
The
IWW in the ‘70’s did not have a great charismatic
leader, undoubtedly for the better.
The radical Feminists had sometimes
rancorously competing claimants to
that mantle. But both were genuine
movements arising from the real need of real people and helped along by
remarkable human beings. Penny Pixler
bridged those worlds. I can only tell
her story through my own unobjective eyes.
I
first saw Penny at a social gathering of Chicago
Wobs sometime in the early 70’s. At
first, frankly, I didn’t take much notice.
She sat cross legged on the floor and seemed quiet, even meek as conversation, booze and other recreational
substances swirled around her. Long
blonde hair cascaded with wavy neglect across her shoulders. She had a faint scar from a repaired cleft lip that left her with a minor speech impediment. I later noted how she would use that to her
advantage, to invite folks in the circle to lean forward to listen to her when
she shook off reticence and spoke. She
would first rock forward, cock and nod her head, and raise a pointed finger to
punctuate a comment. And the comment was
inevitably wise and/and or funny. Penny,
it turned out had a wicked, dry sense of
humor.
Penny
had arrived in Chicago a couple of years earlier after graduating from the University of Iowa in her home state
and having done graduate work at the hotbed of radicalism the University of California at Berkley. She was already a veteran student and anti-war activist and had a sense of adventurousness that belied
her unassuming personality. She had
joined one of the first tours of China by
American activists after that country was opened to visitors. The eye-opening experience had turned her
away from any temptation to go down the path of radical chic Maoism. She was
already in on the ground floor of movements that were just taking shape—radical
feminism and ecology which barely
had a name.
Chicago Women's Liberation Union on the march. |
Penny
joined the Chicago Women’s Liberation
Union. The CWLU had been founded in 1969 by women including Naomi Weisstein, Vivian
Rothstein, Heather Booth, and Ruth Surgal who were dissatisfied with
the reformist leadership of the National Organization of Women and its
obsessions with the problems of upwardly
mobile career women. The
organization wanted to confront gender
inequality across class and ethnic lines. Many of the women were committed Marxists, others, notably Anaracha-feminist and Wobbly Arlen Wilson provided a more libertarian left analysis. The CWLU was action oriented and divided into several semi-autonomous working groups concentrating on consciousness raising, education and the introduction of Women’s Studies on Chicago campuses, reproductive rights and abortion,
lesbian rights and issues, anti-rape campaigns, work place organizing through alliances
with groups like Nine to Five, arts and expression through groups like the Women’s Graphic Collective and CWLU
Band, and building solidarity
with movements of minorities and women of color. One of the CWLU’s most famous—and
dangerous—projects was the Jane
Collective, officially the Abortion
Counseling Services of Women’s Liberation, which went beyond advocating for abortion
rights to anonymously arranging the then
illegal procedures for hundreds of
desperate women.
Penny
thrived in the CWLU working on several projects including contributing to the
organization’s several publications. She
was among those who helped define the organization as Socialist Feminist, which was made explicit in the important 1972
pamphlet Socialist Feminism: A Strategy for the Women’s Movement
compiled by the Hyde Park Chapter
and a team led by community organizer
Heather Booth.
In
the mid ‘70’s Arlen Wilson introduced several young CWLU members, including
Penny, to the IWW at first through social gatherings. The women found Chicago Wobs less patriarchal
and hierarchical than many Marxist parties and sects. Not that the IWW was perfect, just that it
was less rigid, more open, and had a history of organizing women on the job
going back to the Lawrence and Patterson strikes. Several joined the union and became active in
the Chicago Branch in addition to
their continued work with CWLU projects.
Then
a remarkable thing happened, something that has gone down in lore as The Great Confluence. Several of the women became involved with young male Wobblies, many of whom had
come to the city from far corners of the country because Chicago was then an
active center of IWW organizing. The
footloose Wobbly males may have had a bit of an overdose of machismo but remarkably generally
allowed those sharp edges to be knocked off.
Several of those relationships endured for years and some are still active.
Penny
bonded with a young Wob from Portland,
Dean Nolan. Together they took an apartment in Wobbly Towers, a four story courtyard
building on West Webster not far
from the IWW Hall then on Lincoln Ave. Several of the large, inexpensive, and cockroach ridden apartments in the
building were occupied by Wobblies. I
lived with railroad yard clerk and musician Kathleen Taylor, downstairs CWLU member Judy Lietze and F.W. Richard Christopher of Boston shared a flat. The aptly named Rita Bakunin shared a space with the bear-like railroad tower switchman Dave Van Pelt. Others floated in and out, including Carlos and Marianne Cortez who lived with Kathy and me while their apartment
building was being renovated. Life in
all of its glorious messiness flowed freely between those apartments.
The
CWLU dissolved acrimoniously in
1976. Penny and the other former members
shifted their primary activity to the union.
There
IWW has a mythological character
named Jimmy Higgins—a rank and file member who shuns the spot
light and glory but is always there to do any work that needs to be done. Penny Pixler could have been a model for Jill Higgins. Although working
full time wiring computer mother
boards and doing computer repair—a breakthrough job for women in those
days—she could be found most evenings and on Saturdays and Sundays lending a
hand at the hall the Branch shared with General
Headquarters. In fact she spent much
time offering GHQ her aid, especially when it moved to a new storefront
location on Webster near Halstead. She was always there for the Industrial Worker mailing when yellow manila sheets were run the Addressograph, slathered with library paste and then rolled around
copies of the paper which then needed to be bundled by Zip Code. She did typing, answered phones, collated
and stapled pamphlets, and did
dozens of things to help the General Secretary
Treasuer (GST), part-time bookkeeper, and the editorial collective.
In
the process she became a voice in the ongoing conversation about the union that percolated through the
office. An ever more important
voice. Soon she was regularly
contributing to the IW—book reviews, international labor news, and, always insightful articles on women issues. Many of the articles were
unsigned or simply initialed. Penny never sought to draw attention to
herself. She quickly became a member of
the staff collective then managing the paper which included former editor and
continuing columnist Carlos Cortez, veteran organizer and historian Fred W. Thompson, and me. She would continue to contribute to the paper
almost all of the rest of her life.
Penny
also found time for Branch duties—a delegate,
frequent recording secretary at
meetings, on committees, and on any picket line or demonstration that called.
She particularly mentored and
nourished young women entering the union.
Penny would serve as Branch
Secretary on more than one occasion.
At the end of her life as she knew she was dying of the cancer that eventually killed her, she made sure that
the Branch got her vast personal
collection of radical, labor, and feminist books to form the
basis of a lasting library. She even
arranged for the book shelves to
hold the books. It was a fitting legacy
for one of the most well read and thoughtful members the Branch ever had.
Penny
never sought a high profile roll in the union.
She was not, unless pressed, a public
speaker. She was seldom involved in
the workplace organizing drives that
make stars among us. Not to say that she
ignored that side of things. She went back
to school and became a Chicago Public
School teacher. At first a Full-Time Basis Substitute (FTB), meaning that she had no benefits just a flat rate daily stipend, she was assigned teaching math at the city’s toughest inner-city schools. Shifted from school to school, sometime
multiple times a year, she relished the challenge of working with young Blacks and Latinos, but she also became active in the FTB movement for better
pay and conditions. When she became a regular district employee she became
active in the Chicago Teachers Union
(CTU) and an outspoken supporter for
its most militant faction.
Penny
and Dean separated. She shared an
apartment with Fellow Worker Janet Miller
in the north side East Ravenswood
neighborhood for over twenty years.
In
the early ‘80’s I moved to Crystal Lake
in the far boonies of the metropolitan
area. I saw Penny and my Wobbly
friends at gatherings once or twice a year.
I knew that she served terms on the General
Executive Board and as GST in 1985. She
was not the first to fill the chair of Vincent
St. John and Big Bill Haywood—Kathleen
Taylor did that back in our days in the Webster street office and others
followed. But the routine acceptance of
women at the highest levels of IWW leadership owed a lot to paths she blazed. Penny continued to be a pillar of the union
and of the Branch.
We
were not in as close a contact as I was with other Wobs because Penny, although
a pioneering computer tech, resolutely refused to use e-mail or the internet
not because she was a some sort of a Luddite
but because she was convinced the internet and electronic communication could never be secure from government spying or manipulation. She considered it to be an unsafe and unsuitable means for revolutionaries
and radicals to communicate. If you wanted to get ahold of Penny you had
to phone, write an honest to god letter, or meet her in person. In
retrospect her seeming paranoia
seems to be prescient.
Penny
always kept up with our fellow workers in Chicago and around the country, including
those who most of us had lost contact with.
With or without social media, she was the glue that knit many of us
together. It became something of a joke
between us as the years rolled on—Penny would call my land line in Crystal
Lake, I would answer and on hearing her voice ask, “Who died?” She broke the
news about so many over the years and helped arrange memorial gatherings in the city that I would get to when I could.
Penny
had retired from teaching. In addition
to her continued activism with the IWW she now found time to engage in an old interest
in the environment. As usual she preferred hands on service to theory.
She adopted a wet-land prairie—Chicago’s
all but obliterated original environment, and worked regularly at it restoration. She also carefully monitored frog and amphibian
populations.
A
more than two years ago Penny got word that a cancer she had once beaten had
returned with a vengeance, spreading through her body. It was inoperable
but treatable with a rigorous but
debilitating regime of chemotherapy and radiation. Penny remained
both hopeful and realistic. She knew that she would become unable to
continue her activities and keep her long time apartment.
In the early '90s Penny Pixler formed a committee to bring out a new edition of the Little Red Songbook. One that would include more women & be international in scope.
ReplyDeletePixler insisted contemporary songwriters be included. Contributions from IWW organizers who wrote songs on the side like Judi Bari in Redwood country and Lenny Flank in Allentown were added as were songs from members who are musicians like Anne Feeney and worker educators like Elise Bryant.
Bernice Johnson Reagon, from the SNCC Freedom Singers contributed Ella's Song, a tribute to Ella Baker. Leon Rosselson shared The World Turned Upside Down. And Joe Hill's There is Power in the Union was printed next to Billy Bragg's There is Power in a Union.
That was controversial to some (see Big Red Songbook). But Penny was correct to demand that new Little Red Songbooks, like the earliest ones, address current issues. Thanks Patrick for your remembrance.
And thanks, Jeff for your important note. A perfect example of Penny's commitment and work.
DeleteAs reticent as she was Penny would have been embarrassed by all the accolades in this obituary. She wouldn't have appreciated it being posted on social media either.
ReplyDeleteA few notes. Penny struggled in school as a child. When her hearing loss, unknown to anyone, was discovered and corrected, she became an excellent student and went on to earn three college degrees.l think it was her way of saying, "I AM smart."
Penny was a voracious reader. When she made the decision to move to Colorado, several of us helped her pack thousands of her books. The topics ranged from international politics and history, women's studies and world religions, and poetry and Irish literature. I asked her, "Have you read all of these books?" She replied, "All of them. And some of them twice."
I think of her whenever I look at my (much smaller) collection of books. If there is a heaven I hope it has a good library. Penny wouldn't want to be there otherwise.