The cover of the Niles West High School literary magazine Apotheosis for 1967. |
Note—Today we are reaching far back in to the mists of time to a high
school in Skokie, Illinois where a hick kid from Cheyenne first stretched his
legs and dreamed of literary glory. I am
exposing the world to that amazingly pompous young fool with this selection
from Niles West’s annual literary magazine Apotheosis
for 1967. The amazingly patient and
encouraging Richard Gragg was the faculty sponsor but the selections were made
by a board of students. I was over
represented—four prose pieces and three poems.
I was deeply disappointed that all were credited to Pat Murfin instead
of the far more tweed-jacket-with-elbow-patches-and-pipe-smoking-dust-jacket-photo
P.M. Murfin under which I had submitted my work. Did I mention I was full of myself? This is
one of the prose pieces. More may be
forthcoming from time to time unless I come to my senses.
A Minor Parable
The string was stretched across
his path—not a really a string but a hairy-yellow twine of hemp. And a
crude paper sign dangled from the string, “Do not cut String.”
“I’m going
to cut it,” he said as
he fished for the
knife in
his pocket.
“It’s just a simple rule-don’t do
it.” She pleaded with him and there
was a kind
of fear in her eyes.
“I don’t like rules.” “Please don’t.”
“Why not ?”
She searched
her mind briefly
then answered, “Maybe
it holds the
world up.”
“A little
string ? It's only a rule. I
hate rules.” He opened the knife and cut the
string.
Nothing happened except the
string broke and
fell and the paper
came loose and
parachuted to the ground.
“Only a rule.” He took
her hand and they walked on.
The road was dirt and when it was
dry, they were surrounded by
beige-dusty clouds. When the road was wet, it clung to their boots and could not
be shaken. But they did not notice
the dust or
the mud. They walked
on.
At the end of the road was
a big building
of grey stone and
red mortar. It had a green tile roof and gothic-arched doorways.
The others said it was a beautiful building, but he looked at it and only
thought it was big. He reached for
the heavy silver
handle on the heavy ebony door
and with all
his strength swung
it open. They walked
in.
They were in a long hall with a high
vaulted ceiling. Purple tapestries hung
on the wall.
The floor was a golden mosaic. And the ceiling shined of mother-of-pearl.
“You are here,” the big man said.
“Yes, we have come.”
“You cut the string.”
“Yes.”
“It was against the rules.” “I don’t like rules.
“It was a bad rule, a stupid rule, an
unbeautiful rule.”
“It was a rule and rules are to be
followed.”
“A string should not fence in a man.”
“Would you rather
have iron bars?”
“I would have no barriers. But iron bars make more sense. To trap a man you need more strength.”
She saw that the big man was
getting angry and started pleading with him, “Please,
sir, it was only a
small rule. He didn’t hurt you.”
The big man turned to her. “He doesn’t
hurt me when he breaks the big rules. They
won’t let him. They will call him a criminal and kill him. But
if he breaks the little
rules—the ones they call silly—they will
call him a hero and break the rules themselves.
That’s what will hurt me.”
“I don’t like rules,” he
said. “The rule has been broken. The
rule is dead.”
She was frightened. “Please!”
And the big
man only turned
and walked rule
away.
—Pat Murfin ‘67
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