The passenger car installed by Elijah Otis on Broadway in 1857 was not as elaborate as this post-Civil War model, but it did the job. |
On March 23, 1857 Elijah Graves Otis, a former Yankee itinerant jack of all trades and tinkerer turned entrepreneur
installed his first successful
commercial passenger elevator in a four
story building at 488 Broadway
in New York City. After that, you should pardon the expression,
Otis’s fortunes were on the way up as
sales for his invention took off.
The lift made large scale multi-story industrial
and commercial building practical. In a few more decades it would be critical to the development of the sky scraper.
Otis’s invention was not so much the
lift itself—various kinds had been in limited
use for decades, mostly operating like over-sized
dumb waiters on a block and tackle
hoist. But these lifts were limited by the weight they could handle
and wear and tear on the ropes meant
that they often crashed when the cord
snapped. His breakthrough was an effective locking mechanism on a traction lift that prevented the platform or
car from falling. His safety
elevator soon made all other lift systems obsolete.
Otis was born on August 3, 1811 in
the small town of Halifax, Vermont just over the border
from western Massachusetts, even at
that late date a fairly rustic
almost frontier community. His
father was a farmer but as a boy was drawn to the village blacksmith shop where he was fascinated
with tools, making thinks, and tinkering. He may have served a kind of informal apprenticeship to the local
smith who appreciated the hero worshiping attention.
Restless
and determined to escape the fate of
a stone field farmer left home at age 19 determined to find something
better. Thus began his wandering years marked by a series of jobs and business ventures each requiring
the mastery of some new set of
skills.
He eventually settled in Troy, New York
where he worked as a teamster, carefully
saved his money, and kept an eye out
for opportunities. He married Susan A. Houghton in 1834 but later the same year contracted a nearly fatal case of pneumonia. He recovered and the couple had a son, Charles. By 1838 Otis had
saved enough money to buy property on
the Green River in the Vermont hills. He designed
and built by his own hands a gristmill on the river. When that failed to prosper he converted
it to a sawmill. When that didn’t work out, he turned to building wagons, for which he turned
out to be highly skilled. Just as he seemed well established with a
prosperous future, Susan died shortly after giving birth to a second son Norbert.
Eight year old Charles was already
working alongside his father, but Otis needed a mother for his second son who
was still in diapers. Finding no local
prospects, he sold his business and moved to Albany, New York where he found a second wife and a job as a doll maker Otis Tingely. Once again he quickly mastered his new
craft but was dissatisfied that in a 12 hour shift he could make only a dozen
dolls. Since he was on piece work he began tinkering with ways
to mechanize at least part of the
production. He invented a robot tuner—a lathe that could turn out multiple items following a master pattern. Although useful in turning out rough
parts of doll bodies, both Otis and his employer recognized it was much more
valuable for turning spindles used
in the production of bedsteads. From the production of no more than 50 pieces
a day on a single lathe, his new process
could make 200. His delighted boss bought his patent for $500, a respectable
small fortune.
Elijah Otis, invenerate American tinkerer. |
With that cash and his savings Otis
boldly opened his own business. He
invented and tried to market a safety
brake that could stop trains
instantly and an automatic bread
baking oven. Just as the business
was beginning to get established the city of Alban diverted the stream he was using to power his mill for its fresh water supply. He was ruined when he was left with no
way to run his machinery.
Embittered
he left Albany for good in 1851 and relocated with his family to Bergen City, New Jersey where he worked as a mechanic, then to Yonkers, New York.
He found an ideal opportunity in Yonkers when he was hired to convert a
deserted sawmill into a bedstead factory of which he would become the general manager. But first there was the problem of gutting the multi-story mill including
removing its heavy machinery and
tons of debris which he decided to
move to the top floor which he did
not plan to use. Working with his now
teenage sons, he devised his safety elevator because the rope-and-pulley
hoisting platforms used for such work often failed dramatically. The system worked perfectly and Otis was able
to get his new factory up and running.
But he considered it little more
than tinkering on the fly to solve an immediate problem. Otis did not immediately bother to patent his
invention or pursue marketing it. But
when sales at the bedstead factory began to decline, Otis decided to turn back
to that safety elevator design. In 1853
in partnership with his sons he founded the Union Elevator Works which quickly became the Otis Brothers, Inc.
The dazzling Crystal Palace, home of the Exhibition of the Industry of All Nations in New York Cit. |
Now all he had to do was convince potential customers to buy his innovation. It is always hard to sell people what they don’t think they need. Otis was frustrated with his initial efforts
but in 1853 a grand opportunity presented itself—the Exhibition of the Industry of All Nations, Americas first stab at
what became known as a World’s Fair
which was held that year in New York City’s Bryant Park in a Crystal
Palace inspired by the London
structure of the same name built in 1851 for the original Great International Exposition.
The New York exhibition may have
been a pale copy of its British inspiration but it dazzled
Americans with displays of the latest industrial
and technological innovation. Walt Whitman in his poem The Song of the Exposition enthused:
... a Palace,
Lofter, fairer, ampler than any yet,
Earth’s modern wonder, History’s Seven out stripping,
High rising tier on tier, with glass and iron facades,
Gladdening the sun and sky-enhued in the cheerfulest hues,
Bronze, lilac, robin’s-egg, marine and crimson
Over whose golden roof shall flaunt, beneath thy banner, Freedom.
Lofter, fairer, ampler than any yet,
Earth’s modern wonder, History’s Seven out stripping,
High rising tier on tier, with glass and iron facades,
Gladdening the sun and sky-enhued in the cheerfulest hues,
Bronze, lilac, robin’s-egg, marine and crimson
Over whose golden roof shall flaunt, beneath thy banner, Freedom.
Newly inaugurated President Franklin Pierce still reeling from the death of his son
in a freak railroad accident on
the way to Washington to assume
office, managed to bestir himself from
the alcoholic stupor he kept himself
in and managed to come up to New
York to bless the opening of the
Exposition with Presidential dignity in
July of 1853. A then astonishing 1.1
million visitors attended the fair in the 18 months it was open.
With an audience like that and breathless
accounts of the exhibits and doings filling newspaper columns across the nation, Otis got in on the action. He and his sons constructed a working three story high open platform lift in
the Crystal Palace. To inaugurate his exhibit before record breaking crowds, he enlisted the
aid of the nation’s leading promoter and
entertainment impresario—Phineas T. Barnum himself.
That's supposed to be P.T. Barnum himself on the upper platform with the sword he just used to cut the rope on Ots's lift platform. |
One afternoon at the Fair in 1854
Otis stood on the open platform of his contraption
along with several barrels and crates weighing several hundred
pounds. He demonstrated that the
platform would lift him and the freight and
that it could lower it again. That in
itself did not astonish the audience—they had seen or heard of other lift
devices. But then he brought out Barnum
who with much fanfare swung a broadsword
severing the hoist rope with the
platform still high above the heads of
the crowd which gasped in horror. The
platform dropped, but only a few
inched—its fall was jarringly but effectively arrested by Otis’s safety
break gizmo. The crowd went wild. The demonstration was repeated daily—minus Barnum—always with the same satisfying results.
Orders for his commercial lifts
began pouring in sales doubled every two years.
But it took three years to persuade a developer to install one for passenger
use in a commercial building. The success of his Broadway instillation in
1857 finally led to that market opening up as well.
Otis continued to tinker on
improvements, including a three-way
steam valve engine, which could transition
the elevator between up to down smoothly and stop it rapidly. He wrapped up several other clever improvements in
a new 1861 patent, which became the basis for all modern elevators. Meanwhile the restless inventor returned to
his old projects and patented versions of his engineer-controlled railway breaking system—state of the art until George
Westinghouse’s air breaks decades later and his industrial scale bread baking ovens.
Then at the age of only 49 and a
seemingly limitless future ahead of him,
Otis contracted diphtheria and died on April 8, 1861 just as the nation was headed
into Civil War.
His company came into the capable hands of his sons. Charles, who had tinkered alongside of his
father for years, became a respected engineer
who continued to develop new patents for the company and supervise sometimes
complex installation projects. Younger
son Norbert turned out to be a gifted
executive who shrewdly guided the
growth of the company.
Although the turmoil of the Civil
War somewhat impeded the growth of the company, it took off in the post-war industrial boom and especially
with the explosive growth of cities whose
crowded central cores demand taller and taller buildings. The introduction of steel girder frame construction was the breakthrough that led to true
modern skyscrapers. The Otis
Elevator company kept up with innovations that made reaching for the stars possible.
The company also developed the escalator.
The familiar Otis plate on the floor door sill of almost every elevator you will step on. |
Otis Elevator remained in private
hands for many years but is now a division
of the conglomerate UTC Climate, Controls & Security. The Otis brand, however, remains the gold standard in
elevator construction, installation, and maintenance.
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