Centered Resistance in Baton Rouge. |
In case you didn’t know it or had
forgotten, this year’s National Poetry Month blog post series has
general theme—poems and poets of resistance—in
response to the troubling and dangerous times in which we
live. Now that still covers a lot of ground. We have been encouraged
by voices who have come before us and inspired by
those who live this very day in peril and rank injustice.
By its very nature the poetry of resistance can come off as strident. It
often pulls no punches and cares not what toes are stepped on or
what tender egos are bruised by uncomfortable truths. Many
are calls to action and revolt at great risk to
ourselves. But other poems are almost litanies of despair—they
lay out crimes, injustices, and brutalities. They claim
victimhood in order to lay out the moral grounds of resistance—the
very urgency that makes us go beyond polite protest and established
avenues of socially acceptable activity into resistance where the stakes
are far, far higher.
That is all as it should be.
As it must be. But there is also a different kind of resistance
poetry—one which calls on each of us calm our souls in the midst of violence
and chaos, to center ourselves in love so that we don’t transform
our opponents into the Others so completely devoid of decency and
so embodying and empowering evil that we no longer even see
them as human. Down that road lies becoming what we despise—instead
of voice of the people we can slip into becoming Robespierres, Stalin, or
Pol Pots.
So let us turn now to what might be
called Zen and the Art of Revolution Maintenance.
For inspiration, I have turned to
some talented fellow blogger/poets who are also Unitarian
Universalist ministers or lay people.
The Rev. Lynn Unger. |
The Rev. Lynn Unger is the Minister
for Lifespan Learning at Church of the Larger Fellowship, the UUA
congregation that serves members across the country and the world,
most of whom do not belong for one reason or another to a brick and
mortar church. It is by far the largest congregation in the
UUA. She studied writing at legendarily progressive Reed
College in Oregon and graduated from Star King School for
Ministry in California. She is a single dog lover living
in Castro Valley, California. Breathe, said the wind appeared
in Quest for Meaning, the on-line
publication of the Church of the Larger Fellowship.
Breathe, said the wind
Breathe, said the wind.
How can I breathe at a time like this,
when the air is full of the smoke
of burning tires, burning lives?
Just breathe, the wind insisted.
Easy for you to say, if the weight of
injustice is not wrapped around your throat,
cutting off all air.
I need you to breathe.
I need you to breathe.
Don’t tell me to be calm
when there are so many reasons
to be angry, so much cause for despair!
I didn’t say to be calm, said the wind,
I said to breathe.
We’re going to need a lot of air
to make this hurricane together.
—Rev. Lynn Unger
The Rev. Theresa Novak |
The Rev. Theresa Novak has
been featured in a previous National Poetry Month entry. She frequently
posts insightful poetry on her blog Sermon, Poetry, and Other Musings. A
graduate of the University of California at Berkley, she had a career as
a Social Security Administration manager before enrolling at Star King
and embarking on a second career as a minister. She is the Minister
Emerita of the Unitarian Universalist Church of Ogden in Utah.
She lives in California with her wife.
Morning Light
There is a special quality of light
As a new day dawns
The shadows are still dark
Danger can lurk undisclosed
But every budding leaf
Of each new tree is also revealed
Dew sparkles like shattered glass –
Or chains
Seize the day
Open eyes can
Bring about the dawn
There is nothing more beautiful
Than justice reborn.
—Rev. Theresa Novak
Tina L. Porter. |
Tina L. Porter is a UU
laywoman who lives in Waterville,
Minnesota with her husband and children. She graduated from her hometown high school in Cherokee, Iowa. She is a support professional at Nu Horizons of Southern Minnesota which provides adult
care for clients with developmental
disabilities, mental illness, traumatic brain injuries, chemical dependency, and the elderly with
dementia. B.
Safe was written last January on the eve of the Women’s March
on Washington and its sister marches and was posted on her blog Ugly
Pies
B. Safe
“B. Safe” she wrote on my wall
as I ready myself to join
a wall of resistance.
as I ready myself to join
a wall of resistance.
B. Safe.
B. Safe.
B. Safe.
B. Safe.
B. Safe.
It rings in my ears
almost like it always has
almost like it always has
B. Safe.
Don’t ride the bus that late
Don’t walk alone at night
Don’t leave your drink
Don’t wear that skirt
Don’t travel alone
Don’t be alone
Don’t be
Don’t.
Don’t walk alone at night
Don’t leave your drink
Don’t wear that skirt
Don’t travel alone
Don’t be alone
Don’t be
Don’t.
B. Safe, she wrote,
and it rings in my ears
almost like it always has
almost
and it rings in my ears
almost like it always has
almost
Isn’t this part of
why we are marching
With thousands of others
who are limited
or limit themselves,
through fear for their safety?
why we are marching
With thousands of others
who are limited
or limit themselves,
through fear for their safety?
Especially us pale women
who somehow got the notion
that we could have an expectation
of safety, however false
who somehow got the notion
that we could have an expectation
of safety, however false
Unlike our sisters of color
who were born knowing
they’d never be safe
in a world that criminalizes,
dehumanizes, detains and
defames their bodies
for the crime of pigmentation
who were born knowing
they’d never be safe
in a world that criminalizes,
dehumanizes, detains and
defames their bodies
for the crime of pigmentation
B. Safe, she says,
and I almost hear it
like I usually do.
and I almost hear it
like I usually do.
In my head I tell her
I’m marching with joy
and in celebration
with daughters at my side
a mother at my back
a husband “safe” at home
I’m marching with joy
and in celebration
with daughters at my side
a mother at my back
a husband “safe” at home
and a pocket full of souls
I carry with me–
names etched
in my chicken scratch
on paper scraps
that reminds me how vast
one person’s reach can be.
I carry with me–
names etched
in my chicken scratch
on paper scraps
that reminds me how vast
one person’s reach can be.
We are resisters. Sisters.
Brothers, and more.
Building a wall
that expands
with the pulse of a
heartbeat or a
bass line or a
double-dutch rhyme
Brothers, and more.
Building a wall
that expands
with the pulse of a
heartbeat or a
bass line or a
double-dutch rhyme
A wall of acceptance
plastered in rainbows
and raised fists
and the names of those
that led us here
to dance upon the arc
of justice that bends just so
we don’t see the end
plastered in rainbows
and raised fists
and the names of those
that led us here
to dance upon the arc
of justice that bends just so
we don’t see the end
but
we dance
finding ourselves
with ourselves
and not one of us says
B. Safe.
finding ourselves
with ourselves
and not one of us says
B. Safe.
Because we
are, together.
—Tina
L. Porter
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