A cannon during a performance ignited the Globe Theater's thatch roof |
Folks who have
been involved in theater, amateur or professional, love to swap
yarns about various disasters in
front of live audiences. Ask me
sometime about when the set fell on my
head in the middle of Jules Feiffer’s
Little Murders at Shimer College.
But even the most grizzled theatrical veteran would have
a hard time topping what happened to
the cast of Henry VIII on June 29,
1613. During a performance a cannon sparked a fire in the Globe
Theater’s thatched roof, burning the
structure to the ground. Fortunately
no one was seriously injured,
although one actor was said to have suffered an indignity to his pants.
The Globe, of
course, was the famous London theater where William Shakespeare had most of his plays produced and where he
appeared in many of them as an actor.
Henry VIII is today one of The Bard’s less produced plays, both because of the liberties taken with the well
known historical facts of Henry’s reign and because of suspicion that it was either co-authored
or heavily tinkered with by another
Globe playwright, John Fletcher.
The Globe was constructed from timbers of an earlier venue known simply as The Theater in 1599. It was built
on leased land and when the lease
was up, the landlord claimed the
building, which was owned by an
association of actors. To retrieve their property the actors hired a carpenter, Peter Street and joined him in disassembling the building in
December of 1598 while the landlord was celebrating Christmas in the country.
The material was hidden until
the next summer when it was floated across the Themes and the new theater
constructed on marshy ground south of Maiden
Lane.
The new building
evidently substantially re-created the
original, although it may have been enlarged. The Globe was owned originally by six actors
who were shareholders in the theatrical troupe The Lord Chamberlain’s Men. One
of the six was a minority share
holder, Will Shakespeare himself. The
building was an open air amphitheater
about 100 feet in diameter contained
in a building three stories high. Although described
as The Wooden O and portrayed in the only contemporary sketch, by Wenceslas Hollar, archeological
evidence now suggests that it may have been a twenty-sided structure.
Three levels of stadium stile boxes were protected
under an over-hanging thatched roof
were built on to the interior walls. Surrounding an apron stage about 43 by 27 feet and raised five feet was a large open area where groundlings paid a penny to stand and watch performances while their betters lounged in the boxes. As many as 3000 people could be jammed into the theater, which was one of
London’s most popular places of
amusement.
The design of the
theater was believed to mimic the inn
courtyards where traveling
theatrical troupes performed in earlier days.
Shakespeare had retired by the time the second Globe was erected, but his plays remained a staple of the resident company. |
Shakespeare himself
at about age 50 seems to have retired from active involvement in the Lord Chamberlain’s Men about the time of
the fire, and perhaps because of
it. When a second Globe was erected on the foundation of the first in 1614 he seems to be gone, although his plays continued to be revived as the source of most of the troupe’s material. He died
in his home town of Stratford-upon-Avon
in 1616.
The new Globe
continued on until something even more
deadly than fire befell it—Puritans. It was closed by order of the Cromwell
government in 1642 and probably
razed two years later to make way
for tenements.
Dominic Rowan and Kate Duchene perform as the King and Queen Katherine in Henry VIII at Shakespeare's Globe. This time the place did not burn down. |
In 1997 Shakespeare’s Globe, a modern reproduction of the first
theater, opened a few yards from the
original site and regularly produces
plays from the Shakespeare cannon. Eight years ago during a cycle of all of the Bard’s history
plays Henry III received a rare revival there. This time the cannon fired safely. Everyone was relieved.
No comments:
Post a Comment