It Could Have Been Me by Holly Near.
It’s
the 50th anniversary of the Kent State shooting. You probably noticed. It has been all
over social media, especially posts
from geezers like me old enough to remember it and to have participated in the aftermath. I don’t know exactly how this fits into our Home Confinement Music Festival except
it should not go unnoticed and the
fact that perhaps the deep divisions the
shooting had on society then are mirrored by those over the Coronavirus
lockdown and response today.
The sleeve to Crosby, Stills, Nash & Young's single Ohio.
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Kent
state inspired a remarkable number of songs
and musical commemorations. The best
known of course is Ohio written by Neil Young for Crosby,
Stills, Nash & Young. It is
ubiquitous and you have probably seen at least some postings of it. Other songs
included English singer/songwriter Harvey
Andrews Hey Sandy for victim Sandra
Scheuer, Steve Millers’ Jackson-Kent
Blues from the Steve Miller Band
album Number 5, The Beach Boys’
Student
Demonstration Time on Surf's Up with new lyrics by Mike Love for Leiber & Stoller’s Riot in Cell Block Number Nine, Bruce Springsteen’s Where
Was Jesus in Ohio, actress
and singer Ruth Warrick’s 41,000
Plus 4—The Ballad of the Kent State, Dave
Brubeck’s cantata Truth Is Fallen, and Barbara Dane’s The Kent State Massacre
written by Jack Warshaw on her 1973
album I Hate the Capitalist System.
But
today we are sharing the very personal It Could Have Been Me written and
performed by Holly Near. Near was never a rock or pop sensation and
although a gifted and prolific singer/songwriter never really
fit into to the folk music niche. But she
cultivated a devoted following for
her feminist, LGBTQ, and social protest music that has endured
for decades. Among her beloved songs is Singing
For Our Lives which is included
in the hymnal of the Unitarian Universalist Association Singing
the Living Tradition, under the title We Are A Gentle, Angry People.
Holly Near in the mid 1970's.
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Near
recorded It Could Have Been Me in
1973 at a live performance for her
1975 A
Live Album. In our YouTube clip Near’s spoken introduction is nearly inaudible but hang in there, her beautiful clear voice soon comes
in. The song was done a
cappella as were many of her stage performances.
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