Today
is the last Sunday of the liturgical Christmas Season and so an
apt time to dip into a really ancient
Christian carol which covers the whole arc of the Nativity story from the arrival of Mary and Joseph in Bethlehem through the visit of the Magi.
The Wexford Carol is a traditional
Irish carol from Enniscorthy in County Wexford.
The Wexford Carol, sometimes
known by the name of the town of Enniscorthy or by its first line “Good people all this Christmas time.” It is sometimes ascribed to the be from the early Middle Ages, but musicologists and folklorists now believe that it likely was composed in the 15th or 16th Century based on its musical and lyrical style.
The
oldest recorded lyrics were in Gaelic. William Grattan Flood, the organist and musical director at St. Aidan's
Cathedral in Enniscorthy, transcribed
the carol from a local singer and it
was published in The
Oxford Book of Carols in 1928.
From that it was included in
many of the carol books printed
around the world as well as some denominational
hymnals.
Yet
it remained a rather obscure song seldom performed, perhaps because it
was originally circulated with the admonition that only male voice could perform it. It began to have
new found popularity when female singers
including Julie Andrews in 1966 and Loreena McKennitt in 1987 defied
tradition and recorded solo versions. Notable choral
versions include those by the English
boy choir Libera in 2013 and the Mormon
Tabernacle Choir three years later.
The Wexford Carol has lately
become more popular in Irish and Celtic
music circles. The Celtic Women
included it on their 2006 Christmas album and it was title track on the 2014 collection of traditional Irish Carols by
the Irish early-music singer Caitríona
O’Leary, with Tom Jones, Rosanne Cash, and Rhiannon Giddens. Irish folksinger Cara Dillon featured the song on her 2016 album Upon
a Winter’s Night.
Today’s
rendition is a collaboration by country and roots music star Alison Krauss and cellist Yo Yo Ma recorded
for Ma’s 2008 holiday album, Songs
of Joy and Peace. Krauss forgoes
her fiddle to sing ethereally. The arrangement includes traditional Irish instruments
including bag pipe, bodhrán drum, and
finger chimes.
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