There may not be a Don McLean song to commemorate the occasion,
but March 5, 1963 was surely another day
the music died. On that day a small plane carrying Patsy Cline and fellow Grand
Ol’ Opry stars Cowboy Copas and
Hankshaw Hawkins went down on the
way home to Nashville from a Kansas City benefit. The three stars and two others were killed in
the crash in remote woods near Camden, Tennessee.
Learning that the plane was missing in the area friends from Nashville joined in the frantic search. The crash
site was discovered by Roger Miller,
one of the many young artists Cline
had mentored.
Roger Miller, overcome by grief, at the crash site he discovered. Hankshaw Hawkins's guitar strap and a boot lie at his feet.
Born Virginia Patterson Hensley in Winchester, Virginia in 1932 to a
sixteen year old seamstress and her blacksmith husband, she was performing
in local talent shows and clubs by her mid teens. During a short lived marriage to Gerald Cline in the early ‘50’s she
began performing as Patsy Cline.
Cline was soon being featured on a local Washington, DC TV program along
another rising young country star, Jimmy
Dean and signed a recording contract with Four Star Records. She
enjoyed middling success recording,
at the label’s insistence, material not suited for her rich voice and emotional
delivery. Still, she was getting
enough attention to be invited to occasionally appear on the Opry.
In 1957 she competed on Arthur
Godfrey’s Talent Scouts, one of the most popular shows on television.
Godfrey insisted that she abandon
the cowgirl outfits her mother made
for a sophisticated cocktail dress. She sang her recently recorded Walkin’
After Midnight. She won the competition handily. The
song was released as single and soared to the top of the country music and pop charts. Cline regularly appeared on Godfrey’s radio show and became a featured performer on the Ozark
Jubilee on ABC.
Patsy on her 1957 wedding day to Charlie Dick.
Cline was touring regularly and was a fast
rising star when she married Charlie
Dick. Despite rumors of abuse, she always called Dick the “Love
of my life.” Together they had two children,
Randy and Julie who her mother helped raise while she was on tour. After her death Dick dedicated much of the
rest of his life to preserving Patsy’s
memory.
With a new manager Cline was finally
released from her restrictive Four
Star contract and signed with Decca in
1960. She enjoyed country and pop
success with a string of hits that featured full orchestration and elaborate
production values, the so-called Nashville
Sound. Her first Decca record I
Fall to Pieces set the standard for the new sound and new success.
By 1961 Cline became a member of the Opry and was soon one of its biggest stars. She befriended and mentored many artists,
especially women like Lorretta Lynn,
Dottie West, and Barbara Mandrel. But she could also hang out with male performers matching beers and dirty jokes. Incredibly
generous she often supported
struggling performers, even brining them into her home. Cline was the best loved woman in Nashville.
Her high ride almost ended in a near fatal car crash in 1961 in which
she was thrown through the car’s windshield. Dottie West rushed to the scene and cradled her injured friend picking
glass out of her hair. Cline declined treatment in the hospital
until the other driver was cared for.
That driver died, and the delay may have made Cline’s injuries
worse. She suffered a broken hip, several broken ribs, and a deep,
long gash on her forehead.
After her auto accident in 1961, Cline's appearance dramatically changed as she used wigs and heavy makeup to cover a serious scar on her forehead.
The rest of her life she had to hide the scar under wigs and heavy make-up. Ever the trooper, she returned to touring while
still on crutches.
Her recording of young songwriter Willie Nelson’s Crazy
became the biggest hit of her
career. Cline became the first woman in
country music to have her own show at Carnage
Hall. She also sang at the Hollywood Bowl and headlined her own show
in Las Vegas.
Patsy Cline was only 30 years old
when she died. As so often happens after
the tragic early death of star she has since become a cultural icon.
Cline was featured in at least two notable feature films and two made-for-TV movies. In 1980 she was
played by Beverly D’Angelo in the Loretta Lynn biopic Coal Miner’s Daughter. Five
years later she got her own biopic, Sweet Dreams staring Jessica Lang and Ed Harris as her husband Charlie Dick. The film was criticized for put Cline’s
career on the back burner instead focusing on the melodrama around her tempestuous
marriage. None-the-less Lang
garnered and Academy Award Nomination for
her star turn.
In 1995 Big Dreams and Broken Hearts: The
Dottie West Story. a film about
the life and career of Cline’s friend Dottie West played on CBS with Tere Myers as Patsy. Yet another take on the relationship with
Lynn, Patsy & Loretta was 2019 Lifetime with Broadway star
Megan Hilty as Cline. Directed by the Academy Award-winning
screenwriter Callie Khouri the film
was co-produced by Lynn’s daughter and Cline’s daughter, Julie Fudge.
Cline was also featured in Ken Burn’s epic PBS series Country Music.
On the stage the 1985 off-Broadway two
person play Always...Patsy Cline based on the friendship and correspondence
of the star with a Houston fan has become a staple of regional and dinner theater productions. A 1991 production, A Closer Walk with Patsy Cline
is a more straight forward account of Clines career featuring many of her most
famous songs. It is also regularly
staged.
To this day no one sings a song with
emotional intensity of the girl from Winchester.
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