Time to inflict more of my juvenilia as published in Apotheosis,
the Niles West High School
in Skokie, Illinois student literary magazine way back in 1967, which a keen historians will note was shortly
after the invention of the wheel.
I was way over-represented in the little book, probably simply because I
had the audacity to dump the most material, short prose and poetry alike,
into the selection file. At any rate, most everything I submitted
got printed, which is an indictment of
the editing skills of 17 year-olds.
Both of these short poems have spring themes and were completed
shortly—probably just days—before the final submission deadline. Inspired
by my Advance Placement English
Literature class which had a textbook
with a generous selection of
poetry—something current high school
students are seldom even shown—I
had been seriously reading verse on my own for the first time. And it showed.
The first verse proved that mere exposure to
quality poetry was not sufficient to inoculate me from
committing crappy imitations. Although I had a potentially interesting central image, I had no idea what the hell
to do with it. I over explained it and contorted
a closing. The piece was inspired by one of the late evening rambles I had lately taken up, mostly on the assumption that it was what broody, melancholy young poetic
geniuses did.
A Midnight
Stroll Through Early Spring
When the
midnight sky is indigo purple rubber
stretched taught over a lamp
and pin pricked a million times,
smally sliced once in cuticle shape
so that the light from the lamp
gleams though—but dimly, dimly
And when
beneath the rubber sky
a hostile light of glaring nakedness
strung loosely over the street
dances in the wind
Then,
because the light dances
and the wind plays also
on the black lace twigs
of the high tree tops
The
intricate shadows thus cast
move smoothly and rapidly
over the tender, wet nurtured lawn
and dirtied, cracked sidewalk
And I walk
there in anguish
and step upon the moving shadows
and crush them thus
upon the dirtied, cracked sidewalk
—Pat Murfin ‘67
The
second poem was a blatant attempt to ape the style, as far as I understood it, of e.e. cummings with a dash of the Beats a la
Lawrence Ferlinghetti. It’s a little better and shows some dim promise. The most astonishing
thing about it was that with its semi-graphic
abortion image it was printed at all in a high school
publication. The only explanation is that faculty advisor Richard Gragg slipped
it passed Principal Nicholas T. Mannos
because he was sure the boss would never slog through the effusions of pimply faced,
hormonal teenagers. Likewise conservative
parents, of whom the school had plenty,
evidently chose only to scan their own progeny’s contributions.
My own mother did read it and
nearly fell out of her chair,
but she hardly dared draw more attention
to her shame by storming the school and demanding
the magazine be squelched and recalled.
A woman contemplating a self-abortion with a knitting needle in the BBC series The Last Post. What the hell did I know, or think I knew, about such things?
April is a
Bad Month For…
April is a
bad month for Coke
and the flies
gather on the droppings
drop, drop
while the clods slip off
the steal plowshare.
Robins die
with boyish arrows
in their throats,
children dance
round and
again
on silver-slick grass
of the graveyard.
Abortion
with a knitting needle
and greasy hands
interrupts prematurely
the expected rebirth
of earth.
April is a
very bad month for Cokes.
—Pat Murfin ‘67
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