It
looks like the annual Murfin Winter
Holiday Music Festival comes just in the nick of time this year—after two
years of Coronavirus isolation everyone seems ready to burst out with a
little old time Christmas/Holiday spirit and celebration.
Significantly
some folks have been playing Holiday music for weeks now and the usual No-Christmas-music-‘til-after-Thanksgiving
militants are even cutting them some unexpected slack.
If
you have been Jonesing for some festive tunes, this is the place.
The Annual Murfin Winter Holidays
Music Festival works like this. Every
year on the First Sunday of Advent
until the Feast of the Epiphany—the Day of the Three Kings—on January 6, I
will post a seasonal song, not only sacred and secular Christmas favorites, but songs celebrating the many winter
festivals observed during this time of year including Hanukkah, St. Nicholas Day,
Santa Lucia, Winter Solstice,
Boxing Day, and New Year’s. I try to mix up the familiar with
what might not be so well known
including songs from different cultures and
new music. Of course, there will be plenty of time and
space for the old chestnuts. Regular followers know that I am especially
fond of the secular songs of the Golden Age of American Christmas Music
which stretched roughly from the early 1930’s to the late 1970’s.
I am also eager to get suggestions and requests. You can message me on Facebook, e-mail pmurfin@scbglobal.net
, or post a comment to a blog
entry.
Today
in most Western Christian churches
is the first Sunday of Advent, the four week liturgical season of anticipation
of the birth of Christ.
Although most Americans call
the whole time from Thanksgiving to December 25 the Christmas
Season, Christmas was the 12 day
period from the Nativity to the Feast of the Epiphany on January 6. In churches only hymns of prophesy of a coming Savior, songs of Joseph and Mary on their journey to the City of David, and finally announcement
carols on Christmas Eve were
sung during Advent. Songs of celebration
of the Birth come after.
In
most churches in addition to specific Bible readings light the first of the four candles on an Advent
wreath as part of their services.
The first candle represents Hope.
In
the U.S. unless there are 5 Sundays
in November, the First Sunday of
Advent follows Thanksgiving and elements of that holiday are often also part of
the services in many Protestant
congregations.
Adrianus Valerius wrote the patriotic Dutch song Wilt heden nu treden in 1597 and is still considered national Hero in The Netherlands.
So,
it is fitting to start off our Music Festival with one of the most beloved
Thanksgiving carols, usually known as We Gather Together. Origin written in 1597 by Adrianus Valerius as Wilt
heden nu treden to celebrate the Dutch
victory over Spanish forces in
the Battle of Turnhout it was thus a
patriotic song rather than a religious one. But of course, it had religious overtones
in that it celebrated the defeat of Catholic
Spain over the mostly Reform Dutch
patriots whose congregations could finally worship safely free from fear
of the Inquisition. Which is why you will probably rarely hear it sung at a Mass.
It
was originally set to a Dutch folk tune
and was introduced in America an American hymnal in 1903. When the Dutch
Reformed Church in North America
decided in 1937 to abandon the tradition of singing only Psalms and add hymns in church
services, We Gather Together was chosen as the first hymn in their first hymnal.
It soon spread to other denominations,
notably in the influential Methodist hymnal. Church music
historian Michael Hawn explained the song’s new popularity, “by World War I,
we started to see ourselves in this
hymn,” and the popularity increased during World
War II, when “the wicked oppressing”
were understood to include Nazi Germany
and Imperial Japan.
There
are several different translations from
the Dutch and other adaptations
published under a variety of titles. Unitarian
Universalists warble We Sing Now Together with lyrics by Edwin T. Becher. But
probably the most popular version has lyrics by Thomas Baker was arranged for Choir and congregation by Stephen Paulus. That is what we will hear today performed
by the First United Methodist Church of Houston, Texas under
the direction of Cynthia Douglas and accompanied by Jay Whatley.
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