Don't Let the Rain Come Down by the Serendipity Singers.
It’s
an all-day rain event in these parts
with maybe heavy thunder boomers
this evening. Coming on the heels of a major gully washer
two days ago most of northeastern
Illinois is under a flood advisory. It’s enough to make a body shout don’t let the rain come down. Which brings us to today’s Home Confinement Music Festival feature
by the Serendipity Singers.
The
group originated on the campus of the University of Colorado in the early 1960’s as the Newport Singers—a tip-o’-the-hat to the
famous folk festival which they aspired to be invited to. They performed extensively in the Rocky Mountain Denver-Boulder Front Range
region in 1963 before moving to New
York with most of their original members to crash the Greenwich Village folk scene. They
were in the mold of other clean-cut
groups off the college campuses like the Brothers Four and New Christy
Minstrels which sought a niche
between folk traditionalists and the
scruffy, scary emerging protest music scene.
After
changing their name to the Serendipity Singers the group’s rise was
astonishingly swift. New York pro Bob Bowers became the group’s musical director and helped then
develop a play list of mostly original material. Fred Weintraub owner The Bitter End Café featured them in a series of performance
leading to appearances on six episodes
of ABC TV’s Hootenanny show in the fall of ’63. That in turn got them a recording contract
with Philips Records. The experience must have been head-spinning.
The Serendipity Singers' self-titled debut album on Philips was a big hit. |
In
1963 The
Serendipity Singers was the group’s first album and included Don’t Let the Rain Come Down (It Takes a
Crooked Man) went to #6 on the Billboard Hot 100 list and #2 on the magazine’s Adult Contemporary chart. The
song also was nominated for a Grammy for
Best Performance by a Chorus 1965. Their follow-up single Beans in My Ears hit #30
on the Hot 100 and #5 on the AC chart a few months later. Amazingly that song was banned by several
radio stations and the Ed Sullivan Show for “encouraging
dangerous behavior in children.” That
was about as controversial as the
group got.
For
a year or so they were a hot commodity
on the TV variety show circuit. In addition to the Sullivan Show they were seen on Hollywood A Go-Go, Shindig!,
The
Dean Martin Show, and The Tonight Show. Then almost as
fast as their rise came a decline with
the full brunt of the British Invasion. They made five more albums for Phillips
through 1965 until cut by the label.
The group was a popular TV attraction. Here they host an episode of Hullabaloo. |
The
make-up of the group roiled with departures of most of the original members
and a rotating cast of replacements
among them folk singer and storyteller Gamble
Rogers who toured with them for a few months in 1966. In 1967 they signed with United Artists Records and tried to shift to a more electric sound. They only released one album with UA before
the last of the original members left the group in 1970 and sold the rights to
their name.
Various
line-ups toured as the Serendipity Singers into the early 21st Century, the most successful led by Laura McKenzie which made a series of mostly holiday themed syndicated TV
shows in the early ‘90’s.
In
1999, most the Serendipity Singers’ original members reunited for a concert for
the first time since 1966 at Branson,
Missouri’s Celebrity Theater as part of the Fifth Annual Cruisin’ Branson Lights Festival. A number of the group members reunited again
for the 2003 PBS special and DVD release of This Land is Our Land: The
Pop-Folk Years. Billed as A
Serendipitous Reunion, the group sang, Don’t
Let the Rain Come Down, Down Where the Winds Blow, and Waggoner
Lad.
That
the same year that the folk music mockumentary
A
Mighty Wind did a send-up of
just such a show. The New Main Street Singers in the movie were based on the Serendipities and
the New Christy Minstrels.
The New Main Street Singers featuring John Michael Higgins and Jane Lynch on the left in the movie A Mighty Wind were modeled on the Serendipity Singers. |
As
for Don’t Let the Rain Come Down, it
was based on a traditional English nursery
rhyme The Was a Crooked Man. The song was first recorded as Crooked Little House by Jimmie Rodgers with songwriting credits
to Ersel Hickey, an American rockabilly singer, and Ed E. Miller.
Bob Bowers with
group members Bryan Sennett and John Madden completely re-imaged the
song as a calypso number for the Serendipity
singers. On the single and album it was
initially credited as traditional but
later issues on compilation and live albums credited Sennett and Madden
as the writers. Shortly after its initial success it was covered by The
Brothers Four, Trini Lopez, and
Ronnie Hilton in the United Kingdom.
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