Note—We will have another two-fer on New Year’s Eve.
Back
in the day everyone who was not a misanthrope
or a shut-in went out on New Year’s Eve. The toffs
wore their white ties and tails and
elegant evening gowns and furs to don paper hats and dance the
night way to orchestras in sprawling
Art Deco ballrooms. At least that is what all of the old movies taught the rest of the Depression and war weary populous. But
those average Joes and Jills also went out and celebrated with
their own funny hats and noise makers in
urban ballrooms, lodge halls, piano
bars, and neighborhood saloons. And it was not just attractive young
people. Period photographs reveal that revelers
include many middle age and older couples.
Drunk driving enforcement and cozy stay-at-home TV extravaganzas have been
eating away at New Year’s Eve revelry for years. And of course this year the Coronavirus precautions will leave the crystal ball to drop in an empty Times
Square and in most places clubs and
nightspots are shuttered or open to extremely limited
capacity. Dancing and smooching at midnight which cannot conform to social distancing or mask-wearing
will be discouraged in all but the kamikaze
you-can’t-tell-me-what-to-do-libtard states.
New Year's Eve--the romantic dream.
But
way back when for those who were not married
or already romantically involved the
question what are you doing New
Year’s Eve was of vital importance. Nobody wanted to be alone on New Year’s and
everyone wanted someone to kiss at
the stroke of midnight. That is what songwriter Frank Loesser had in mind in 1947 when he made the
question into a song—What are You Doing New Year’s Eve. Although it was performed on radio shows that often featured the
popular composer’s work, it didn’t
become a hit until 1949 when the early doo-wop
group The Orioles hit #9 on Billboard’s
Rhythm & Blues chart.
Ordinary folks of all ages celebrated in more modest venues like lodge halls and even church basements in Sears party dresses and off-the-rack suites.
Despite
that success, the song did not become an instant standard or holiday
favorite. In fact it languished
seldom recorded until Nancy Wilson hit
#17 on Billboard’s Christmas Singles chart in 1965. Two years later the same recording returned
to the Holiday Chart. Wilson’s silky and sexy, take helped make the song a something of a jazz standard sung by the likes of Ella Fitzgerald and Nat King Cole.
But
the song still didn’t register as a pop
standard until the new century and
streaming video from YouTube made it go viral. In 2011 an utterly
charming impromptu duet with Zooey Deschanel and actor Joseph Gordon-Levitt made a splash
ultimately attracting more than 20 million hits. And in 2017 Scott Bradlee’s Post Modern Juke Box covered the song featuring vocalists Rayvon Owen and Olivia Kuper Harris and has registered
more than a million views.
But
the song still didn’t register as a pop
standard until the new century and
streaming video from YouTube made it go viral. In 2011 an utterly
charming impromptu duet with Zooey Deschanel and actor Joseph Gordon-Levitt made a splash
ultimately attracting more than 20 million hits. And in 2017 Scott Bradlee’s Post Modern Juke Box covered the song featuring vocalists Rayvon Owen and Olivia Kuper Harris and has registered
more than a million views.
But
today we are featuring the earliest
recording of Loesser.s song by thrush
Margaret Whiting in 1947. She was
the protégé of singer/lyricist/record label executive Johnny Mercer who signed her
to his Capital Records label in 1942
when she was just 13 years old. Mercer
helped her get established as a nightclub
singer despite her youth and as a regular on radio. He featured her as a vocalist on orchestras under contract
with Capitol and eventually putting out her solo recordings. At one
point Whiting was a regular on no less than five radio programs at the same
tune, Two years after she recorded What Are You Doing New Year’s Eve she
had a mega-hit duet Mercer on Baby
It’s Cold Outside, a winter song
that became a holiday standard.
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