Celebrating the connection of the Union and Central Pacific railroads in 1869. |
If you were paying attention at all in school, and I'm sure you all were, you
know that when the Golden Spike was
driven to symbolically link the Union
Pacific and Central Pacific Rail
Roads on May 10, 1869 that the Transcontinental
Railroad linked the East and West Coasts in one shimmering steel ribbon. Close, but not quite. Most folks thought New York City and San Francisco
were the two termini. But there was no railroad bridge yet from Manhattan
across the East River to New Jersey. In California the Central Pacific still ended
in Sacramento and travelers those
first months had to proceed to the Bay
Area by river boat or stage coach. In November the CP’s subsidiaries the Western
Pacific the San Francisco Bay
Railroads completed the
final leg of the route, connecting the state
capital to Oakland. But to get to fabled San Francisco travelers
had to board a ferry to cross the
Bay.
In between coasts, the Union Pacific started west from Omaha, Nebraska but there was no bridge
over the Missouri River to Council Bluff, Iowa to connect to the Chicago and Northwestern line running
east. Fortunately, thanks to a shrew
railroad lawyer named Abraham Lincoln in
a case representing the Illinois
Central, railroads had won the right to span the Mississippi River even at the hazard
of river boat operations so that great obstacle could be crossed. But there was a snarl in Chicago where all of the principle railroads in the eastern half of
the country had terminals but not direct connections. Passengers from the east had to get off a
train at one station and go several blocks to pick up another heading west—and
the railroads pointedly did not even synchronize their arrivals and departures
to make that smooth or convenient. All
freight had to similarly be switched from one line to another. East of Chicago passengers had to switch
railroads two more times before glimpsing Manhattan from the Jersey side.
By 1876 some of those problems had been overcome. A bridge had finally been built over the
Missouri and there was some schedule cooperation in Chicago although trains
still needed to be changed. The trip
from almost coast to almost coast still took about 7 days, but that was a vast
improvement over months overland by wagon or stage coach or by steam packet around the Horn. Theoretically, however, it should have
been possible to shave days off that time.
The idea of a dash from coast to coast for the express
purpose of setting a record was a
natural. One might suspect that it was
part of the grand hoopla that year
around the National Centennial and
the great Exposition in Philadelphia. Or that it was promoted by the Federal Government to highlight fast postal service and emphasize national unity in the post-Civil War Era. Or that the railroads themselves thought
up the stunt to promote their
service. The eventual trip accomplished
all those things, but none of them were the reason it was actually done.
Some of the members of the party aboard
the Transcontinental Express. Star Lawrence Barrett is seated third from
left.
|
It was just a good old fashion theatrical press agent gimmick. A New York impresario and flack named
Henry Jarrett managed the Broadway Booth Theater where Lawrence Barrett and company were just about to finish up a successful
run in Shakespeare’s Henry V. They had been booked into a top San Francisco
theater following the New York run. Barrett
was a popular actor but not on the world
famous level of Edwin Booth in
whose honor the New York house had been named and on the far away West Coast he was
something of an unknown. Since he had to get star, cast, sets, costumes all the way across
the country anyway, Jarrett hit on the idea of chartering a private train
to deliver the company in record breaking time.
He knew that the public would eat up the story.
Arranging for a private train was no difficulty. It was done all of the time by the wealthy.
The trick would be getting all five railroads over which the train
would have to roll to clear their tracks
for a through express which would
force any train ahead of them passenger or
freight onto a siding until the express high
balled through. Each of the roads would have to carefully
pre-position fuel and water stops and have relief train crews at the ready. They would also have to undertake unusual
coordination with connecting lines to insure the smooth transfer of the train
to each new line’s engine.
Jarret was a smooth talker and got each of the railroads—the
Pennsylvania; the Pittsburgh, Fort Wayne & Chicago,
the Chicago & North Western, the
Union Pacific and the Central Pacific—to buy into the plan, and at an
exceptionally low price of not terribly
much more than First Class accommodations
of everyone on board. He began to hype the trip with stories carefully
planted in all of the leading New York dailies
and national newspapers by greasing the palms of compliant reporters and editors when necessary. The telegraph spread the story across the country and even to Europe. Jarrett
emphasized fact that the play was going to close
less than 24 hours before cast, sets and costumes raced west to open in San
Francisco only a few days later. This
assured that every single Broadway performance was sold out right up to closing
night. And tickets out west were already
selling like hot cakes.
By the time the train
was ready to leave reporters from the Times of London and James Gordon Bennett, Jr.’s New York Herald were on
board to cover the trip from beginning to end.
Along the route other reporters would get on for a while, get their
interviews with the star and other members of the cast, and hop off to file
breathless stories.
After crossing the Hudson by ferry early on June 1, 1876
passenger boarded the train which pulled out of the Pennsylvania RR’s Jersey City Station shortly after their
arrival. It would travel 24 hours a day
with only the briefest stops for fuel, water, to exchange crews, or attach new
engines.
The train provided luxury accommodations. Three star and leading actors, producer, and
director rode in the luxury of the Pullman
Palace Hotel Car, the Marlborough and dined on fine cuisine said to rival Delmonico’s famous New York eatery in a beautifully appointed dining car The crew, reporters, and the
personal servants of the cast, and various hangers on traveled in a First Class Pullman Sleeping car. Each railroad
along the route assigned their fastest and most modern locomotives and best, most experienced engineers to the train.
As it sped westward the train picked up two distinct nicknames. Some of the press picked up an early railroad
telegrapher’s alert bulletin to the
line ahead, “The Lightning Express is
on the way.” Jarrett was thrilled with the moniker
and adopted it for his own promotional uses.
Meanwhile the Post Office saw
the opportunity to promote its fast rail service. It loaded all of the mail due for shipment to
the Orient from San Francisco and issued
a special postmark for the “Jarrett & Palmer Fast Trans-Continental
Express.” Some contemporary accounts
and much of the historical writing done
about the trip uses the name the Transcontinental
Express.
Breathless press coverage of the trip. |
Others tried to hitch their stars to the fame of the
train. The New York Times was
not yet the newspaper of record, but
it was a rising competitor with the then dominant Herald for leadership among respectable broadsheets. The paper made
sure that bundles of the early edition were
rushed to the ferry to accompany the cast so that they could be placed in the
baggage car destined for Chicago. The train rolled into the Windy City very same day it was
published in New York beating the Herald by
half a day. Later the Times would make
special arrangements with the railroads to near duplicate this feat on a basis
helping establish it as a major national paper.
The trip was not without it hitches. Even the most modern locomotives of the day were
not designed for sustained speeds
above 60 miles per hour. All four of the
eastern lines scheduled at least one change of engine to prevent failure. And not every transfer of engines and crews
worked perfectly smoothly. But by the
time the express crossed the Missouri it was well ahead of time. And all along the way whole towns turned out
when alerted that the train was coming by telegraph just to watch it flash by.
The great challenge was the final Central Pacific’s final
875 mile leg from Ogden, Utah to
Oakland which encompassed not only the
most miles but crossed the burning Salt
Flats and deserts of Utah and Nevada and then had to climb and pierce the mighty Sierra
Nevadas in California. The CP elected
to use just one engine under the control of a single chief engineer for the entire trip.
The engine was the modern #149, Black Fox, a McQueen Locomotive Works
4-4-0 unit. The engineer was veteran
Henry S. (Hank) Small. His hand was on the throttle most of the
way with short spells of relief by other engineers.
The restored Jupiter is a virtual twin of the Central Pacific's #149, Black Fox. |
There were risks.
In the vast expanses of the West often hundreds of miles between towns and maintenance rail yards,
any mechanical failure could doom the enterprise. And much of the way was single track mainline making it impossible to switch in case the
track was damaged. That is exactly what
happened in Utah where a flash flood washed
away a section of track. Crews of Chinese laborers and mostly Irish
gandydancers worked feverishly to complete a temporary bypass before the express came through. They just made it. Instead of stopping and waiting for
construction, the train only had to temporarily slow down to pass.
Further west smoke alerted the crew to a tinderbox fire on an axle. Rather than stop for repairs a trainman leaned far out with one foot
on the car’s foot bar and one hand on a ladder rung, opened the axle access hatch with his other hand, stuffed
the reservoir box with oil soaked cotton,
and added more oil from a can to
lubricate the overheated axle. The train
barely slowed down as he hung there by one hand. The axle cooled and the express rolled on.
As they approached the Sierras, the brakes on the Pullman Palace Car failed. Since the
car could not be replaced, two empty baggage cars were attached behind it
on the train to provide extra braking as the train made the steep descent into
California from the mountains. In those
days veeach car had hand operated brakes manned by brakemen standing on ladders at the top rear of each car.
The Transcontinental Express arrives dockside in Oakland after its record run. |
Despite these misadventures
the train rolled into Oakland on June 4, 1876 in a record shattering 3 days, 11 hours and 39 minutes. That was a full 12 hours before its projected
arrival, setting off a scramble to rearrange the planned welcoming
ceremonies. None the less, huge crowds
and every available dignitary were
on hand to greet the train and escort the passengers to a waiting ferry to San
Francisco where another crowd awaited.
Jarrett, Barrett, and the company were feted at a grand banquet in the city.
Engineer Small was hailed as a hero and Jarrett arranged for a gold medal to be struck for him. The
publicity stunt was a huge success. Henry V had a long run to nothing but packed
houses and star Barrett became a household
name.
The country was still buzzing about the trip for the next
three weeks until word of Custer’s Last
Stand pushed it from the news.
To accomplish the trip the train often had to speed along
over 60 MPH. Taking into account stops
it averaged 41 MPH over the whole length of the trip. At the time 40 MPH was top speed on most
trains and daily averages were about 20 MPH.
For comparison a comparable
automobile trip today over Interstate
Highway with drivers constantly relieving one another can be driven almost
exactly 2 days. Current Amtrak passenger service over roughly
the same route is scheduled for 3 days, 9 hours and 15 minutes, only 2 hours
faster than the Lightning Express. Of course
even Amtrak will admit that it seldom meets that schedule.
No comments:
Post a Comment