How Can I Keep from Singing sung by Enya.
It’s
Sunday—Palm Sunday no less—and the
perfect day for one of my favorite,
uplifting, and inspiring hymns—How
Can I Keep from Singing? also known as My Life Flows On in Endless Song.
The simple but lovely song is often mistaken for an uncredited, usually Quaker, traditional hymn. The
original lyrics were published in The New York Observer under the
Title Always Rejoicing and attributed to a Pauline T. Baptist minister
Robert Wadsworth Lowry included in the 1869 song book, Bright Jewels for the Sunday School and
claimed authorship of the music.
American Baptist minister Robert Wadsworth Lowry wrote the music to How Can I Keep From Singing? and included it in an 1868 song book.
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The
song was largely forgotten through
much of the 20th Century and was
included only in the 1941 edition of
The
Church Hymnal of the Seventh-day Adventist Church, and titled My
Life Flows On.
Around 1950 Doris
Plenn reported that she had learned the original hymn from her grandmother,
who mistakenly believed that it dated from the early days of the Quaker movement. Plenn wrote a new version that eliminated some of the
explicitly Christian references in
the original and added this new verse:
When tyrants tremble, sick with fear,
And hear their death-knell ringing,
When friends rejoice both far and near,
How can I keep from singing?
In prison cell and dungeon vile,
Our thoughts to them go winging;
When friends by shame are undefiled,
How can I keep from singing?
Pete Seeger popularized Doris Penn's pacifist revision of How Can I Keep From Singing?
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These lyrics were popularized by Pete Seeger during the folk revival of the late 1950’s and early
’60. In this form it became popular in mainstream and liberal Protestant congregations.
In the late 1970s, How Can I Keep
From Singing was recorded closely following the original lyric by Catholic folk musician Ed Gutfreund on
the album From An Indirect Love and then was published in the widely used
Catholic Hymnal Glory and Praise. It was
especially popular in guitar masses.
The Plenn/Seeger version has been
particularly embrace by the Society of Friends
and other Peace churches and by
the Unitarian Universalist Association (UUA) and was included in the 1993
hymnal Singing the Living Tradition.
Irish New Age singer Enya brought How Can I Keep From Singing? to new audiences.
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The song received new prominence in 1991 when the ethereal Irish singer Enya, a New Age music favorite released it her album Shepherd
Moons following Seeger’s version including changing the original lines “What tho’ my joys
and comforts die? The Lord my Saviour liveth” to “What tho’ the tempest ‘round
me roars, I hear the truth it liveth.”
Her video of the song
included clips from then contemporary
events like the Gulf War and the fall of the Soviet Union.
It was also performed by Celtic Woman in their Destiny
show live from the Round Room at the
Mansion House in Dublin.
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