Although
1972 was an election year the Seed payed
relatively little heed to electoral politics. Staff collective members of flower power, Yippie, Marxist, anarchist,
or Women’s Liberationist bent all disdained electoral politics as means
of revolutionary change. The still ongoing War in Vietnam had been prosecuted by Democrats and Republicans alike
and the anti-war faction of
Democrats did not seem strong enough to change that. Persecution
and repression of the left, especially of the Black Panthers and the American Indian Movement
continued. On the local level, we were united by our hatred for Mayor Richard Daley, his Democratic Machine, and the Chicago
Police.
Back in
1971 as a member of the Industrial Worker staff I had helped
create a four-page special insert denouncing Nixon’s wage freeze and Win (Whip
Inflation Now) program as an assault
on working people in general and the labor movement in particular.
The Seed also used the supplement. It was made easier because the two papers shared a printer, Fred Eychaner’s Newsweb. Later
we shared another insert featuring the Vietnam
Veterans Against the War (VVAW).
The Seed did take notice of protests and the national party conventions in 1972, We paid particular attention to the Vietnam Veterans Against the War (VVAW) actions led by Ron Kovic because of our close cooperation with the local chapter.
The Seed did take note of the protests at both parties’ National
Conventions which were both held at the Miami Beach Convention Center under ultra-tight security—the Democrats in July and the Republicans
in August mostly from Liberation News Service coverage. George McGovern’s rocky launch including
his vice presidential fiasco was mocked and Tricky Dick was always a ripe
target. The break-in at the DNC
Watergate headquarters was noted
as more evidence of Nixonian skullduggery
and pervasive spying but was not
taken as a big deal until much later. We did not much cover the post-convention
campaigns then took shuddering note
of the implications of Nixon’s
historic Electoral College landslide.
Daley
was always a target but without serious opposition
beyond Bill Singers goo-goo Lake Front
liberals who were often our enemies on urban
renewal and gentrification issues
our coverage was concentrated trials and
investigations.
Despite
this, I took a personal interest in the details of Democratic politics as a spectator sport. In March
or so during the primaries and
before I joined the staff, I spent a long night toking and drinking with my old
high school buddy and Seedling Mike Gold spinning out scenarios about who might emerge as the
nominee at the convention. After eliminating other contenders for their flaws and gaps in support from key players I concluded long-shot Senator McGovern would get a useless
nod by a process of exhaustive
elimination. If I had penned those
thoughts in some more acceptable
publication, I might have earned a reputation
as a pundit. But I did not and they remained in that smoky room.
That November I could not resist the lure of the polls
drilled into me since my Cheyenne
childhood and voted for the
hapless McGovern. But I kept damn quiet
about it among both my IWW Fellow Workers and the Seed staff.
The Seed was both an ally and sometimes rival
of Rising
Up Angry (RUA), the monthly newspaper founded by Michael James as the organ of
the organization of the same name back in 1969.
James was already a veteran of
the Southern Civil Rights Movement
and the community organizing faction of
SDS.
I first met him while lending IWW Chicago Branch support to Uptown
housing protests of the JOIN (Jobs
Or Income Now) Community Union out of which Angry emerged. The organization and the paper was aimed at
the alienated working class youth,
primarily Appalachian White, who
were sometime described as Hillbilly
greasers as part of Black Panther
Fred Hampton’s original Rainbow
Coalition. They were trying with mixed success to extend that base to White ethnic youth in neighborhoods who had often attacked Martin Luther King’s open housing marches,
UFW Grape and Lettuce boycott pickets, and long-haired
hippies.
The Seed lent RUA its light table and production facilities in its early years
and then shared Newsweb’s printing. Our paper supported many of their
initiatives including the Fritzy
Englestein Free Clinic that was the subject of one of my first
stories. Seed vendors often also carried Angry. But there was still some cultural tension between some staffers
and street tough members of RUA.
The
paper ran through 1975. Mike James went
on to co-found and lead the Heartland Café
in Roger’s Park, a vegetarian restaurant, gallery, event venue, hang-out, and community center that was in
institution until it closed in 2018. He
and Katy Hogan broadcasted Live from the Heartland radio talk show every
Saturday from the restaurant. That show continues even after the Café was
razed. James also became a progressive Democratic activist and eventually 49th Ward Committeeman. He
was a strong backer of Lori
Lightfoot in the last mayoral election.
A man of many interests he assemble
photographs spanning decades in his Pictures from the Long Haul, No.’s 1 & 2
and frequently sells prints on weekends from his front porch Prairie Dancer Front Porch Gallery. Mike joined former Seed staffers at our 2017 50th
Anniversary Reunion.
The Seed and our downstairs neighbor Alice’s Revisited had a shared, almost symbiotic
relationship. Both were collectively managed and recognized as IWW co-op job shops. Alice’s was naturally a Seed hang-out and the staffs of both mingled socially and sometimes shared
digs. Some Seedlings picked up hours
at the restaurant. It was old-school hippie cool with a laid-back atmosphere and a vegie menu. In the evenings it doubled as a music venue not only featuring local
rock groups like Wilderness Road and
the Rawl Hardman Group, but
legendary bluesmen Muddy Waters and Howling Wolf. Both of those while still stars in Europe had been bypassed by changing tastes
in Black Music and had to work day
jobs between gigs at dwindling South
Side blues bars. They played to packed houses at Alice’s which
helped bring them to new white audiences.
The brightly lit, non-alcoholic venue and it long-haired audiences must
have seemed strange to them at first.
Alice’s
also featured movie nights screening films from 16mm prints. I saw classic
silents like Buster Keaton’s The General, political documentaries, French New Wave films, and Jean-Luc
Godard’s Rolling Stone flic Sympathy for the Devil. All sorts of smaller community events
and benefits were held there, balancing
the larger facilities at the IWW
Hall on Lincoln.
But
something strange happened. Some one or some folks from Alice’s did
something that some Seed staffers
considered uncomradely or counter-revolutionary. I have no memory of the alleged
offence and I bet that after all this time no one else does either, but it
blew up into a crisis seemingly overnight. The issue was aired in the paper and some Seed staffer organized a noisy and rowdy protest of 50 or more outside the restaurant trying to shut it down.
I was
still convening weekly community meetings at the Wobbly Hall on Wednesday
nights and the issue was taken there for communal adjudication. I don’t recall the results, but the protest
and boycott were called off. But things
were never quite the same afterward.
Advertising
sales at the Seed were
dwindling. Record labels and tour
promoters were abandoning local underground
papers for the national Rolling Stone which was reaching pretty
much the same audience. Local music
venues and promoters as well a local business were shifting their ad dollars to
the Reader with its much larger free distribution. At one point a small Rid Lice Killing Shampoo was the only national ad left in the
paper. To keep the ship afloat benefits
were organized at the Wobbly Hall which often hosted similar events for the
likes of the UFW Boycotts, VVAW, the Chicago
Women’s Liberation Union and other groups.
One Seed benefit was headlined
by Wilderness
Road, a movement band led by
former Yippie Warren Lemming that was
looking to break out nationally.
Wilderness
Road also had their first album launch concert at the Hall attracting the
attention of the mainstream media as
well. Thanks to Mitch Lieber I got my first and only name drop in John and Abra Anderson’s Chicago Sun-Times gossip column as one of the “celebrity”
attendees.
Back at
the Seed I found myself somewhat isolated when I began to complain about certain rhetoric, especially spelling America as Amerikkka which I thought made it almost impossible to reach out to
working class readers. Perhaps unconsciously
some staffers had fallen into the habit
of stereotyping white working class men
as Joe from the 1970 Peter Boyle film in which a working
class dad goes on a rage-filled hippie killing
rampage or as ignorant, racist Archie Bunker types. If such folks were the enemy, why should
anyone bother to reach them? The
revolutionary rhetoric, much of it borrowed from the Black Panthers had so much
more appeal.
But my Wobbly heart told me that no revolution
could succeed without all of the
working class. I got little or no
support for this position and the language continued to be routinely used.
Next—A Final Exit and After.
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