The Seven Principles by Sweet Honey and the Rock—Murfin Winter Holidays Music Festival

                                            The Seven Principles by Sweet Honey and the Rock.

Today is the third day of Kwanzaa which was created in 1966 during the blossoming of a period of Black Nationalism by Maulana Karenga, a Black studies scholar and a leading Los Angeles militant. 

Beginning on December 26 and running through January 1, candles are lit representing values.  Each of the values is given a Swahili name.  Today is day three— Ujima (Collective Work and Responsibility) “To build and maintain our community together and make our brothers’ and sisters’ problems our problems, and to solve them together.”

A Kwanzaa button from the collection of theNational Museum of African American History and Culture.

Karenga was born Ron Everett in Parsonsburg, Maryland on July 14,1941 into the very large family—14 children of a sharecropper and Baptist preacher, he came to Los Angeles in 1959 where he studied at Los Angeles City College (LACC) and the University of Southern California (UCLA).  As an undergraduate he was active in the Congress of Racial Equality (CORE) and the Student Non-violent Coordinating Committee (SNICC) and was the first Black President of the Student Body.

It was during this period he took the title Maulana, Swahili-Arabic for master teacher and the name Karenga, Swahili for keeper of tradition.

After the Watts Riots of 1965 the young graduate student was influenced by Malcom X in developing African-American Unity, cultural pride, and a separatist militancy.  He was involved in many activities and organizations and was regarded as a rising intellectual leader.

Kwanzaa was designed in instill those values in a community he feared was still too dominated by “alien” and white ideology and religion.  It was to “give Blacks an alternative to the existing holiday and give Blacks an opportunity to celebrate themselves and their history, rather than simply imitate the practice of the dominant society.” The name is derived from the Swahili for first fruit celebration, matunda ya kwanza.

Dr, Maulana Karenga, seated second from the left, at the Newark Black Power Conference circa 1967.

Karenga used Swahili as the ritual language of its operations because it is a pan-African language, the most widely spoken of Sub-Saharan African tongues.  But it is an East African language as are the customs on which the celebration was based.  The vast majority of African-Americans trace their lineage to the trans-Atlantic slave trade and West Africa, very culturally and linguistically distinct from the east.  Critics in the Black community charged that he could have taken inspiration from instead from the West African empires and kingdoms.  But Karenga was a student of Swahili and the east, and not of the slave trade or origins of his own people.

The celebration, centered around lighting candles in the home over seven days, obviously is borrowed from Jewish Chanukah traditions, but Karenga has barely acknowledged that obvious parallel.

Karenga at first frankly hoped that his new celebration would supplant Christmas and New Years, both in his opinion instruments of White oppression.  But the deep connection of the Black community to the Church and to its celebrations stood in the way of the spread of his new observance.  Also, his allies in nationalism among Muslims, both followers of Malcom X’s traditional Islam and the Nation of Islam—the Black Muslims—also objected to Karenga’s non-theism and hostility to religion.

Kwanzaa was meant to be a family centered celebration of African culture and values but father figures in private and men in public celebrations dominated the lessons.  Black women are  now more assertive in claiming a central place in the rituals.

After 1970 Karenga changed his tune and now emphasizes that it is a secular observation that does not conflict with or contradict religious celebrations.  “Kwanzaa was not created to give people an alternative to their own religion or religious holiday,” he wrote in 1994.

With that adaptation, Kwanzaa began to spread rapidly.  It was easy for families to adopt for private observation.  Most of those families also have a Christmas tree in the corner.  Public observations came to include many at major Black Churches.

Kwanza candles and associated symbols and books.

Candles are lit every night for the seven values.  Materials are available for study and reflection.  Songs and poems have been written.  The values are:

·         Umoja (Unity): To strive for and to maintain unity in the family, community, nation, and race.

·         Kujichagulia (Self-Determination): To define ourselves, name ourselves, create for ourselves, and speak for ourselves.

·         Ujima (Collective Work and Responsibility): To build and maintain our community together and make our brothers’ and sisters’ problems our problems, and to solve them together.

·         Ujamaa (Cooperative Economics): To build and maintain our own stores, shops, and other businesses and to profit from them together.

·         Nia (Purpose): To make our collective vocation the building and developing of our community in order to restore our people to their traditional greatness.

·         Kuumba (Creativity): To do always as much as we can, in the way we can, in order to leave our community more beautiful and beneficial than we inherited it.

·         Imani (Faith): To believe with all our hearts in our people, our parents, our teachers, our leaders, and the righteousness and victory of our struggle.

The final night concludes with a feast and gift giving.

The spread of the observance was aided, ironically, in no small part to the attention given it in the mainstream, white dominated media, especially local television news coverage in major urban centers.  The attention always made the celebration seem much more pervasive than it ever was.

Despite claims to tens of millions of participants across the globe made every year by Karenga on his official Kwanzaa web site, at its height in the mid-70’s it was actively observed by a small fraction of the Black community.  Exact figures are hard to come by and wildly exaggerated claims are made not only Karenga, but by sympathetic scholars.  With the decline of Black Nationalism as a movement and the founder’s many troubles—more on that in a bit—participation has declined and leveled off.  Estimates range from 12 to as low as 2 million participants in the early the 21st Century.  Market research by the National Retail Foundation in 2004 found that 1.6% of those surveyed planned to celebrate Kwanzaa. Generalized to the US population as a whole, that would mean that around 4.7 million people planned to celebrate Kwanzaa in that year.

The Unitarian Universalist Association (UUA) has encouraged observation and education about Kwanzaa in it predominately white congregations with special worship materials like this.

And some of them would be White.  Introduction of Kwanzaa into school curricula as part of the general holiday observances has brought it to many White children.  In my own, overwhelmingly White faith tradition, Unitarian Universalism, which embraces diversity and often poaches traditions, Kwanzaa is often integrated with other winter holiday celebrations.

A lot of other White folk, however, turn purple in the face every time they hear about Kwanzaa.  For them it is an affront, and more than that a direct threat.  Black Nationalism and cultural pride evokes for them all of the old nightmares of slave rebellions, rampaging Mau Maus, and violent civil episodes associated with some Black Lives Matter demonstration and anti-police violence protests.  It is also confabulated with the alleged war on Christmas by a shadowy Commie/liberal/Black conspiracy.  Every year the Right Wing talking heads froth at the mouth over the observation.  Which probably delights Karenga who remains a separatist at heart.

Maulana Karenga ,founder and leader of US/Organization,  a rival to the Black Panthers for leadership of the Black Nationalist movement.

As he promoted the holiday, Karenga also got involved in one of the nastiest and most violent of feuds within the Black militant community.  The group that he founded in 1965 and led—US Organization—became a rival of the emerging Black Panther Party for leadership of the nationalist movement on the West Coast.  Egged on by an FBI COINTELPRO dis-information program, members of the two groups engaged in a gun fight on the UCLA campus in 1969 resulting in the death of two Panthers and the wounding of on US member.  Retaliatory shootings occurred across the country for months resulting in two more deaths and the delight of J. Edgar Hoover.

The Panther Party had better press and more adherents.  Its members and supporters naturally withdrew from any Kwanzaa celebrations.

But the worst was yet to come.  In 1971 Karenga was convicted of kidnapping and sexually torturing Deborah Jones and Gail Davis.  Karenga’s estranged wife, Brenda Lorraine Karenga, testified that she had participated in the abuse.  Karenga claimed that the women were plotting against him and were part of the COINTELPRO harassment.  He denied claims of abuse.

He was sentenced to ten years in prison and held at the California Men’s Colony until he was released with the support of high profile Black state politicians and office holders.  While he was in prison US fell apart and the reputation of Kwanzaa was damaged.  Karenga seldom speaks about the conviction, except to note that he was once a political prisoner.  The episode is left out of his autobiography and on the Kwanzaa web page.

Karenga at a 2004 public Kwanzaa observance.

Upon being released, Karenga tried unsuccessfully to resurrect US, and then devoted himself to an organization promoting Kwanzaa.  He finished one PhD. at United States International University (now Alliant International University) and a second at UCLA.  He is now the Chair of the Africana Studies Department at California State University, Long Beach, the Director of the Kawaida Institute for Pan African Studies, and the author of several books.

Despite its ups and downs, Kwanzaa remains meaningful and is an inspiration for many in the Black Community.  And there is nothing wrong with that.

Sweet Honey and the Rock in performance.

Several songs have been written for Kwanzaa, many of them for children to teach them the values represented by the candles.  Today, however, we are sharing Seven Principles, a song for all ages by Sweet Honey and the Rock, an all-woman, African-American a cappella ensemble founded by Bernice Johnson Reagon in 1973 at All Souls Church, Unitarian in Washington, D.C.  They have recorded many successful and admired gospel songs, feminist anthems, and blues/jazz/rock arrangements.  Reagon and other founding members have retired, but the group has continued with several other members over the years.