Showing posts with label Lady Gaga. Show all posts
Showing posts with label Lady Gaga. Show all posts

Saturday, June 13, 2020

Born This Way—Murfin Home Confinement Music Festival 2020

Born This Way by Lady Gaga

In honor of LGBTQ Pride Month and especially the Woodstock Pride Promenade tomorrow, June 14 from noon to 3pm one of the most popular gay anthems seems more than appropriate.  I remember marching with PFLAG, McHenry County Pride members, and others of us from the Tree of Life UU Congregation in a Crystal Lake Independence Day Parade a few years ago behind a decorated pick-up truck blasting Born This Way.  Even an old breeder like me was joyously bopping down the street and the crowds all along the route cheered and danced along too.  It’s that kind of song.

Members of PFLAG, McHenry County Pride, and the Tree of Life UU Congregation lined up for the Crystal Lake Independence Day Parade in 2015,  A sound system on the red Jeep blasted Born This Way and we all bopped along the parade route.
Born This Way by Lady Gaga was the lead single from her second studio album of the same name and co-written by Gaga and Jeppe Laursen. It was developed while Gaga was on the road with The Monster Ball Tour.  Inspired by ‘90s music which empowered women and the gay community, Gaga explained that Born This Way was her freedom song.
The song reached #1 in over 25 countries and was Gaga’s third single to top the Billboard Hot 100 chart and has sold 8.2 million copies worldwide, becoming one of the best-selling singles of all time.
The accompanying music video was inspired by surrealist painters like Salvador Dalí and Francis Bacon.  Gaga was depicted as giving birth to a new race during a prologue. After a series of dance sequences, the video concludes with the view of a city populated by this race. Critics noted the video’s references to the work of Madonna, Michael Jackson, Björk, and the late fashion designer Alexander McQueen, as well as to Greek mythology.

Lady Gaga has literally put her money where her mouth with the Born This Way Foundation which has donated millions to empower oppressed communities.
Gaga performed the song at the 53rd Grammy Awards after coming out of an incubating vessel.  Born This Way was later performed on TV shows, such as Saturday Night Live, Dick Clark’s New Year's Rockin’ Eve and Good Morning America, and as part of her Super Bowl LI halftime show.
Alice Cooper, Madonna, Katy Perry, Maria Aragon, and the cast of the TV series Glee have covered the song.

Lady Gaga wrote Born This Way while on her 2011 Monster Ball Tour and added a performance to the second half of that tour.
Gaga said in a Billboard interview:
I want to write my this-is-who-the-fuck-I-am anthem, but I don’t want it to be hidden in poetic wizardry and metaphors. I want it to be an attack, an assault on the issue because I think, especially in today’s music, everything gets kind of washy sometimes and the message gets hidden in the lyrical play. Harkening back to the early ‘90s, when Madonna, En Vogue, Whitney Houston and TLC were making very empowering music for women and the gay community and all kind of disenfranchised communities, the lyrics and the melodies were very poignant and very gospel and very spiritual and I said, “That’s the kind of record I need to make. That’s the record that’s going to shake up the industry.” It’s not about the track. It’s not about the production. It’s about the song. Anyone could sing Born This Way.  It could’ve been anyone

Tuesday, April 21, 2020

Smile—Murfin Home Confinement Music Festival 2020

Smile by Charlie Chaplain sung by Nat King Cole.

Lady Gaga’s performance of Smile the other night on the One World: Together At Home TV special reminded me of just how apt the song is to our days of Coronavirus angst.  I encourage you to find it on YouTube.  But today we are listening to Nat King Cole’s 1954 hit.

Charlie Chaplain as the Little Tramp and Paulette Godard as the Gamin in Modern Times.

Smile is based on an instrumental theme used in the soundtrack for Charlie Chaplin’s 1936 movie Modern Times. Chaplin’s own composition was the inspired by Puccini’s opera Tosca.  It reflected the bitter sweet story of the Little Tramp’s love for the urchin girl  called the Gamin played by his real life wife Paulette Godard.


John Turner and Geoffrey Parsons added the lyrics and title in 1954 based on lines and themes from the film.  Nat King Cole’s recording went to #10 on the Billboard Hot 100 chart and #2 on the UK Singles Chart.  Other memorable recordings or performances of the song were made by Jimmy Durante, Judy Garland on The Ed Sullivan Show in 1963, Barbra Steisand, Sammy Davis Jr., Natalie Cole, and Michael Jackson.

Monday, April 20, 2020

The Prayer from One World: Together At Home—Murfin Home Confinement Music Festival 2020

The Prayer performed by Celine Dion,Andrea Bocelli, Lady Gaga, classical pianist Lang Lang, and John Legend on The Prayer from One World: Together At Home.


Saturday night many of us watched the two-hour special One World: Together At Home, a benefit for Trump’s bête noir the World Health Organization (WHO) organized by Lady Gaga and Global Citizen.  If we were watching TV, on a computer, or other gizmo we hardly had a choice—it was aired on the heritage broadcast networks ABC, CBS and NBC; several cable channels, social media platforms like Facebook, and on YouTube.  Fox New was conspicuous by its absence.  Go figure.


The show came on the heels of other celebrity heavy programs to benefit various Coronavirus causes like Country Music Association (CMA) show in lieu of their cancelled awards ceremony and several streaming projects put together by music stars from every genre.  It went just about as you would suspect only more so.

Late night hosts Stephen Colbert and the two Jimmies, Fallon and Kimmel.
Co-Hosted by the three network late night stars Stephen Colbert, Jimmy Fallon, and Jimmy Kimmel, the program had several highlights.  Organizer Lady Gaga, sans glam costume and in restrained make up, her hair pulled back under headphones in a severe bun with dark roots encroaching deeply into her bleached blonde hair eschewed her own power pop to give a powerful and emotional versions of Charlie Chaplin’s bittersweet ballad Smile.  Other musical highlights included the Rolling Stones performing You Can’t Always Get What You Want in a Zoom style slit screen from their homes with Charlie Watts caught without his drum kit and having to mime his part to a recorded track; Jennifer Lopez channeling Barbra Streisand on People; Sir Elton John, veteran of so many celebrity benefit collaborations; Stevie Wonder with Bill Withers Lean on Me; and Taylor Swift confounding her detractors with an emotional version of Soon You’ll Get Better originally written for her cancer stricken mother.

Lady Gaga singing Charlie Chaplain's Smile.
Several global leaders made un-musical appetences including WHO Director General, Dr. Tedros Adhanom and United Nations Secretary General Secretary António Guterres.  But the joint appearance of former First Ladies Laura Bush and Michelle Obama must have driven the TV and ratings obsessed Cheeto-in-charge completely around the bend with jealousy and rage.
The climax of the show was a powerful rendition of The Prayer performed from the homes of Celine Dion, Andrea Bocelli, Lady Gaga, classical pianist Lang Lang, and John Legend.  The song was written by David Foster, Carole Bayer Sager, Alberto Testa, and Tony Renis for the 1998 animated feature The Quest for Camelot.  It was recorded by Dion in English and Bocelli in Italian and then as a duet by both singers. The song won a Golden Globe Award for Best Original Song and was nominated for an Academy Award for Best Original Song in 1999 and a Grammy for Best Pop Collaboration with Vocals in 2000.

Sunday, February 5, 2017

Super Bowl Ennui Again

Super Bowl Hoopla, 2015.


Sometime I feel like a secular Jew on Christmas when Super Bowl Sunday rolls around.  I don’t begrudge every one having a good time.  I know the songs and will sing along.  I might even put up a tree for the kids.  But my heart really isn’t in it.
Lest you think I am one of those effete snobs who disdain sports and mocks popular culture while pretending only to be interested obscure novels by lesbian hunch backs or festivals of avant-garde Montenegrin mid-century documentaries, I like baseball, hillbilly music, and the classic American sit-com.  And attractive women in all of their pulchritude.  I have hair on my chest, fire in the belly, and an occasional embarrassing stirring in my loins.
But I long ago lost what little interest I ever had in professional football.  Most years I can barely tell you who is playing in the Big Game unless the Chicago Bears are in it which seems to happen only ever couple of decades.  I can’t avoid the Bears.  They are the home team and on Sunday nights at the gas station where I work guys wander in various kinds of league approved apparel and expect me to engage in semi-knowledgeable conversation about the game.  I’ve learned to peek at the TV sports on my way out the door to check the score and maybe note one big play.
As cultural traditions go, the Super Bowl does not have an ancient pedigree, but in an astonishing few years it became a great American feast and festival day—the only one associated with neither a religious or secular holiday.  Only Thanksgiving is celebrated with more gatherings public and private followed at some distance by Christmas and further back yet by the summer cook-out occasions. 
In terms of economic impact it ranks well behind Christmas and hot on the tail of Thanksgiving and Halloween but greater than such gift giving occasions as Valentine’s Day, Mother’s Day, and pitiful bring-up-the-rear Father’s Day.  Among those cashing in on consumer spending are beer and spirits vendors, groceries and caterers, bars and restaurants, and providers of team apparel and licensed products.  In recent years the sales of large flat screen High Definition (HD) television sets have spiked sharply right before game day, although now that they have become ubiquitous in most homes, that trend is expected to taper off.  In addition advertising and promotional income surges for broadcasters and even hard pressed print media.  The economies of the host city and state are boosted as tens of thousands of visitors flood local hotels and entertainment spots for events that stretch out more than a week.
We are talking about a big frigin’ deal.  The origins were more humble. 
After reaching an agreement to fully merge the long established National Football League (NFL) and the upstart American Football League (AFL) representative teams began to meet for an inter-league championship game in January of 1967.  The first two games were utterly dominated by the traditional NFL powerhouse Green Bay Packers let by the game’s most iconic coach, Vince Lombardi.  Held on neutral fields, both games had trouble attracting ticket buyers and the games were played in stadiums with lots of empty seats.  The early games failed to attract many TV viewers outside the markets of the contending teams largely because the older NFL was viewed as perpetually superior to the juvenile AFL.

Broadway Joe Namath leading his upstart New York Jets to victory in Super Bowl III established the game as a marquee event.

At first simply called the NFL-AFL Championship Game, the owner of the Kansas City Chiefs, William Alexander is credited with coining the name Super Bowls by marring the established use of the word bowl for college post season games with super, inspired by his children’s latest fad toy, the Super Ball.  The name caught on with the press before the second game in 1968. Reluctant owners finally agreed to make it the official name for the game in an attempt to hype interest in their floundering event.
Super Bowl III was the first to officially use the name and the first to use Roman Numerals. I and II were retroactively applied to the first two championships.  It is doubtful that that looked more than forty years into the future when Super Bowl logos would sometimes feature long strings of letters unfathomable to most Americans since Roman Numerals are now hardly taught in schools.
Any way, it was not the numerals but the victory of the AFL New York Jets led by brash and flashy quarterback Broadway Joe Namath that really established the game in the public mind.  AFL teams were now competitive.
Not directly related to the game, the premier of Monday Night Football on ABC TV ushered in an era when football finally eclipsed baseball in popularity and became hailed as America’s Game with all of the macho and vaguely jingoistic swagger that the title inferred.
In the early years the Super Bowl was treated pretty much like any other game.  The half time entertainment was not much more elaborate than a major college game and featured acts like Up With People and performances were often not shown in their entirety to make room for chatter and game analyses by the announcers.  The National Anthem was likely to be performed by a college or military band or sung third tier performers like Anita Bryant.
I was personally unaware of all of these developments.  I don’t remember seeing that first championship game because I worked Sunday afternoons washing dishes at a Howard Johnson’s in Skokie.  I graduated high school that spring and for the next several years was either away at college or was making my way in Chicago as a cultural hippy and a radical activist.  I seldom had a TV set and my social circles were not much interested in pro football.

Super Bowl parties have become major annual events boosting the bottom line of many economic interests.

It wasn’t until 1974 that I attended my first Super Bowl party.  I was invited by a drinking buddy to come to an event in an apartment on the edge of Old Town attended mostly by off-duty bartenders and pub waitresses.  I was astonished to find the second floor flat jammed with scores of folks; a full size keg in a tub in the kitchen; a sideboard groaning under a huge collection of whisky, vodka, bandy, and wine bottles; pots of bubbling chili; and platters full of cold cuts, cheese, and bread.  Some folks jammed around the one color TV set in the living room to watch the Miami Dolphins stomp the Minnesota Vikings, but others milled around the other rooms drinking, eating, passing joints, and making passes at each other.  The Super Bowl Party was already an established tradition.
Over the next several years I occasionally tagged along with friends to other parties.  Hell I was always up for a good party, even if the game itself was mystery to me.
By the 1980’s when I had gotten married and moved to the boonies of McHenry County the playoff format had expanded and League officials began trying to lure younger audiences with big name acts both for the Anthem and the half time shows.  TV began adding hours of pre-game programing and advertisers began showing off special commercials made just for the big game, like IBM’s famous take-off on Charlie Chaplain’s Modern Times.
In 1991 with the Gulf War on the game became a pageant of patriotism with for the first time a flyover by military jets, an all-services Color Guard, and Whitney Houston’s famous rendition of the anthem.  After that there was no turning back.  The military became a fixture as did the custom of inviting divas and pop superstars.  The U.S. Army even became one of the game’s regular sponsors.
Hyper patriotism and militarism have become post 9/11 hallmarks of the Super Bowl.

After the September 11th attack and during the Iraq and Afghan Wars the confabulation of the game with the military and hyper patriotism intensified.  The singing of God Bless America was added to the pre-game pageantry alongside the Anthem.
I sometimes went to a Party—my brother in law used to host one.  But except for Super Bowl XX when the Chicago Bears won I had next to no interest in the games themselves.
Since 2002 I have worked nights at gas stations as a second job on Super Bowl Sundays, the first few years on second shift during the game, and now on third shift meaning I sleep through the contest.  Perhaps that has contributed to my alienation.
During those years Super Bowl Sunday really became an all-purpose spectacle.  In addition to the high voltage entertainment, watching and rating the parade of clever new advertising became a major attraction.  So did stunts like the Bud Bowl, Puppy Bowl, and Lingerie Bowl as well as counter programing on other networks provide entertainment even for those not interested in the game.

This year in Super Bowl LI—that’s 51 to the Latin illiterate—the Atlanta Falcons are playing perennial powerhouse the New England Patriots.  I am told that outside the environs of the Hub of the Universe, New England is despised because Quarterback Tom Brady was caught up in something called Deflategate involving tampering with game balls and has a hot foreign born former model for a wife like the Pumpkin in the White House.  Also Bill Belichick in his record breaking 7th appearance as Head Coach with four wins is widely reviled as a cheater.  Atlanta will be led by the apparently virtuous journeyman quarterback Matt Ryan and underdog coach Dan Quinn who beat another perpetual power, the Green Bay Packers to represent the NFC.

Lady Gaga's activist politics could spice up the Super Bowl half-time show this year.

The always provocative Lady Gaga will be the much talked-about star of the half-time extravaganza setting off speculation on if the outspoken defender of Gay Rights, anti-bullying activist, Democrat, and Trump critic will bring any or all of that to the game produced by the notoriously homophobic NFL and the Trump supporters among most of the game’s ownership and management as well as many—mostly White—stars, and flag waving fans.  That could be interesting.
But ask me if I have a pick in the game itself, and I would frankly have to answer, “I don’t give a rat’s ass.”