Winter Wonderland by Tony Bennett—Murfin Winter Holidays Music Festival 2025-26

 

                                                                        Winter Wonderland sung by Tony Bennett.

There is moderate amount of snow on the ground here in northern Illinois and temperatures are frigid. Other parts of the country, however, have been buried in all of the Winter Wonderland they can stand.  Looking at you, Buffalo! Time to revisit this classic winter-but-not-Christmas song and let the great Tony Bennett give it his swinging interpretation.

Winter Wonderland was written in 1934 by Felix Bernard and lyricist Richard B. Smith. Since its original RCA recording by Richard Himber and his Hotel Ritz-Carlton Orchestra, it has been covered by over 200 different artists, including Bing Crosby, Dean Martin, Ella Fitzgerald, Johnny Mathis, Frank Sinatra, Amy Grant, Michael Buble, The Eurythmics, and Radiohead.

Smith’s lyrics were reportedly inspired by memories of his hometown Honesdale, Pennsylvania park freshly buried in snow but were written while he was being treated for tuberculosis in the West Mountain Sanitarium in Scranton.

Winter Wonderland snowman--Parson Brown or Circus Clown?

Among the most notable covers were by Johnny Mercer, which reached #4 on the Billboard radio play chart in 1946, and by Perry Como the same year which was in the top ten songs in retail sales.

Sinatra’s version is notable for changing the lyrics.  Despite the earlier success of the song, Sinatra was warned that powerful protestant clergy were prepared to demand radio stations ban the song because of the line “In the meadow we will build a snowman/We’ll pretend that he is Parson Brown/He’ll say, ‘are you married?’ We’ll say no man/But you can do the job when you’re in town.”  The preachers were alarmed that the words implied hanky-panky by the unmarried couple.  Old Blue Eyes changed the word to the nonsensical “In the meadow we can build a snowman /And pretend that he’s a circus clown/We’ll have lots of fun with Mr. Snowman/Until the other kiddies knock him down.”

Some other later covers of the song used Sinatra’s version while others stood by the original words.  Some even used both versions.

Tony Bennett at a Rockefeller Center Tree Lighting special on NBC a few years ago.

Tony Bennett’s jazzy take of this seasonal chestnut is one of my favorites.

There’s No Place Like Home for the Holidays—Murfin Winter Holidays Music Festival 2025-26

 

                                                                        (There's No Place Like) Home for the Holidays--The Carpenters.

With Christmas on a late mid-week day, peak travel gets an early start we’ll celebrate of the holiday season this year with a classic American popular Christmas song by Robert Allen with lyrics by Al Stillman written in 1954. Perry Como had a huge hit with (There’s No Place Like) Home for the Holidays which has become an oft recorded classic.  But no one sang it better than Karen Carpenter. 

This song is best classified under the secular urban Advent popular holiday music.  Although it sprawls far and wide from city sidewalks, it shares the same contemporary feel of post-World War II America with a swinging, spritely style.  It evokes nostalgia without ever getting much more specific than a passing reference to “homemade pumpkin pie” with just repeated references to home.  And even home is not well defined—no reference to mom and dad, the old folks, a farm, village, or city neighborhood.  Home is whatever place you feel connected to in some deep way and whatever family of blood or choice offers welcome. 

The “Holidays” were not very specific either.  No mention of Christmas, Hannukah, or New Years.  Maybe Thanksgiving qualified.  Which is why the propagators of War on Christmas nonsense should hate this song if they give it a second thought. 

Driving home for the Holidays way out West where your scribe came from circa 1952.

A generation or two earlier most Americans grew up and stayed in the place of their birth or its immediate environs which usually was well stocked with a wide circle of extended family.  But two World Wars, the Great Depression, post-war prosperity, and transportation revolutions changed that for a great many folks.  The new normal was going away to college or entering the military after high school graduation and then finding a job someplace else and establishing a new nuclear family.  People were expected to go where opportunity beckoned, and the corporate culture of the time often required frequent relocations.  Even if you stayed in the same state or general vicinity of “home” chances were that you lived in one of the new sprawling suburbs not the old nabe. 

After the war and with the new prosperity, the automobile and modern highways had supplanted the railroads as the main means of getting wherever you were going.  So, Home for the Holidays is a song about driving.  If it had been written a decade or so later with jet air travel at a cost that many could afford, the song might have mentioned busy airports and the places cited might have been too far apart for a day or so road trip.  It was very much a song of its time. 

It still works for us, at least for geezers like me, because it makes us nostalgic for that time.  But also, because many of us still have a home we go to for the Holidays—or are the home to which our progeny and descendants come.   

Home for the Holidays was re-recorded in stereo in 1959 for Como's RCA album.

Como released the song on RCA Victor accompanied by Mitchell Ayres’ Orchestra and the Ray Charles Singers.  He showcased it on a Christmas TV special helping to establish that as a long running holiday tradition.  Each edition of the Como Christmas show was sure to feature his biggest holiday hit.  The song registered at #8 on the Cash Box Top 50 and made the charts again the next year when it was re-released.  In 1959 Como with the same back-up recorded a new stereo version with a slightly different arrangement by Joe Lipman.  It was successfully released as a single by RCA Victor and included on the top selling album Season’s Greetings from Perry Como as well as on numerous compilation albums.  That’s the version commonly heard on Christmas radio and is licensed for TV commercials. 

It is also the version that The Carpenters adapted for their 1974 album Christmas Portrait and included on their 1984 LP An Old Fashioned Christmas which was released after Karen’s death.