Monday, June 30, 2025

A French Daredevil Became an American Superstar on a Niagara Stroll

 

The Great Blondin on the rope high above the gorge below Niagara Falls.  He had to freeze in this position for several moments to accommodate the long exposure on a glass plate negative.

Back in 2012 the young scion of a legendary circus family, Nik Wallenda, strolled above Niagara Falls on a high wire.  The act was promoted by the local tourist industry which was hurting.  Evidently pilgrimages to gawk at the Falls were not as popular as they used to be and newlyweds who can afford a honeymoon now seem to prefer localities with sandy beaches and palm treesABC Television broadcast the event, to tepid ratings

Still, it was quite an accomplishment and Wallenda was the first to cross directly above the great cascades rather than over the gorge below the Falls.  ABC also demanded that the acrobat remain tethered to the wire so that in event of a slip he would not fall into the water.

 

Nic Walenda on his 2012 nationally broadcast walk directly above the cascades of Niagara Falls. 

But on June 30, 1859 French born acrobat Charles Blondin took a stroll across the gorge bellow Niagara Falls on a rope 1100 feet long, 3¼ inches in diameter, 160 feet above the swirling water. 

Over the next few months he crossed 17 more times in front of ever larger, more astounded crowds, each time with a new twist.  He crossed blind folded, hopping in a sack, pushing a wheelbarrow, on stilts, and carrying his manager on his back. He balanced a chair on the rope and then stood on it.  He stopped to take pictures of the crowd with a bulky glass-plate negative camera.  Once he carried a small stove, stopped in the middle of the wire to cook and eat an omelet.

His picture graced the covers of popular magazines and newspapers were filled with his exploits.  He became one of the first popular entertainment celebrities in American history, known and admired even by those who would never see him perform. 

Born Jean-Francois Gravelet in St. Omer, France, on February 28, 1824 his gymnast father encouraged his early interest in circus acrobatics.  He tried to duplicate a high wire act that he saw in a traveling circus at age 5 by stringing a rope between two chairs.  He showed such remarkable agility and great balance that his father enrolled him in the Ecole de Gymase in Lyon. After six months of training he was good enough to start performing successfully as The Little Wonder. 

His father died leaving him an orphan and on his own at age 9, but he had no trouble finding work in circuses and in other venues.  By 1851 he was so well known in Europe that the American theatrical impresario William Niblo recruited him to come to New York City to perform with the Ravel Troupe of acrobats at his famous Niblo Gardens. 

The popular act toured the country for several years.  Gravelet adopted the stage name Blondin or the Great Blondin because of his blonde hair.  Blondin and the Ravel Troupe performed with an early incarnation of P.T. Barnums Greatest Show on Earth and later he became part owner of his own circus. 

 

                                                A  British newspaper illustration of Blondin duplicating his Niagara stuns plus a bicycle ride over an English river.

Blondin married his first wife Charlotte in New York.  The couple had three children, two of them born while on the road.  In 1858 the troupe performed near Niagara and Blondin became obsessed with crossing the gorge on a tightrope.  It took more than a year to secure the necessary permissions and make arrangements

The Niagara stunts made him in demand everywhere.  He abandoned his long association with the Ravel Troupe and with the able assistance of manager Harry Colcord parlayed his fame into riches.  He demanded a $500 minimum for a performance and at the height of his career made the astonishing sum of half a million dollars a year. 

In 1861 he built a stately mansion named, aptly, Niagara Villa in Ealing, a village near London.   Intending to retire, he found himself still in demand.  

 

                                                 A favorite of the Prince of Wales, Blondin starred at the famous Crystal Palace Exposition.

The Prince of Wales, who had witnessed one of the Niagara crossings, arranged for him to appear at the Crystal Palace where he duplicated many of his Niagara stunts in front of a painted backdrop of the falls.  The renewed celebrity led to extensive tours of England and the continent. 

His stunts only gained in audacity, including pushing a lion across the wire in a wheelbarrow.  He frequently performed before as many as 10,000 paying customers.  During another stint at the Crystal Palace Charles Dickens explained his popularity, “Half of London is here eager for some dreadful accident.” 

Blondin continued to perform for three more decades adding new twists to his act, including using a bicycle.  Other tightrope walkers complained that we was ruining their careers and risking their lives—audiences would accept nothing else but Blondin’s sensational stunts.  He made occasional trips back to the United States in addition to shows in Britain and Ireland 

In his long career Blondin had occasional accidents, mostly due to equipment failure, but escaped serious injury.  The worst accident occurred in Dublin in 1861, not long after he resumed performing.  While performing 50 above ground his rope broke.  Blondin was able to grab a hand hold, but the supporting scaffolding collapsed killing two workers.  The acrobat was held harmless in an investigation but a judge said that the manufacture of the 2 inch diameter rope “had a lot to account for.” 

At a Liverpool performance around the same time a guy wire snapped while he was pushing the lion in the wheelbarrow entangling the wheelbarrow.  Blondin extracted both himself and the cat from the mishap. Such displays of aplomb only won him a more devoted audience. 

 

                                    This whimsical statue in Ladywood, Birmingham, England commemorates Blondin's crossing of the Edgbaston Reservoir. 

He made his final performance at Belfast, Ireland in 1896.  He died the following year at his beloved Ealing home of complications of diabetes.  He was mourned the world over, but nowhere more the Ealing, where he had become a beloved resident.  He was buried next to his first wife and the mother of his children, Charlotte, who had died in 1888.  His second wife, Katherine would be buried with them when she died in 1901. 

A statue to Blondin was erected in Birmingham, the site of one of his most famous and daring shows, the 1873 crossing of Edgbaston Reservoir.  In Ealing his memory is honored by two roads, Blondin and Niagara Avenues, and in 1997 the Blondin Community Orchard was planted to make the centennial of the acrobat’s death.

 

 

Sunday, June 29, 2025

A Bad Very Bad Day at the Wooden O When a Prop Went Wrong

    

                                                    A prop cannon firing under the  Globes thatched roof set the straw on fire.   

Folks who have been involved in theater, amateur or professional, love to swap yarns about various disasters in front of live audiences.  Ask me sometime about when the set fell on my head in the middle of Jules Feiffers Little Murders at Shimer College. 

But even the most grizzled theatrical veteran would have a hard time topping what happened to the cast of Henry VIII on June 29, 1613.  During a performance a cannon sparked a fire in the Globe Theaters thatched roof, burning the theater structure to the ground.  Fortunately no one was seriously injured, although one actor was said to have suffered an indignity to his pants. 

The Globe, of course, was the famous London theater where William Shakespeare had most of his plays produced and where he appeared in many of them as an actor.  Henry VIII is today one of The Bards less produced plays, both because of the liberties taken with the well known historical facts of Henry’s reign and because of suspicion that it was either co-authored or heavily tinkered with by another Globe playwright, John Fletcher.   

The Globe was constructed from the timbers of an earlier venue known simply as The Theater in 1599.  It was built on leased land and when the lease was up, the landlord claimed the building, which was owned by an association of actors.  To retrieve their property the actors hired a carpenter, Peter Street and joined him in disassembling the building in December of 1598 while the landlord was celebrating Christmas in the country.  The material was hidden until the next summer when it was floated across the Themes and the new theater constructed on marshy ground south of Maiden Lane. 

 

The only known near contemporary illustration of the Globe theater by Wenceslas Hollar in 1642. 

The new building evidently substantially re-created the original, although it may have been enlarged.  The Globe was owned originally by six actors who were shareholders in the theatrical troupe The Lord Chamberlains Men.  One of the six was a minority share holder, Will Shakespeare himself.  The building was an open air amphitheater about 100 feet in diameter contained in a building three stories high.  Although described as The Wooden O and portrayed in the only contemporary sketch, by Wenceslas Hollar, archeological evidence now suggests that it may have been a twenty-sided structure. 

Three levels of stadium style boxes were protected under an over-hanging thatched roof that was built onto the interior walls.  Surrounding an apron stage about 43 by 27 feet and raised five feet was a large open area where groundlings paid a penny to stand and watch performances while their betters lounged in the boxes.  As many as 3000 people could be jammed into the theater, which was one of London’s most popular places of amusement. 

The design of the theater was believed to mimic the inn courtyards where traveling theatrical troupes performed in earlier days.  

 

Shakespeare had retired by the time the second Globe, left, was erected, but his plays remained a staple of the resident company. 

Shakespeare himself at about age 50 seems to have retired from active involvement in the Lord Chamberlain’s Men about the time of the fire, and perhaps because of it.  When a second Globe was erected on the foundation of the first in 1614 he seems to be gone, although his plays continued to be revived as the source of most of the troupe’s material.  He died in his home town of Stratford-upon-Avon in 1616. 

The new Globe continued on until something even more deadly than fire befell it—Puritans.  It was closed by order of the Cromwell government in 1642 and probably razed two years later to make way for tenements.  

 

 Dominic Rowan and Kate Duchene perform as the King and Queen Katherine in Henry VIII at Shakespeare's Globe. This time the place did not burn down.

In 1997 Shakespeares Globe, a modern reproduction of the first theater, opened a few yards from the original site and regularly produces plays from the Shakespeare cannon.  Thirteen years ago during a cycle of all of the Bard’s history plays Henry III received a rare revival there. 

This time the cannon fired safely.  Everyone was relieved.