On
July 27, 1940 Billboard
magazine
began its chart of best selling single records. It subsequently added
charts on radio play frequency and juke box plays in an attempt to
assess the overall popularity of any recording.
Although
Billboard
gave
the charts equal weight, the record store sales were most highly
valued by the industry. Records across all genres were recorded on
the same chart, and radio stations using it as a guide tended to play
the variety of top sellers, exposing wide audiences to different
styles and sounds.
The
first 1# hit on the new chart was I’ll
Never Smile Again
by the Tommy
Dorsey Orchestra with
a vocal by Frank
Sinatra.
It stayed on top for twelve weeks.
On
August 4, 1958, Billboard
premiered
one main all-genre singles chart, the Hot
100
which combined sales and air play and which became increasingly the
Bible
of
the Industry.
The first song on the Hot 100 was Poor
Little Fool
by Ricky
Nelson.
The
Hot 100 is still issued, although criteria have changed with the
evolution of the recording industry.
The
FM
radio
revolution beginning in the late 1960’s ushered in an era of
increasingly specialized broadcasting with play lists tightly bound
to particular genres causing the downfall of AM
cross genre hit radio. Many album cuts, though enormously popular
and receiving heavy air play were not counted on the singles-only
chart.
Album
sales eventually swamped singles, which began to virtually disappear
with the beginning of the eight-track
and later cassette
tape
era. To accommodate these changes on December 5, 1998 the Hot 100
changed from being a singles chart to a songs chart.
The
era of music downloading effectively killed the remaining singles
market as it was known by the turn of the 21st Century. Since
February 12, 2005, the Hot 100 tracks paid digital downloads.
Controversies about the gathering of data and about recording
industry attempts to manipulate it are constant, but the list remains
the best evidence of over-all popularity of a song.
Over
the air radio, satellite
radio,
and internet
broadcasting
has continued the trend of becoming more specialized and literally
dozens of charts track everything from European
techno-pop
to traditional
folk
sales. Few listeners get the chance to sample broadly across genres
anymore.
As
of today Blurred
Lines by
Robin
Thicke Featuring
T.I. and Pharrell
sits
atop the Hot 100. I never heard it. Have you?
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