Two Johnnys--Old Tunes for Memorial Weekend

  

Irish born Patrick Gilmore's band was the most popular ensemble of the 19th Century and recorded early Edison cylinders.  An Army veteran himself, Gilmore wrote and popularized When Johnny Comes Marching Home Again using a traditional Irish melody and drawing on a much darker version of the return home of a veteran.

Today we are going back to the origins of Decoration/Memorial Day.  When Johnny Comes Marching Home Again is one of the best known of all Civil War songs, but the song of anticipated triumph was something of a whitewash on an earlier and far grimmer Irish song.

The lyrics to When Johnny Comes Marching Home were written by the Irish-American bandleader Patrick Gilmore while he was serving as band master to the 24th Massachusetts Infantry in 1863.  The sheet music was published that year by Henry Tolman & Co. crediting words and music to Louis Lambert.  Although Gilmore was already a famed bandleader before the war, he thought that the French-sounding pseudonym might seem more romantic and sophisticated.  After the song’s initial wild success, he was proud to proclaim authorship.

                            The original sheet music acknowledged Patrick Gilmore's band but credited his alias Louis Lambert as the writer.

But he didn’t claim to write the music.  In 1883 he described the melody as:

…a musical waif which I happened to hear somebody humming in the early days of the rebellion, and taking a fancy to it, wrote it down, dressed it up, gave it a name, and rhymed it into usefulness for a special purpose suited to the times.

The tune Gilmore adapted was the Civil War drinking song Johnny Fill Up the Bowl.  The melody was even older than that, stretching back to the 17th Century ballad The Three Ravens.  

After the war Gilmore was asked to organize a musical victory celebration in New Orleans. That success emboldened him to undertake two major music festivals in Boston, the National Peace Jubilee in 1869 and the World’s Peace Jubilee and International Musical Festival in 1872. These featured monster orchestras of massed bands with the finest singers and instrumentalists including the only American appearance by the Waltz King Johann Strauss II.  They cemented Gilmore’s reputation as the leading musical figure of the age.  Coliseums were erected for the occasions, holding 60- and 120,000 persons.  Grateful Bostonians presented Gilmore with medals and cash, but in 1873 he moved to New York City where he built Gilmore’s Concert Garden, which became the first Madison Square Garden.  Then he took his band on acclaimed tours of Europe.

He was during his lifetime bigger than John Phillip Souza and lived long enough to make early Edison cylinder records.

Gilmore was back in America preparing an 1892 musical celebration of the quadricentennial of Christopher Columbus’ voyage, when he collapsed and died in St. Louis at age 64.

But Gilmore never acknowledged the influence of another song—Johnny We Hardly Knew Ye.  As an Irishmen from the Auld Sod, he must have known that one.

The Clancy Brothers & Tommy Makem.

Johnny We Hardly Knew Ye was written in the voice of a young lass made pregnant by a lad who ran away to be a soldier.  She sees him on his return from serving in a foreign war in a British Red Coat in the late 18th or early 19th Century.  It was a powerful anti-recruiting song especially popular with the Fenians.  Although presumed to be older it, was not published in London until 1867 and was credited to Joseph B. Geoghegan, a prolific songwriter and successful music hall performer.  It was set to the same melody as When Johnny Comes Marching Home because that was already a familiar tune on both sides of the Atlantic.  Most musical scholars believe it had an older folk origin, but some believe it was penned by Geohegan as a rebuke to triumphant bravado of Gilmore’s song. 

Johnny We Hardly Knew Ye was re-popularized when The Clancy Brothers & Tommy Makem recorded it in 1961.  During the Vietnam conflict it became an anti-war and anti-draft anthem.

 

When Johnny Comes Marching Home Again and Johnny We Hardly Knew Ye—Old Tunes for Memorial Day

 

Irish born Patrick Gilmore's band was the most popular ensemble of the 19th Century and recorded early Edison cylinders.  An Army veteran himself, Gilmore wrote and popularized When Johnny Comes Marching Home Again using a traditional Irish melody and drawing on a much darker version of the return home of a veteran.

Today we are going back to the origins of Decoration/Memorial Day.  When Johnny Comes Marching Home Again is one of the best known of all Civil War Songs but the song of anticipated triumph was something of a white wash on an earlier and far grimmer Irish song.

The lyrics to When Johnny Comes Marching Home were written by the Irish-American bandleader Patrick Gilmore while he was serving as band master to the 24th Massachusetts Infantry in 1863.  The sheet music was published that year by Henry Tolman & Co. crediting words and music credited to Louis Lambert.  Although Gilmore was already a famed bandleader before the war he thought that the French sounding pseudonym might seem more romantic and sophisticated.  After the song’s initial wild success he was proud to proclaim authorship.

The original sheet music acknowledged Patrick Gilmore's band but credited his alias Louis Lambert as the writer.

But he didn’t claim to write the music.  In 1883 he described the melody as:

…a musical waif which I happened to hear somebody humming in the early days of the rebellion, and taking a fancy to it, wrote it down, dressed it up, gave it a name, and rhymed it into usefulness for a special purpose suited to the times.

The tune Gilmore adapted was the Civil War drinking song Johnny Fill Up the Bowl.  The melody was even older than that, stretching back to the 17th Century ballad The Three Ravens.  

After the war Gilmore was asked to organize a musical victory celebration in New Orleans. That success emboldened him to undertake two major music festivals in Boston, the National Peace Jubilee in 1869 and the World’s Peace Jubilee and International Musical Festival in 1872. These featured monster orchestras of massed bands with the finest singers and instrumentalists including the only American appearance by the Waltz King Johann Strauss II.  They cemented Gilmore’s reputation as the leading musical figure of the age.  Coliseums were erected for the occasions, holding 60- and 120,000 persons.  Grateful Bostonians presented Gilmore with medals and cash, but in 1873 he moved to New York City where he built Gilmore’s Concert Garden, which became the first Madison Square Garden.  Then he took his band on acclaimed tours of Europe.

He was during his lifetime bigger than John Phillip Souza and lived long enough to make early Edison cylinder records.

Gilmore was back in America preparing an 1892 musical celebration of the quadricentennial of Christopher Columbus’ voyage of discovery, when he collapsed and died in St. Louis at age 64.

But Gilmore never acknowledged the influence of another song—Johnny We Hardly Knew Ye.  As an Irishmen from the Auld Sod, he must have known that one.

The Clancy Brothers & Tommy Makem.

Johnny We Hardly Knew Ye was written in the voice of a young lass made pregnant by a lad who ran away to be a soldier.  She sees him on his return from serving in a foreign war in a British Red Coat in the late 18th or early 19th Century.  It was a powerful anti-recruiting song especially popular with the Fenians.  Although presumed to be older it was not published in London until 1867 and was credited to Joseph B. Geoghegan, a prolific songwriter and successful music hall performer.  It was set to the same melody as When Johnny Comes Marching Home because that was already a familiar tune on both sides of the Atlantic.  Most musical scholars believe it had an older folk origin, but some believe it was penned by Geohegan as a rebuke to triumphant bravado of Gilmore’s song. 

Johnny We Hardly Knew Ye was re-popularized when The Clancy Brothers & Tommy Makem recorded it in 1961.  During the Vietnam conflict it became an anti-war and anti-draft anthem.

 

Old Building Gets New Life as the First Madison Square Garden

Phineas T. Barnum's Roman Hippodrome.  Note tent covering the open roof.

When William Kissam Vanderbilt finally got control of a chunk of grandpa Cornelius Vanderbilt’s estate in 1879, he knew just what he wanted to do with one of the assets.  The old Commodore owned the property where a half-derelict hulk of a building sat on prime Manhattan real estate. 

The large structure had originally been the New York & Harlem Railroad depot, which the Commodore bought and incorporated into what became the New York Central.  In 1871 station operations moved to the shiny new Grand Central Depot.  Phineas T. Barnum then stepped in and leased the building.  He took the roof off, gutted it, and converted it into an oval arena 270 feet long, with tiers of seats and benches.  It was rechristened first  as the Great Roman Hippodrome then even more grandly  Barnum’s Monster Classical and Geological Hippodrome.  The bombastic showman experienced great success staging his famous circus and other spectacular exhibitions including chariot racing there.

In 1876 Barnum gave up his lease to concentrate on his increasingly lucrative touring circus.  Irish-born band leader Patrick Gilmore, composer of When Johnny Comes Marching Home and other famous marches, then took over the building re-dubbing it Gilmore’s Garden.  When he was not presenting his own concerts there, Gilmore rented the space to promoters of  flower shows, beauty contests, temperance and revival meetings, walking marathons. and in 1877 the first Westminster Kennel Club Dog Show then called the New York Bench Show.  He also presented boxing matches at a time when prize fights were illegal in the Empire State by passing them off as exhibitions and even as demonstrations accompanying lectures on the manly arts of self-defense.

The promoter of the Dog Show briefly took over the building but kept Gilmore's name on it.  He added genteel tennis matches and installed an ice skating rink for use during the frigid winter months. 

Vanderbilt's renovated and renamed Madison Square Garden.

It was undoubtedly the boxing which attracted the younger Vanderbilt.  He considered himself something of a sporting man and owned a very successful horse racing stable in France.  Later he was a co-owner of the yacht Defender, which won the 1895 America’s Cup.   He took over the building and with a minor facelift re-opened it on May 31, 1879 as  Madison Square Garden. 

Vanderbilt booked boxing exhibitions featuring Police Gazette heroes like Heavyweight Champion John L. Sullivan.  Other sports attractions presented to crowds of up to 10,000 patrons included track and field meets and bicycle racing—maybe the most popular spectator sport in the country—on his specially built banked velodrome track.  The National Horse Show joined the dog show as an annual attraction and Barnum came back to exhibit his prize elephant Jumbo.  Buffalo Bill Cody’s Wild West Show became a national sensation there during a long run in 1886.  The place also hosted national conventions of the Elks and other organizations. 

The old building established itself as the Big Apple’s prime multi-purpose venue for big events.  But it was in deteriorating condition and uncomfortable or unusable much of the year—stiffing hot in the summer and freezing cold and dark during the long winter months.  Harper’s Weekly described it as a “patched-up grumy, drafty combustible, old shell.”

After 11 years Vanderbilt grew tired of his toy while civic leaders clamored for its replacement, an expensive project he had no interest in underwriting.  Enter a consortium the richest men in the city and country—J.P. Morgan, Andrew Carnegie, William Waldorf Astor, and others plus showman Barnum—who bought the building and land, tore it down, and erected an impressive replacement also called Madison Square Garden.

Vanderbilt's renovated and renamed Madison Square Garden.

The second Garden was designed by famed architect Stanford White and opened in 1890 at the staggering cost of $3 million.  The grand new edifice did have a roof making it the largest indoor arena/exhibition space in the country.  In fact, the famed Roof Garden Restaurant became a place to be seen for the city elite and a venue for late night entertainment after the Broadway shows were done for the evening.  White was famously shot and killed by the husband of his lover, Gibson Girl model and actress Evelyn Nesbit there in 1906.

The second Garden became the annual home for the touring Barnum and Ringling Brothers circuses and eventually their combined show.  It continued to be the venue of choice for top prize fights and in 1902 and ‘03 the indoor games of the professional World Series of Football.  It also hosted important national events like the 1924 Democratic National Convention which nominated John W. Davis after 103 ballots.

Despite the cultural importance of the building, it was not a financial success and in 1925 the mortgage holder, New York Life Insurance,  foreclosed, tore it down. then erected their skyscraper headquarters on the site.

A third Madison Square Garden was built away from Madison Square on Eighth Avenue between 49th and 50th Streets where trolley barns once stood.  The new structure was owned by Tex Rickard whose New York Rangers of the National Hockey League (NHL) made it home from 1926.

The third Garden shown on a 1941 picture postcard.

Basketball was represented in a series of collegiate double headers every week featuring top local and national teams as well as the National Invitation Tournament (NIT) beginning in 1938 and hosted seven NCAA Men’s Basketball Championship finals between 1943 and 1950.  The New York Nicks of the National Basketball Association (NBA) began their residency in 1949.

Although this incarnation did not host any national political conventions, Franklin Roosevelt used it to stir up support for his first Presidential campaign with a mammoth rally in 1932.  Thirty years later the Garden was packed for a birthday celebration for John F. Kennedy at which Marylin Monroe famously crooned him “Happy Birthday, Mr. President” in a slinky silver sequined gown that she had to be sewn into. 

A large portrait of George Washington loomed over a huge German American Bund pro-Nazi rally at the Garden in 1939.

Garden III was available to anyone with pockets deep enough to pay the rent so was often the site of events for diametrically opposed groups.  The American Jewish Congress and the Jewish Labor Committee held a Boycott Nazi Germany rally there in 1937 but in 1939 the German American Bund staged an even larger event in support of isolationists trying to keep the U.S. from entering World War II on the side of the British and French.

Billy Graham conducted a 16 week revival Crusade there in 1957.

In the 1960s ownership and management was taken over by the new Madison Square Garden Company under the leadership of impresario Irving Feld of Ringling Bros.  The company laid plans for yet another incarnation, this time built over Pennsylvania Station between Seventh and Eighth Avenues from 31st to 33rd Streets.  After the new building was opened in 1968, the old Garden III was torn down.  The original plan was to erect a new world’s tallest building at the old site but that was squelched by massive neighborhood opposition resulting in strict height limits for new construction in the area.  It remained underused as a parking lot until 1989 when the Worldwide Plaza opened on the site.

Today's Madison Square Garden IV is round.

The newest Garden increasingly became a venue for big pop concert events in addition to its traditional diet of sports.  These famously included a 1971 rock-and-roll revival concert immortalized by Ricky Nelson’s song Garden Party, Elvis Presley, George Harrison’s Concert for Bangladesh, and the Concert for New York City following the September 11 attacks.  Artists like Elton John, Billy Joel, Parliament-Funkadelic,  and U2 have all played there many times with Joel having the record of more than 60 appearances.

The Garden was also the launching pad for the re-introduction of professional wrestling into mainstream pop culture as the venue for the inaugural WrestleMania presented by the World Wrestling Federation (WWF) in 1985 and many subsequent marquee events.

The Democrats held their convention at the Garden in 1976, 1980, and 1992.

Madison Square Garden's $1 billion second renovation took place mainly over three off-seasons. It was set to begin after the 2009–10 hockey/basketball seasons but was delayed until after the 2010–11 seasons. Renovation was done in phases with the majority of the work done in the summer months to minimize disruptions to the NHL and NBA seasons.

Despite a billion dollar renovation in 2011-‘13, the Garden lost long time tenants the Ringling Bros. Circus and Disney on Ice  to the new Barclays Center in Brooklyn.

The City of New York wants to expand Penn Station underneath the Garden which would require that it be torn down and relocated.  This has been a major issue in the city for years with the MSG company resisting the move.  In 2013 they were granted a ten year extension of their air rights permit after which time they will either have to move or begin a new, and risky, application for another extension.  Then, in January 2016, New York Governor Andrew Cuomo announced a redevelopment plan for Penn Station that would involve the removal of The Theater at Madison Square Garden but would otherwise leave the arena intact.