Showing posts with label RCA. Show all posts
Showing posts with label RCA. Show all posts

Friday, August 18, 2023

Philo T. Farnsworth—Primary Suspect in a DNA Test for Father of Television

                        Young Philo T. Farnsworth in Utah.

Inventor Philo T. Farnsworth was born in a log cabin on his grandfathers remote ranch in southwest Utah on August 19, 1906.  His family was of early settler Mormon stock.  Despite the classic 19th Century pioneer circumstances of his birth, Farnsworth would help reshape the modern world with his inventions.

By 1918 the family was ranching on its own in southern Idaho.  The new homestead had its own small generator and was primitively wired for lighting and some farm equipment.  Young Philo, a tinkerer in the great tradition and a devotee of Popular Mechanics was soon busy adapting other gadgets and appliances to being run by electricity.

Farnsworth's high school science teacher Justin Tomlin saved his sketch of an electron tube which eventually proved the inventor's priority over competitors.

He proved to be a whiz in high school in Rigby, Idaho at advanced math, chemistry, and physics. But he stunned Justin Tolman, his high school science teacher, with sketches for electron tubes.  He demonstrated how pictures might be transmitted and received wirelessly over a distance by filling several chalkboards with equations for his awestruck teacher.  That teacher’s memory of these early events later became key testimony in Farnsworth’s epic patent battles with the Radio Corporation of America (RCA).

After graduating from high school early, Farnsworth worked for the railroad to raise money for tuition to Brigham Young University.  In 1923 he joined his family, which had moved to Provo, Utah.  But when his father died less than a year later, 16 year old Philo was forced to quit school to support his family.

But his dreams never died.  He seized another opportunity to get a quality education when he tested number 2 in the nation and was recruited to the U.S. Naval Academy.  But when he discovered that the Navy would own any patents he developed during his continuing research, he resigned and returned to Utah.

An unsuccessful business venture brought him to Salt Lake City, where he took classes at the University of Utah.  He also caught the eye of George Everson, a professional fund raiser and philanthropist to work with local Community Chest.  Philo’s project so excited him that he agreed to pay for him to move to Los Angeles where he would be provided housing and a small laboratory space.  

 

Pem Farnsworth, the inventor's wife, has been called the first TV star because he broadcast her photo in his public press presentation.

Farnsworth leapt at the opportunity.  He married his sweetheart, Elma Pem Gardner, the sister of an associate of Everson.

After a period in L.A., the Farnsworth’s moved to San Francisco to be closer to Everson.  Despite Everson’s support, it was difficult to keep up the research and support the family.  Farnsworth worked mostly alone and the strange looking apparatus that were brought into his apartment/laboratory aroused suspicion and the place was raided by local police suspecting he was running a distillery.

After only a few months in California, however, Farnsworth was far enough along in his work to file patents.  Others were developing television systems, based on mechanical scanning devices.  Farnsworth proposed an entirely electronic system to produce images that could be received on another device.  These early patent applications gave him a lead over others who were experimenting with electronic systems.

 

 Farnsworth displays his television receptor for the press.

In September, 1927 Farnsworth transmitted his first image in his San Francisco lab, a simple line inscribed on a black plate back illuminated by a powerful arc lamp to a receiving device which reproduced the image by an electronic scan.  He demonstrated his device to the press a year later.

In 1930 Farnsworth’s patents were approved.  He was also visited by Vladimir Zworykin, who had been developing his own television system in Pittsburg for Westinghouse for some years.  Although his system was promising, it never functioned well enough.  Impressed, he made copies of Farnsworth’s Image Dissector for his own use.  He would eventually abandon that technique because of the extremely bright lighting required and turn his attention to developing the Iconoscope.

 

 Farnsworth's nemesis David Sarnoff of RCA.  The two fought bitterly over patent rights in a series of law suits that lasted years and nearly ruined Farnsworth despite winning them.

Meanwhile Farnsworth turned down an offer by David Sarnoff of RCA to buy his patents and work for them.  Again the inventor balked at having his patents held by others.  Instead, he moved to Philadelphia where he found what he hoped would be a congenial home at Philco.

RCA acquired Zworykin’s patents, which Zworykin had already used to challenge Farnsworth’s.   The company renewed the objections, but in 1934, based on evidence from that high school teacher and others, the Patent Office ruled that Farnsworth established priority for electronic television with his Image Dissector.  In the meantime, Farnsworth applied for additional patents, including one for color transmission and reproduction.

Despite the Patent Office decision, litigation between Farnsworth and RCA dragged on for years, greatly distressing the inventor.  Finally in 1939 RCA agreed to settle the dispute by licensing Farnsworth’s patents for a million dollars.  That led directly to the famous public demonstration of the RCA television system, based on several different patents, including Farnsworth’s at the New York World Fair on April 20, 1939.

But before that Farnsworth had struggled.  He parted ways with Philco in 1933 and then went to England in hopes of raising money for his expensive litigation with RCA.  There he met John Logie Baird, a Scottish inventor who had given the world first public demonstration of a working television system in London in 1926 using a mechanical rotating disc device.  The two joined forces and Baird’s company began to market a system to the BBC in competition with EMI, which used Zworkink’s patents.  Eventually the BBC opted for the EMI system.  

Farnsworth also demonstrated his system in Germany, where it was used for experimental broadcasts of the 1936 Olympics.

 

                Farnsworth showing off components for his television system including the critical cathode ray tube.

Back in America, Farnsworth continued his experimentation and filed several patents both for the improvement of television and in new areas, including  a ray for airplanes and ships to penetrate fog.  During World War II in combination with other patents on an improved cathode ray tube to be used as an image receptor, it led to radar.

He founded his own company, Farnsworth Television and Radio Corporation based in Fort Wayne, Indiana in 1936.  The company took on numerous defense contracts during the World War II, including the development of radar and improvements to sonar.  But the small, undercapitalized company struggled to make deliveries on time.

In 1951 International Telephone and Telegraph (ITT) bought his company and kept Farnsworth on a chief researcher working from a small basement laboratory known as The Cave.  His improvements to the radar circular sweep screen made possible modern air traffic control systems.

ITT agreed to modestly fund Farnsworth’s basic research into a new area, nuclear fusion.  He developed a specialized set of fusion reaction tubes called fusors.  Although he was able to produce micro scale fusion reactions in the lab, he could not figure out how to create large enough reactions to become a potential power source.  ITT soured on the expense of the project and cancelled its support, causing Farnsworth to leave the company in 1966.


Farnsworth was never a household name like other inventors.  He stumped the panel on I've Got a Secret on the medium he pioneered.

Disillusioned and drinking heavily, Farnsworth transferred his research back to Utah where he worked in a laboratory provided by Brigham Young University.  He started a new, small firm, Philo T. Farnsworth and Associates, and lured some former colleagues from ITT to join him in Utah.  He secured a contract with NASA, but his bank called in its loans, which Farnsworth had secured with his home and pension.  The company collapsed and the Internal Revenue Service padlocked his lab for failure to pay back taxes

Despite the failure of his fusion system to be commercially viable, it has become an invaluable tool in basic research and fusors are used to produce particles for use in cyclotrons and for other basic particle physics research.

With his family reduced to poverty despite fathering one of the great industries of the century, Farnsworth fell into deep depression and drank heavily, destroying his always fragile health.  He died of pneumonia on March 11, 1971, largely in obscurity.  His widow Pem campaigned relentlessly after his death to promote his place in the birth of television.

 

Fame is fleeting.  A statue of Farnsworth represented Utah in Statuary Hall in the U.S. Capital since 2010.  He joined Mormon patriarch Brigham Young in what has been called a national hall of fame.  But in 2019 the Utah legislature voted to remove the statue in 2020 and replace it with one of Martha Hughes Cannon,  a suffrage pioneer and first woman elected to a state legislature.  Copies of the Farnsworth statue are on still display in his home town and in an upper gallery of the Utah capitol building.

Farnsworth was not THE inventor of television.  Many inventors contributed to what would ultimately be the operating system that became practical and which after World War II exploded changing society and culture in ways Farnsworth could never have imagined when he began sketching ideas for tubes as a 14 year old in an Idaho science class.

Monday, August 19, 2019

Philo T. Farnsworth—Number One Suspect in DNA Test for Father of Television

Philo T  Farnsworth displays his television receptor for the press,
Inventor Philo T. Farnsworth was born in a log cabin on his grandfather’s remote ranch in southwest Utah on August 19, 1906.  His family was of pioneer Mormon stock.  Despite the classic 19th Century pioneer circumstances of his birth, Farnsworth would help reshape the modern world with his inventions.

By 1918 the family was ranching on its own in southern Idaho.  The new homestead had its own small generator and was primitively wired for lighting and some farm equipment.  Young Philo, a tinkerer in the great tradition and a devotee of Popular Mechanics was soon busy adapting other gadgets and appliances to being run by electricity.

He proved to be a whiz in high school in Rigby, Idaho at advanced math, chemistry, and physics. But he stunned Justin Tolman, his high school science teacher, with sketches for electron tubes.  He demonstrated how pictures might be transmitted and received wirelessly over a distance by filling several chalkboards with equations for his awestruck teacher.  That teacher’s memory of these early events later became key testimony in Farnsworth’s epic patent battles with the Radio Corporation of America (RCA).

Farnsworth's high school science teacher Justin Tomlin saved his sketch of an electron tube which eventually proved the inventor's priority over competitors.

After graduating from high school early, Farnsworth worked for the railroad to raise money for tuition to Brigham Young University.  In 1923 he joined his family, which had moved to Provo, Utah.  But when his father died less than a year later, 16 year old Philo was forced to quit school to support his family.

But his dreams never died.  He seized another opportunity to get a quality education when he tested number 2 in the nation and was recruited to the U.S. Naval Academy.  But when he discovered that the Navy would own any patents he developed during his continuing research, he resigned and returned to Utah.

An unsuccessful business venture brought him to Salt Lake City, where he took classes at the University of Utah.  He also caught the eye of George Everson, a professional fund raiser and philanthropist to work with local Community Chest.  Philo’s project so excited him that he agreed to pay for him to move to Los Angeles where he would be provided housing and a small laboratory space.  

Pem Farnsworth, the inventor's wife, has been called the first TV star because he broadcast her photo in his public press presentation.

Farnsworth leapt at the opportunity.  He married his sweetheart, Elma “Pem” Gardner, the sister of an associate of Everson.

After a period in L.A., the Farnsworth’s moved to San Francisco to be closer to Everson.  Despite Everson’s support, it was difficult to keep up the research and support the family.  Farnsworth worked mostly alone and the strange looking apparatus that were brought into his apartment/laboratory aroused suspicion and the place was raided by local police suspecting he was running a distillery.

After only a few months in California, however, Farnsworth was far enough along in his work to file patents.  Others were developing television systems, based on mechanical scanning devices.  Farnsworth proposed an entirely electronic system to produce images that could be received on another devise.  These early patent applications gave him a lead over others who were experimenting with electronic systems.

In September, 1927 Farnsworth transmitted his first image in his San Francisco lab, a simple line inscribed on a black plate back illuminated by a powerful arc lamp to a receiving device which reproduced the image by an electronic scan.  He demonstrated his device to the press a year later.

In 1930 Farnsworth’s patents were approved.  He was also visited by Vladimir Zworykin, who had been developing his own television system in Pittsburg for Westinghouse for some years.  Although his system was promising, it never functioned well enough.  Impressed, he made copies of Farnsworth’s Image Dissector for his own use.  He would eventually abandon that technique because of the extremely bright lighting required and turn his attention to developing the Iconoscope.


Farnsworth's nemesis David Sarnoff of RCA.  The two fought bitterly over patent rights in a series of law suits that lasted years and nearly ruined Farnsworth despite winning them.
Meanwhile Farnsworth turned down an offer by David Sarnoff of RCA to buy his patents and work for them.  Again the inventor balked at having his patents held by others.  Instead he moved to Philadelphia where he found what he hoped would be a congenial home at Philco.

RCA acquired Zworykin’s patents, which Zworykin had already used to challenge Farnsworth’s.   The company renewed the objections, but in 1934, based on evidence from that high school teacher and others, the Patent Office ruled that Farnsworth established priority for electronic television with his Image Dissector.  In the meantime Farnsworth applied for additional patents, including one for color transmission and reproduction.

Despite the Patent Office decision, litigation between Farnsworth and RCA dragged on for year, greatly distressing the inventor.  Finally in 1939 RCA agreed to settle the dispute by licensing Farnsworth’s patents for a million dollars.  That led directly to the famous public demonstration of the RCA television system, based on several different patents, including Farnsworth’s at the New York World’s Fair on April 20, 1939.

But before that Farnsworth had struggled.  He parted ways with Philco in 1933 and then went to England in hopes of raising money for his expensive litigation with RCA.  There he met John Logie Baird, a Scottish inventor who had given the world first public demonstration of a working television system in London in 1926 using a mechanical rotating disc device.  The two joined forces and Baird’s company began to market a system to the BBC in competition with EMI, which used Zworkink’s patents.  Eventually the BBC opted for the EMI system.  

Farnsworth also demonstrated his system in Germany, where it was used for experimental broadcasts of the 1936 Olympics.
Farnsworth showing off components for his television system including the critical cathode ray tube.
Back in America, Farnsworth continued his experimentation and filed several patents both for the improvement of television and in new areas, including  a ray for airplanes and ships to penetrate fog.  During World War II in combination with other patents on an improved cathode ray tube to be used as an image receptor, it led to radar.

He founded his own company, Farnsworth Television and Radio Corporation based in Fort Wayne, Indiana in 1936.  The company took on numerous defense contracts during the World War II, including the development of radar and improvements to sonar.  But the small, undercapitalized company struggled to make deliveries on time.

In 1951 International Telephone and Telegraph (ITT) bought his company and kept Farnsworth on a chief researcher working from a small basement laboratory known as The Cave.  His improvements to the radar circular sweep screen made possible modern air traffic control systems.

ITT agreed to modestly fund Farnsworth’s basic research into a new area, nuclear fusion.  He developed a specialized set of fusion reaction tubes called fusors.  Although he was able to produce micro scale fusion reactions in the lab, he could not figure out how to create large enough reactions to become a potential power source.  ITT soured on the expense of the project and cancelled its support, causing Farnsworth to leave the company in 1966.

Farnsworth was never a household name like other inventors.  He stumpped the panel on I've Got a Secret on the medium he pioneered.
Disillusioned and drinking heavily, Farnsworth transferred his research back to Utah where he worked in a laboratory provided by Brigham Young University.  He started a new, small firm, Philo T. Farnsworth and Associates and lured some former colleagues from ITT to join him in Utah.  He secured a contract with NASA, but his bank called in its loans, which Farnsworth had secured with his home and pension.  The company collapsed and the Internal Revenue Service padlocked his lab for failure to pay back taxes

Despite the failure of his fusion system to be commercially viable, it has become an invaluable tool in basic research and fusors are used to produce particles for use in cyclotrons and for other basic particle physics research.

With his family reduced to poverty despite fathering one of the great industries of the century, Farnsworth fell into deep depression and drank heavily, destroying his always fragile health.  He died of pneumonia on March 11, 1971, largely in obscurity.  His widow Pem campaigned relentlessly after his death to promote his place in the birth of television.

Fame is fleeting.  A statue of Philo T. Farnsworth has represented Utah in Statuary Hall in the U.S. Capital since 2010.  He joined Mormon patriarch Brigham Young in what has been called a national hall of fame.  But this year the Utah legislator voted to remove the statue in 2020 and replace it with one of Martha Hughes Cannon,  a suffrage pioneer and first woman elected to a state legislature.  Copies of the Farnsworth statue will still be on display in his home town and in an upper gallery of the Utah capitol building.
Farnsworth was not THE inventor of television.  Many inventors contributed to what would ultimately be the operating system that became practical and which after World War II exploded changing society and culture in ways Farnsworth could never have imagined when he began sketching ideas for tubes as a 14 year old in an Idaho science class.

Saturday, December 20, 2014

It Always Made Me Want to Cry—That Jet Plane Song




On December 20, 1969 Leaving on a Jet Plane reached No. 1 on the Billboard Hot 100 chart.  Peter, Paul and Mary’s recording was their last hit before they broke up in 1970 and their only time at the top of the charts.  It was also their only single to earn a Gold Record for more than one million sales.
Both the song and the recording had been around for a while.  A youthful John Denver penned the song in 1966 while he was touring as Chad Mitchell’s replacement in the Mitchell Trio.  Denver privately recorded the song under the name Babe I Hate to Go as part of a demo which he sent out as a Christmas present to friends.  The Mitchell Trio’s manager got a copy to Peter, Paul and Mary, who were impressed.  They began to sing it in their live shows, and later added more Denver material to their repertoire.
Early in 1967 the song was released by the Mitchell Trio and by Spanky and Our Gang on their debut album.  Later that year PP&M included it on Album 1700.  It took more than two years for the group’s record label, Warner Bros., to release the song as a single.  Despite another hit off the record, I Dig Rock and Roll Music, executives at the label were convinced that folk music was passé and had been eclipsed by the very music the trio was commenting on in the first release.


Despite the unexpected success of the single, Peter, Paul and Mary broke up to pursue individual careers in 1970 and would not reunite to sing together again until a 1987 anti-nuclear rally.  After that they regrouped several times for tours and to make a series of hugely popular PBS specials.
The success of the song boosted Denver’s struggling career.  He was signed by RCA and released his debut album Rhymes and Reasons later in 1969.  But RCA was just as leery of a folk act as Warner’s had been and refused to sponsor a tour in support of the album.  As countless other folk acts had before him, Denver set out alone on a self-organized, haphazard tour of the Mid West.  He didn’t even have an advance man.  He would arrive in a town or on a college campus and scrounge for a place to play.  He seldom was paid except for the gate—the admission cover charge—or the opportunity to sell his records at intermission.  He would show up at local radio stations unannounced and wrangle interviews, had his own flyers printed and personally posted them in the area of the performances.  

I saw Denver on that tour, at was probably one of his “prestige” gigs—the Quiet Knight at Sheffield and Belmont in Chicago.  The intimate tour also helped garner Denver a passionately loyal fan base that stuck with him through his career.
The sharp spike in record sales as a result of this effort finally caught the attention of RCA executives, who authorized an official tour and began to put their A&R team behind the record.