On May 31, 1678 the first Godiva Processional was
held in the streets of Coventry commemorating the legendary ride of an Anglo-Saxon noblewoman through the
streets of the town some time shortly before 1057. The parade, featuring
a scantily clad, but never actually nude local woman, was a continuing
tradition into the 1960’s. Local authorities hoped to down play Godiva as
a symbol of Coventry. But the lady proved to be far too popular, and the
tradition has been re-established as part of an even larger Godiva
Festival.
The reality behind the legend is murky. But
there was a real noble woman born before 1040 according to the Doomsday
Book completed in 1086 shortly after the woman’s death and the charters
to various churches and monasteries to which the Lady and her husband were benefactors.
Godiva is a Latinized version of the Old English name Godgifu
or Godgyfu, a then popular moniker meaning Gift of God.
Leofric, Earl of Mercia, reputedly
one of the wealthiest land owners in England, took Godiva, a very young widow,
as his wife. Together they became patrons of several monasteries
and made generous gifts of gold jewelry and silver plate to several
churches, including St. Paul’s Cathedral in London—the third
building of that name which burned in 1088. It was said that this generosity
was at the behest of the very pious Lady.
Of course such larges was expensive. In
order to sustain it, and the lavish lifestyle expected of a leading noble,
Leofric raised the rents and taxes on his vast holdings, which included the
still new city of Coventry. Evidently taxes became so extreme that they
reduced the residents of the city to want and hunger.
According to the earliest version of the story
given in Flores Historiarum by Roger of Wendover about
1230, almost two centuries after the fact, after receiving appeals from
the people, Godiva repeatedly begged her husband for relief. He
steadfastly refused. Finally in exasperation he supposedly told Godiva
that he would grant her wish if she would ride the city naked. Given his
wife’s famous piety, he must have considered this a good bet.
But pluck Godiva held him at his word. In
the original tale she rode through the streets still thronging with citizens
accompanied by two knights. The author quoted earlier writings, which,
however, have never been found.
Like all good tales, this one gained something in
the re-telling. By the 17th Century the tale has Godiva ordering
that all of the citizens of the town remain indoors as she made her ride alone,
her long hair partially covering her nakedness. Still later the story of Tom
was added to the tale. Tom, reportedly a tailor by trade bored a hole
in his shutters to espy the Lady as she passed. But for his
shamelessness, he was supposedly struck blind and Godiva’s modesty
preserved.
In all versions of the story the repentant
Leofric rescinds the hated taxes and Godiva is celebrated as the heroine of the
town.
Whether or not any of this actually happened is
anybody’s guess. Kill joy scholars will provide lots of arguments why the
tale is spurious, but have no more proof that it is a lie than there is proof
that Godiva actually rode.
We do know that Leiofric died in 1057 and Godiva
inherited his estates. She survived the Norman Conquest of 1066
and more remarkably was one of the few Anglo-Saxon nobles—and even fewer
women—who retained her lands. But she died sometime before the records in
the Doomsday Book, at which time her lands were in other hands.
She either left no heirs or the rapacious Normans found away to seize the
lands.
The story of Lady Godiva has inspired numerous
painting, poems, songs, plays, a line of expensive chocolates, and a Technicolor film
starring Maureen O’Hara who, alas, was never shown in all of her glory.
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