On June 9, 1949 J. Edgar Hoover did his part to
fuel the growing anti-Communist hysteria sweeping post-World War II America when he released
a “confidential” Federal Bureau of Investigations (FBI)
report that named scores of influential Americans, most of them
in the movie and entertainment
business as members of
the Communist Party.
Hoover had developed his list after Attorney
General Tom Clark in 1946 asked for the names of potentially “disloyal
Americans” who might be detained in
event of a “national emergency.”
The names on the list were included a year later in 1950 after the Korean
War broke out in a report to
President Harry Truman with
the names of more than 12,000 who should be rounded up and detained after the formal
suspension of the right of habeas
corpus. Truman had the good sense to thank
his powerful FBI boss and promptly put the report and recommendation in the bottom
drawer never to be acted upon.
But there were plenty, many of the in Congress and
including some of the country’s most powerful media barons like the Chicago Tribune’s Col.
Robert R. McCormack and Time’s
Henry Luce were already clamoring for just such draconian measures.
Hollywood where the major studios were
run by Jews and where many actors, writers, and creative people were politically active
liberals and leftists and where there was a powerful labor
union movement with
sometimes radical leadership, had
already been singled out as a virtual Commie fifth column.
In 1946 and ’47 the powerful House Un-American
Activities Committee (HUAC) launched high profile hearings on Communist infiltration of the film industry
and subpoenaed hundreds to testify and name names. Nineteen of those refused
to do so and were named as unfriendly witnesses. Eleven of those were called before the committee
and 10 refused to answer questions. Only German émigré
Berthold Brecht relented and
testified. The others including screen
writers Dalton Trumbo, Howard
Koch, and Ring Larder, Jr. were indicted for contempt
of Congress and eventually
sent to prison and blacklisted from the industry.
Some of Hollywood royalty including John Huston, Humphrey Bogart, Lauren Bacall, John Garfield,
Danny Kaye, and Billy Wilder attempted to rally support for the Hollywood Ten by organizing a Committee to
Defend the Bill of Rights and
traveling to Washington to
protest. They came under intense attack by the Committee, the
press, and by the terrified studio owners. Bogart, spearhead and principal
spokesman for the group, was forced to back track and issue a statement
that the trip had been ill advised. The group broke
up acrimoniously between those who thought they should have toughed it out and
those like Wilder who advised it was time “to fold our tents.”
Two years later Garfield and Kaye were among those
named in the new FBI report, which was based on unnamed confidential
informants and the Bureau’s own “analysis”
which concluded that the Communists claimed “to have been successful in using
well-known Hollywood personalities to further Communist Party aims.”
Analysis was often based on no more than the recollection of an informant
seeing an individual at a meeting years earlier, attendance at public
functions, donations to certain charities, or signatures
on some petitions. It included pre-war support for anti-Fascist causes and war-time support of the Soviet Union—including activities undertaken at
the request of the government.
Some people on the list were or had been Party
Members. Others were sympathetic. Some were non-Communist
leftists—members of the Socialist Party or the Industrial Workers
of the World (IWW). Many
were unionists or sympathizers with the early Civil Rights
Movement. And very many were simply liberals. It made no
difference. To Hoover all were not just the “willing dupes” of the HUAAC hearings, but active, card
carrying Communists.
Among those listed were acknowledged Socialist
and IWW member Helen Keller, even then widely regarded as a sort of secular saint. The report
centered on the activities of Fredric March, a well-known liberal and an
active Democrat who had
recently won his second Academy Award for the brilliant film about the return of World
War II GIs, The Best Years of Our Lives. March was no
Communist, but he had organized a group concerned about atomic
weapons and critical of America’s growing arsenal. Any
one even tangentially connected to that effort, or to people connected to the
effort were caught up in rippling waves of innuendo.
John Garfield, once the brightest new star at Warner
Bros. came under especially severe
scrutiny and his career immediately suffered. Already plagued
with heart problems, the stress
of the accusations was widely believed to be a direct
contributing factor to his death of a heart attack in May of
1952.
Other prominent people named in the report, along with
hundreds of non-celebrities included writer and wit Dorothy Parker,
Paul Muni, and Edward G. Robinson. Like Garfield and Kaye
they were all Jewish. In
fact the reek of Anti-Semitism hung
over the whole report.
Fredric March, Paulette Goddard, Edward G. Robinson, and Audie Murphy, America's most decorated World War II soldier, stood up to Hoover and HUAC.
The effect on careers varied. Many of the more
obscure found themselves on blacklists.
Parker lost the radio panel show jobs that had provided most of her income.
Muni’s film career was essentially finished. March and Kaye were
able to keep working and had some of their best work ahead of
them. Robinson’s career was hurt, but not over. And
he was the most outspokenly defiant
befitting his tough guy image.
These rantings, ravings, accusations, smearing, and character assassinations can only emanate from sick, diseased minds of people who rush to the press with indictments of good American citizens. I have played many parts in my life, but no part have I played better or been more proud of than that of being an American citizen.
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