Showing posts with label SNCC. Show all posts
Showing posts with label SNCC. Show all posts

Saturday, March 7, 2026

Remembering Selma 1963 With The Selma Bridge Jubilee: All Boots on the Ground


They are calling this year’s commemoration The Selma Bridge Crossing Jubilee--All Boots on the Ground which will mark the 61st anniversary of Bloody Sunday—the day on March 7, 1965, that day in Selma, Alabama when  massed Alabama State Police attacked peaceful demonstrators attempting to cross the Edmund Pettus Bridge on a march from Selma to the state capital at Montgomery to protest suppression of voting rights.


Alabama State Police beat SNCC march leader John Lewis, on ground center, after charging voting rights marchers trying to cross Edmund Pettus Bridge from Selma on the way to the state capitol in Montgomery in 1965.

Members of the Student Non-violent Coordinating Committee (SNCC) had been conducting voter registration drives in the area since 1963 and had encountered escalating violence.  After the passage of the Civil Rights Act of 1964, efforts stepped up.  On July 6 of that year SNCC leader John Lewis attempted to lead a march on the county courthouse to register voters.  He and other marchers were beaten and arrested.  A few days later a local judge handed down a sweeping injunction against more than two people assembling to even talk about voter registration.  


Two SCLC organizers arrived to join the voter registration effort.  Diane Nash like John Lewis was a veteran of the Nashville public accommodation sit-in campaign of 1960.  Her husband, Rev. James Bevel was also a seasoned non-violent activist.  Together they were two of the best the organization had.

SNCC leaders appealed to the Southern Christian Leadership Conference (SCLC).  SCLC leaders including the Rev. James Bevel, who had been conducting his own voter registration projects, and his wife, Diane Nash, a SNCC founder who cut her teeth in the Nashville youth crusade sit-ins with Lewis, came to Selma to join the effort.  But the national organization, busy with other efforts, had not yet committed.

Finally, on January 2 Dr. Martin Luther King, Jr. came to Selma bringing with him the national spotlight and officially launched a new Selma Voting Rights Movement.  Marches on court houses resumed there and in surrounding counties. 


The body of Jimmie Lee Jackson, first martyr of the Selma campaign.  After leading a night march to the Perry County Court House in Marion, Jackson was shot trying to protect his mother and grandfather from a beating by police who charged into a cafe where they had taken refuge.  His death galvanized the campaign locally but attracted little national press attention.

On February 18 a young man, a Baptist elder who had tried four times to register, Jimmie Lee Johnson was shot trying to defend his mother and grandfather from police clubs after a night march on the Perry County Courthouse in Marion.  When Johnson died of his wounds days later, Bevel called for a protest march on the state capital from Selma on March 7.  

On the day of the march John Lewis, the Rev. Hosea Williams of the SCLC, and local leaders like Amelia Boynton led about 600 marchers.  When they attempted to cross the bridge, they were met by massed troopers and ordered to disperse.  Lewis attempted to speak to the commanding officer but was shoved to the ground and beaten.  Police charged the crowd with clubs and gas.  Mounted officers attacked from the flanks.  Scenes of horrific violence were captured on film and soon broadcast on television helping to swing public sympathy to the marchers. 

King responded with a call to rally in Selma for a second march.  Hundreds from around the country, including many clergy, responded to the call.  Lawyers appealed to Federal Judge Frank Minis Johnson, who was suspected to be sympathetic, to lift the local ban on marches.  The judge took the issue under advisement but issued a temporary restraining order against resuming the march until he could make his ruling. 

With thousands gathered, King felt he had to move but did not want to alienate the judge.  On March 9 he led about 7,000 to the bridge but then knelt in prayer and turned the crowd back, a move that was harshly criticized by SNCC leaders. 


Rev. James Reeb, a young Unitarian Universalist minister, was with two others when he was beaten to death by Klansmen in Selma on the eve of a second march.  The death of a white minister did grab attention and President Lyndon Baines Johnson used it to advance the Voting Right Act of 1965.

That evening three Unitarian Universalist ministers, James ReebClark Olsen, and Orloff Miller who responded to King’s call were attacked and beaten outside a Selma cafe known to be a hangout for Klansmen.  Reeb died of his wounds on March 11 in Birmingham after the Selma hospital refused to treat him. 

On hearing of Reeb’s death the Board of the Unitarian Universalist Association meeting in Boston voted to adjourn and re-convene in Selma.  UUA President Dana McLean Greeley and eventually half of the active ministers in the Association headed to the South.

The death of a white minister galvanized public opinion in a way that Jimmie Johnson’s had not.  A shaken President Lyndon Johnson submitted a Voting Rights Act to Congress on March 15 after failing to get Governor George Wallace to back off from attacks on demonstrators. 

A week after Reeb’s death Judge Johnson finally issued the long-anticipated ruling upholding the First Amendment rights to assemble and protest.  


John Lewis, Rosa Parks, Ralph Abernathy, Juanita Abernathy, Ralph Bunche, Martin Luther and Coretta Scott King, Frederick Reese and Hosea Williams lead the March through Montgomery to the Capitol.

On March 21 the final and successful march on Montgomery set off with King, Lewis, Bevel, and Williams leading the way with a bevy of national clergy. They were protected by 2,000 Federal troops and U. S. Marshalls on the four-day march through hostile territory to the capitol. 

After a triumphant rally on the capitol steps, Viola Liuzzo, a young Detroit mother and U.U. laywoman was driving a black marcher back to Selma, when she was shot by Ku Klux Klan members.  A federal informant was in the Klansmen’s car.  She was the final fatality in the Selma campaign.  


Tennessee born Viola Liuzzo, a white U.U. laywoman and mother from Detroit marched from Selma to Montgomery often barefoot as in this photo.  She was murdered driving a Black Marcher back to Selma after the final rally at the State Capital.  She was the third of four of the Martyrs of Selma who also included Episcopal seminarian Jonathan Myrick Daniels who was shotgunned to death on August 30 after spending a week in jail for a Lowndes County, demonstration, a part of the greater Selma campaign.

The Voting Rights Act passed Congress and was signed into law by the President on August 6.  Within a year 7000 new Black voters were enrolled in Selma’s Dallas County

In 1966 Sheriff Jim Clark, who was responsible for much of the early violence in Selma, lost his bid for re-election.  John Lewis went on to be elected to Congress.  The Edmund Pettus Bridge is now marked as part of the Selma to Montgomery Voting Rights Trail, National Historic Trail. 


The 50th Anniversary march included President Barack Obama and his family, Congressman John Lewis and other veterans of the original march and former President George W. Bush and his wife Laura.  Always outspoken, Diane Lewis boycotted the reunion march to protest Bush's inclusion. 

In the 50th Anniversary year of 2015, tens of thousands joined Congressman Lewis and other veterans of the original marches along with President Barack Obama, his family, and former President George W. Bush and his wife Laura in a symbolic and triumphant march across the Bridge.

The same year the film Selma directed by Ana DuVernay and starring David Oyelowo, Carmen Ejogo, Tom Wilkinson, and Oprah Winfrey opened to high praise, great reviews, and a slew of awards and nominations.


Ana DuVernay's acclaimed film Selma was an accurate depiction of the voting rights campaign and marches.  Unlike earlier popular movies about the Civil Rights campaigns, there was no white savior and the vision was unfiltered by white eyes.  The film also honored the work and sacrifice of ordinary folk as well as Martin Luther King and other marquee movement names.  

In 2020 Congressman Lewis, who was battling pancreatic cancer was joined by four Democratic presidential candidates—Senators Elizabeth Warren and Amy Klobuchar, former South Bend Mayor Pete Buttigieg, former New York City Mayor Michael Bloomberg for the march.  In his comments Congressman Lewis said:

Fifty-five years ago, a few of our children attempted to march ... across this bridge. We were beaten, we were tear-gassed. I thought I was going to die on this bridge. But somehow and some way, God almighty helped me here…We must go out and vote like we never, ever voted before…

I’m not going to give up. I’m not going to give in. We’re going to continue to fight. We need your prayers now more than ever before.  We must use the vote as a nonviolent instrument or tool to redeem the soul of America…

To each and every one of you, especially you young people ... go out there, speak up, speak out. Get in the way. Get in good trouble. Necessary trouble, and help redeem the soul of America.

Saturday, February 25, 2023

Nikki Giovanni A Black Poet in Rebellion

Nikki Giovanni--young, Black, and revolutionary.

Note—No new blog posts were made since Wednesday, February 22 because an ice storm in McHenry County caused a power outage here which was not restored until late Thursday afternoon.  Sorry for the inconvenience to regular readers.

Nikki Giovanni was born in 1943 in Knoxville, Tennessee in a closeknit family.  She was inspired by her grandmother, a natural storyteller, to explore the use of words.  After growing up in a middle class Black suburb of Columbus, Ohio, she attended Fisk University in Nashville, one of the most prestigious of the historically Black colleges.

At Fisk not only did she find her voice as a poet and writer, but she was immersed in the Civil Rights Movement and the growing militancy of the emerging Black Power.  She served as editor of the campus literary magazine, participated in the Fisk Writers Workshop, and helped re-build the Fisk chapter of the Student Non-Violent Coordinating Committee (SNCC).  After graduation in turbulent 1968 Giovanni went on to graduate studies at the University of Pennsylvania and Columbia University in New York.

While still an undergraduate Giovanni published her first collection of poetry, Black Feeling, Black Talk in 1967 in response to the assassinations of Martin Luther King, Jr., Malcolm X, Medgar Evers, and Robert Kennedy.  A year later she followed up with Black Judgment, an exploration and appreciation of Black militancy.  The two books catapulted her into the front ranks of a new generation of poets and one who had appeal to wider audiences.  A third volume, Re: Creation published in 1970 cemented her place as a leading young Black voice.  She soon embarked on popular readings, often incorporating Black music.

Giovanni took a teaching position at Rutgers University and gave birth to her son Thomas.  She worked to help other Black writers find outlets through NikTom, Ltd., a publishing cooperative which issued Gwendolyn Brooks, Margaret Walker, Carolyn Rodgers, and Mari Evans.

                                       The birth of her son Thomas who she raised as a single mother had an enormous influence on Giovanni.

As Giovanni matured as a poet and woman her interests broadened.  She continued to write in clear, accessible language about her life and experiences, but later work was not as explicitly political as her early efforts.

She also began writing for children and young people beginning with Spin a Soft Black Song in 1971 and continuing through her Caldecott Medal winning Rosa in 2005.

Giovanni was teaching at Virginia Tech in 2007 when the tragic shooting occurred there.  She composed a memorial chant that was recited at the campus memorial service the next day.

She has written dozens of books, including two compilations, and non-fiction work.  Giovanni is among the most honored of contemporary poets having received the NAACP Image Award, the Langston Hughes Award for Distinguished Contributions to Arts and Letters, the Rosa Parks Women of Courage Award, and over twenty honorary degrees from colleges and universities around the country.

Maya Angelou and Giovanni with Joanna Gabbin, organizers for a tribute to Toni Morrison in 2012.

Poem for a Lady Whose Voice I Like

 

so he said: you ain’t got no talent
if you didn’t have a face
you wouldn't be nobody

and she said: god created heaven and earth
and all that’s Black within them

so he said: you ain’t really no hot shit
they tell me plenty sisters
take care better business than you

and she said: on the third day he made chitterlings
and all good things to eat
and said: “that’s good.”

so he said: if the white folks hadn’t been under
yo skirt and been giving you the big play
you'd a had to come on uptown like everybody else

and she replied: then he took a big Black greasy rib
from adam and said we will call this woeman and her
name will be sapphire and she will divide into four parts
that simone may sing a song

and he said: you pretty full of yourself ain’t chu

so she replied: show me someone not full of herself
and I’ll show you a hungry person

 

—Nikki Giovanni

 

A Historical Footnote to Consider Only When All Else Fails

 

(For Barbara Crosby)
While it is true
(though only in a factual sense)
That in the wake of a
Her-I-can comes a
Shower
Surely I am not
The gravitating force
that keeps this house
full of panthers

Why, LBJ has made it
quite clear to me
He doesn’t give a
Good goddamn what I think
(else why would he continue to masterbate in public?)

Rhythm and Blues is not
The downfall of a great civilization
And I expect you to
Realize
That the Temptations
have no connection with
The CIA

We must move on to
the true issues of
Our time
like the mini-skirt
Rebellion
And perhaps take a
Closer look at
Flour power

It is for Us
to lead our people
out of the
Wein-Bars
into the streets
into the streets
(for safety reasons only)
Lord knows we don’t
Want to lose the
support
of our Jewish friends

So let us work
for our day of Presence
When Stokely is in
The Black House
And all will be right with
Our World

 

—Nikki Giovanni

 

 

Kidnap Poem

 

Ever been kidnapped
by a poet
if i were a poet
I’d kidnap you
put you in my phrases and meter
You to jones beach
or maybe coney island
or maybe just to my house
lyric you in lilacs
dash you in the rain
blend into the beach
to complement my see
Play the lyre for you
ode you with my love song
anything to win you
wrap you in the red Black green
show you off to mama
yeah if i were a poet I’d kid
nap you

—Nikki Giovanni

 

Choices

 

If i can’t do

what i want to do

then my job is to not

do what i don’t want

to do

It’s not the same thing

but it's the best i can

do

 

If i can’t have

what i want . . . then

my job is to want

what I’ve got

and be satisfied

that at least there

is something more to want

 

Since i can’t go

where i need

to go . . . then i must . . . go

where the signs point

through always understanding

parallel movement

isn’t lateral

 

When i can't express

what i really feel

i practice feeling

what i can express

and none of it is equal

I know

but that’s why mankind

alone among the animals

learns to cry

 

—Nikki Giovanni

 

 

Sunday, March 7, 2021

Bloody Sunday on an Alabama Bridge Changed America

They are calling this year’s commemoration The Selma Bridge Crossing Jubilee  which will mark the 56th anniversary of Bloody Sunday—the day on March 7, 1965, that Civil Rights marchers were brutally beaten by law enforcement officers on Selma’s Edmund Pettus Bridge.  This year icons of the March—Congressman John Lewis, the Rev. Joseph Lowery, the Rev. C.T. Vivian, and attorney Bruce Boynton who all died since last year’s 50th anniversary march will be honored.  But there will not be the customary mass march across the historic bridge.  Due to the Coronavirus everything this year will be virtual.    

This year’s commemoration comes as several states are seeking to roll back expanded early and mail-in voting access and efforts have been unsuccessful to restore a key section of the Voting Rights Act that required states with a history of discrimination to get Federal approval for any changes to voting procedures. President Joe Biden will speak to the annual Martin & Coretta King Unity Breakfast which will be held as a drive-in event in the parking lot of Wallace Community College Selma at 7:30 a.m. Central Standard time.  He will sign an executive order to make it easier for eligible voters to register to vote and to improve access to voting as Congress works to enact legislation to prevent the kind of attacks on voting rights now on the verge of enactment in Georgia

The Breakfast and the virtual Bridge crossing this afternoon from 2 to 2:30 will be live-streamed to those registered at the Jubilee web site and will undoubtedly be posted to YouTube and other sites for later viewing.

Alabama State Police beat SNCC march leader John Lewis, on ground center, after charging voting rights marchers trying to cross Edmund Pettus Bridge from Selma on the way to the state capitol in Montgomery in 1965.

March 7, 1965 was Bloody Sunday in Selma, Alabama.  On that day massed Alabama State Police attacked peaceful demonstrators attempting to cross the Edmund Pettus Bridge on a march from Selma to the state capital at Montgomery to protest suppression of voting rights.

 Members of the Student Non-violent Coordinating Committee (SNCC) had been conducting voter registration drives in the area since 1963 and had encountered escalating violence.  After the passage of the Civil Rights Act of 1964, efforts stepped up.  On July 6 of that year SNCC leader John Lewis attempted to lead a march on the county court house to register voters.  He and other marchers were beaten and arrested.  A few days later a local judge handed down a sweeping injunction against more than two people assembling to even talk about voter registration. 

Two SCLC organizers arrived to join the voter registration effort.  Diane Nash like John Lewis was a veteran of the Nashville public accommodation sit-in campaign of 1960.  Her husband, Rev. James Bevel was also a seasoned non-violent activist.  Together they were two of the best the organization had.

SNCC leaders appealed to the Southern Christian Leadership Conference (SCLC).  SCLC leaders including the Rev. James Bevel, who had been conducting his own voter registration projects, and his wife, Diane Nash, a SNCC founder who had cut her teeth in the Nashville youth crusade sit-ins with Lewis, came to Selma to join the effort.  But the national organization, busy with other efforts, had not yet committed.

Finally, on January 2 Dr. Martin Luther King, Jr. came to Selma bringing with him the national spotlight and officially launched a new Selma Voting Rights Movement.  Marches on court houses resumed there and in surrounding counties

They body of Jimmie Lee Jackson, first martyr of the Selma campaign.  After leading a night march to the Perry County Court House in Marion, Jackson was shot trying to protect his mother and grandfather from a beating by police who charged into a cafe where they had taken refuge.  His death galvanized the campaign locally, but attracted little national press attention.

On February 18 a young man, a Baptist elder who had tried four times to register, Jimmie Lee Johnson was shot trying to defend his mother and grandfather from police clubs after a night march on the Perry County court house in Marion.  When Johnson died of his wounds days later, Bevel called for a protest march on the state capital from Selma on March 7.  

On the day of the march John Lewis, the Rev. Hosea Williams of the SCLC, and local leaders like Amelia Boynton led about 600 marchers.  When they attempted to cross the bridge, they were met by massed troopers and ordered to disperse.  Lewis attempted to speak to the commanding officer but was shoved to the ground and beaten.  Police charged the crowd with clubs and gasMounted officers attacked from the flanks.  Scenes of horrific violence were captured on film and soon broadcast on television helping to swing public sympathy to the marchers. 

King responded with a call to rally in Selma for a second march.  Hundreds from around the country, including many clergy, responded to the call.  Lawyers appealed to Federal Judge Frank Minis Johnson, who was suspected to be sympathetic, to lift the local ban on marches.  The judge took the issue under advisement but issued a temporary restraining order against resuming the march until he could make his ruling

With thousands gathered, King felt he had to move but did not want to alienate the judge.  On March 9 he led about 7,000 to the bridge but then knelt in prayer and turned the crowd back, a move that was harshly criticized by SNCC leaders. 

Rev. James Reeb, a young Unitarian Universalist minister was with two other when he was beaten to death by Klansmen in Selma on the eve of a second march.  The death of a white minister did grab attention and President Lyndon Baines Johnson used it to advance the Voting Right Act of 1965.

That evening three Unitarian Universalist ministers, James Reeb, Clark Olsen, and Orloff Miller who had responded to King’s call were attacked and beaten outside a Selma cafe known to be a hangout for Klansmen.  Reeb died of his wounds on March 11 in Birmingham after the Selma hospital refused to treat him. 

On hearing of Reeb’s death the Board of the Unitarian Universalist Association meeting in Boston voted to adjourn and re-convene in Selma.  UUA President Dana McLean Greeley and eventually half of the active ministers in the Association headed south.

The death of a white minister galvanized public opinion in a way that Jimmie Johnson’s had not.  A shaken President Lyndon Johnson submitted a Voting Rights Act to Congress on March 15 after failing to get Governor George Wallace to back off from attacks on demonstrators. 

A week after Reeb’s death Judge Johnson finally issued the long-anticipated ruling upholding the First Amendment rights to assemble and protest

John Lewis, Rosa Parks, Ralph Abernathy, Juanita Abernathy, Ralph Bunche, Martin Luther and Coretta Scott King, Frederick Reese and Hosea Williams lead the March through Montgomery to the Capitol.

On March 21 the final and successful march on Montgomery set off with King, Lewis, Bevel, Williams leading the way with a bevy of national clergy. They were protected by 2,000 Federal troops and U. S. Marshalls on the four-day march through hostile territory to the capital. 

After a triumphant rally on the capitol steps, Viola Liuzzo, a young Detroit mother and U.U. laywoman was driving a black marcher back to Selma, when she was shot by Ku Klux Klan members.  A federal informant was in the Klansmen’s car.  She was the final fatality in the Selma campaign. 

Tennessee born Viola Liuzzo, a white U.U. laywoman and mother from Detroit marched from Selma to Montgomery often barefoot as in this photo.  She was murdered driving a Black Marcher back to Selma after the final rally at the State Capital.  She was the third of four of the Martyrs of Selma who also included Episcopal seminarian Jonathan Myrick Daniels who was shotgunned to death on August 30 after spending a week in jail for a Lowndes County, demonstration, a part of the greater Selma campaign.

The Voting Rights Act passed Congress and was signed into law by the President on August 6.  Within year 7000 new Black voters were enrolled in Selma’s Dallas County

In 1966 Sheriff Jim Clark, who was responsible for much of the early violence in Selma, lost his bid for re-election.  John Lewis would go on to be elected to Congress.  The Edmund Pettus Bridge is now marked as part of the Selma to Montgomery Voting Rights Trail, a National Historic Trail.

The 50th Anniversary march included President Barack Obama and his family, Congressman John Lewis and other veterans of the original march and former President George W. Bush and his wife Laura.  Always outspoken, Diane Lewis boycotted the reunion march to protest Bush's inclusion.  

In the 50th Anniversary year of 2015, tens of thousands joined Congressman Lewis and other veterans of the original marches along with President Barack Obama, his family, and former President George W. Bush and his wife Laura in a symbolic and triumphant march across the Bridge.

The same year the film Selma directed by Ana DuVernay and starring David Oyelowo, Carmen Ejogo, Tom Wilkinson, and Oprah Winfrey opened to high praise, great reviews, and a slew of awards and nominations.

Ana DuVernay's acclaimed film Selma was an accurate depiction of the voting rights campaign and marches.  Unlike earlier popular movies about the Civil Rights campaigns, there was no white savior and the vision was unfiltered by white eyes.  The film also honored the work and sacrifice of ordinary folk as well as Martin Luther King and other marquee movement names.  

Last year Congressman Lewis, who was battling pancreatic cancer was joined by four Democratic presidential candidates—Senators Elizabeth Warren and Amy Klobuchar, former South Bend Mayor Pete Buttigieg, former New York City Mayor Michael Bloomberg for the march.  In his comments Congressman Lewis said:

Fifty-five years ago, a few of our children attempted to march ... across this bridge. We were beaten, we were tear-gassed. I thought I was going to die on this bridge. But somehow and some way, God almighty helped me here…We must go out and vote like we never, ever voted before…

I’m not going to give up. I’m not going to give in. We’re going to continue to fight. We need your prayers now more than ever before.  We must use the vote as a nonviolent instrument or tool to redeem the soul of America…

To each and every one of you, especially you young people ... go out there, speak up, speak out. Get in the way. Get in good trouble. Necessary trouble, and help redeem the soul of America.

 

Thursday, February 25, 2021

Nikki Giovanni A Poet in Rebellion— Focus on Black History Month 2021

Nikki Giovanni--young, Black, and revolutionary.

Nikki Giovanni was born in 1943 in Knoxville, Tennessee in a close knit family.  She was inspired by her grandmother, a natural story teller, to explore the use of words.  After growing up in a middle class Black suburb of Columbus, Ohio, she attended Fisk University in Nashville, one of the most prestigious of the historically Black colleges.

At Fisk not only did she find her voice as a poet and writer, but she was immersed in the Civil Rights Movement and the growing militancy of emerging Black Power.  She served as editor of the campus literary magazine, participated in the Fisk Writers Workshop, and helped re-build the Fisk chapter of the Student Non-Violent Coordinating Committee (SNCC).  After graduation in turbulent 1968 Giovanni went on to graduate studies at the University of Pennsylvania and Columbia University in New York.

While still an undergraduate Giovanni published her first collection of poetry, Black Feeling, Black Talk in 1967 in response to the assassinations of Martin Luther King, Jr., Malcolm X, Medgar Evers, and Robert Kennedy.  A year later she followed up with Black Judgment, an exploration and appreciation of Black militancy.  The two books catapulted her into the front ranks of a new generation of poets and one who had appeal to wider audiences.  A third volume, Re: Creation published in 1970 cemented her place as a leading young Black voice.  She was soon embarked on popular readings, often incorporating Black music.

Giovanni took a teaching position at Rutgers University and gave birth to her son Thomas.  She worked to help other Black writers find outlets through NikTom, Ltd., a publishing cooperative which published Gwendolyn Brooks, Margaret Walker, Carolyn Rodgers, and Mari Evans.

                                The birth of her son Thomas who she raised as a single mother had an enormous influence on Giovanni.

As Giovanni matured as a poet and woman her interests broadened.  She continued to write in clear, accessible language about her life and experiences, but later work was not as explicitly political as her early efforts.

She also began writing for children and young people beginning with Spin a Soft Black Song in 1971 and continuing through her Caldecott Medal winning Rosa in 2005.

Giovanni was teaching at Virginia Tech in 2007 when the tragic shooting occurred there.  She composed a memorial chant that was recited at the campus memorial service the next day.

She has written dozens of books, including two compilations, and non-fiction work.  Giovanni is among the most honored of contemporary poets having received the NAACP Image Award, the Langston Hughes Award for Distinguished Contributions to Arts and Letters, the Rosa Parks Women of Courage Award, and over twenty honorary degrees from colleges and universities around the country.

Maya Angelou and Giovanni with Joanna Gabbin, organizers for a tribute to Toni Morrison in 2012.

Poem for a Lady Whose Voice I Like

 

so he said: you ain’t got no talent
if you didn’t have a face
you wouldn't be nobody

and she said: god created heaven and earth
and all that’s Black within them

so he said: you ain’t really no hot shit
they tell me plenty sisters
take care better business than you

and she said: on the third day he made chitterlings
and all good things to eat
and said: “that’s good.”

so he said: if the white folks hadn’t been under
yo skirt and been giving you the big play
you'd a had to come on uptown like everybody else

and she replied: then he took a big Black greasy rib
from adam and said we will call this woeman and her
name will be sapphire and she will divide into four parts
that simone may sing a song

and he said: you pretty full of yourself ain’t chu

so she replied: show me someone not full of herself
and I’ll show you a hungry person

 

—Nikki Giovanni

 

A Historical Footnote to Consider Only When All Else Fails

 

(For Barbara Crosby)
While it is true
(though only in a factual sense)
That in the wake of a
Her-I-can comes a
Shower
Surely I am not
The gravitating force
that keeps this house
full of panthers

Why, LBJ has made it
quite clear to me
He doesn’t give a
Good goddamn what I think
(else why would he continue to masterbate in public?)

Rhythm and Blues is not
The downfall of a great civilization
And I expect you to
Realize
That the Temptations
have no connection with
The CIA

We must move on to
the true issues of
Our time
like the mini-skirt
Rebellion
And perhaps take a
Closer look at
Flour power

It is for Us
to lead our people
out of the
Wein-Bars
into the streets
into the streets
(for safety reasons only)
Lord knows we don’t
Want to lose the
support
of our Jewish friends

So let us work
for our day of Presence
When Stokely is in
The Black House
And all will be right with
Our World

 

—Nikki Giovanni

 

 

Kidnap Poem

 

Ever been kidnapped
by a poet
if i were a poet
I’d kidnap you
put you in my phrases and meter
You to jones beach
or maybe coney island
or maybe just to my house
lyric you in lilacs
dash you in the rain
blend into the beach
to complement my see
Play the lyre for you
ode you with my love song
anything to win you
wrap you in the red Black green
show you off to mama
yeah if i were a poet I’d kid
nap you

—Nikki Giovanni

 

Choices

 

If i can’t do

what i want to do

then my job is to not

do what i don’t want

to do

It’s not the same thing

but it's the best i can

do

 

If i can’t have

what i want . . . then

my job is to want

what I’ve got

and be satisfied

that at least there

is something more to want

 

Since i can’t go

where i need

to go . . . then i must . . . go

where the signs point

through always understanding

parallel movement

isn’t lateral

 

When i can't express

what i really feel

i practice feeling

what i can express

and none of it is equal

I know

but that’s why mankind

alone among the animals

learns to cry

 

—Nikki Giovanni