Jolly Old St. Nicholas--/the Ray Conniff Singers.
This
is St. Nicholas Day, a day when
children in the Netherlands and
across much of Northern Europe awake
to find their stockings or shoes filled with candy, nuts, oranges,
and small toys left behind in the night by the sanctified Bishop. It is also still
observed in some American families,
though the practice seems to be fading.
Our three daughters always
found their stockings filled until they were adults. It is also a good day to trot out Jolly
Old St. Nicholas, America’s oldest secular
Christmas song—if you discount Jingle Bells which was not intended
to be linked to the holiday.
A
traditional Catholic Feast Day in
the West, it celebrates the day Nikolaos
of Myra, the Greek Bishop
of Myra in Asia Minor died in 346.
He is one of the most important Saints in the Orthodox tradition
as well and is venerated in Greece and especially in Russia
where he is the national patron.
St. Nicholas in a traditional Byzantine Orthodox icon.
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But in the West Nicholas was revered as a patron
of children and gradually morphed into the lanky, bearded Bishop in a red miter
or cowl dolling out the goodies.
In America he was ultimately transformed into Santa Claus with a
workshop full of elves at the North Pole, a jolly cookie baking wife,
and a sleigh pulled by flying reindeer. And he makes his rounds on Christmas
Eve, not on the Feast of St. Nicholas.
Quite a transformation.
St. Nicholas came to North America with the Dutch
settlers of New York and the Hudson Valley. He was alien to the rest of the colonies,
especially in New England which frowned of Christmas and all
things smacking of Bishops, Saints, and Popery.
By
the post-Revolutionary era he had
passed on to English residents of
New York. Washington Irving, who preserved the old Dutch folk tales—and made more than a few up himself—noted that at
some point prior to the 1820’s, St. Nicholas had shifted his gift giving to
Christmas in areas of the Hudson Valley.
In
1823 a newspaper in Troy, New York published
an anonymous poem titled A
Visit from St. Nicholas that
was later attributed to Clement Clark
Moore. Within years it was being re-printed annually in newspapers
across the United States. In the poem, Moore invented many of the “traditions” associated with St. Nicholas’s
visit on Christmas Eve, including
his reindeer and sleigh transport and a physical description of the jolly old elf that strips him of his Bishop’s regalia, dresses him in fur, and transforms him from a tall, regal figure to a rotund, bearded little man.
St, Nick from Thomas Mast's 1865 edition of A Visit from Saint Nicholas by Clement Clark Moore.
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This
new character was called Santa Claus,
derived from the Dutch Sinterklass
regionally, but remained better known as St. Nicholas through most of the
following century. Thomas Nast’s mid-century cartoons
helped define his appearance,
including the fur trimmed cap
instead of the miter, top hat, or
cowl depicted in earlier illustrations.
There was not much agreement on the color of his outfit, which was often
pictured as brown fur trimmed in
ermine or as green or blue, until the
spread of cheap popular color lithography in which artists used
the bishop’s red of Europe because it showed up so brilliantly.
Enter
Emily Huntington Miller who
submitted a poem called Lilly’s Secret to The
Little Corporal Magazine in December 1865, just as Nast’s drawings were
cementing the new vision of St. Nick
and a war weary nation was eager to
devote time and love to their families and children.
Jolly Old St. Nicholas on a tea box circa 1880--not yet our Santa Claus.
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In
1867 John Piersol McCaskey, a school principal and former Mayor of Lancaster, Pennsylvania adapted Miller’s words with a few changes
to music. McCaskey included the song and
his songwriting claim in his 1881 book, Franklin Square Song Collection, No.
1 and noted that it had previously
been published in 1874 in School Chimes, A New School Music Book
compiled by hymnist James Ramsey Murray. McCaskey, by the way, is a direct ancestor of the ownership of the Chicago Bears. Make of that
what you will.
By
the late 19th Century the song was a
parlor piano sing-along favorite and
was a staple at the Christmas pageants
that were becoming a fixture in public schools.
St.
Nicholas, St. Nick, and Santa Claus were all commonly used, with St. Nicholas
holding the edge until Santa Claus won out sometime around 1930 and popular magazine cover art and commercial art by the likes of Norman Rockwell in the Saturday
Evening Post and Haddon Sundblom
for Coca Cola firmly fixed the
modern image of the gift giver.
Santa by Norman Rockwell.
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The
song has been recorded many times beginning with Edison cylinders and early RCA
discs. Among the more notable
versions were by Ray Smith in 1949, Chet Atkins in 1961, Eddy Arnold in 1962, The
Chipmunks in 1963, Andy Williams
in 1995, Anne Murray in 2001, and Carole King in 2017. Perhaps the most commonly heard version was
included in the Ray Conniff Singers 1963
album We Wish You a Merry Christmas.
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