When a Prop Go Wrong—A Bad Day at the Globe

A prop cannon firing under the  thatched roof set the straw on fire dooming the Globe Theater.  

Folks who have been involved in theater, amateur or professional, love to swap yarns about various disasters in front of live audiences.  Ask me sometime about when the set fell on my head in the middle of Jules Feiffer’s Little Murders at Shimer College. 

But even the most grizzled theatrical veteran would have a hard time topping what happened to the cast of Henry VIII on June 29, 1613.  During a performance a cannon sparked a fire in the Globe Theater’s thatched roof, burning the theater structure to the ground.  Fortunately no one was seriously injured, although one actor was said to have suffered an indignity to his pants. 

The Globe, of course, was the famous London theater where William Shakespeare had most of his plays produced and where he appeared in many of them as an actor.  Henry VIII is today one of The Bard’s less produced plays, both because of the liberties taken with the well known historical facts of Henry’s reign and because of suspicion that it was either co-authored or heavily tinkered with by another Globe playwright, John Fletcher.   

The Globe was constructed from timbers of an earlier venue known simply as The Theater in 1599.  It was built on leased land and when the lease was up, the landlord claimed the building, which was owned by an association of actors.  To retrieve their property the actors hired a carpenter, Peter Street and joined him in disassembling the building in December of 1598 while the landlord was celebrating Christmas in the country.  The material was hidden until the next summer when it was floated across the Themes and the new theater constructed on marshy ground south of Maiden Lane. 

The only known near contemporary illustration of the Globe theater by Wenceslas Hollar in 1642.

The new building evidently substantially re-created the original, although it may have been enlarged.  The Globe was owned originally by six actors who were shareholders in the theatrical troupe The Lord Chamberlain’s Men.  One of the six was a minority share holder, Will Shakespeare himself.  The building was an open air amphitheater about 100 feet in diameter contained in a building three stories high.  Although described as The Wooden O and portrayed in the only contemporary sketch, by Wenceslas Hollar, archeological evidence now suggests that it may have been a twenty-sided structure. 

Three levels of stadium stile boxes were protected under an over-hanging thatched roof were built on to the interior walls.  Surrounding an apron stage about 43 by 27 feet and raised five feet was a large open area where groundlings paid a penny to stand and watch performances while their betters lounged in the boxes.  As many as 3000 people could be jammed into the theater, which was one of London’s most popular places of amusement. 

The design of the theater was believed to mimic the inn courtyards where traveling theatrical troupes performed in earlier days. 

Shakespeare had retired by the time the second Globe, left, was erected, but his plays remained a staple of the resident company.

Shakespeare himself at about age 50 seems to have retired from active involvement in the Lord Chamberlain’s Men about the time of the fire, and perhaps because of it.  When a second Globe was erected on the foundation of the first in 1614 he seems to be gone, although his plays continued to be revived as the source of most of the troupe’s material.  He died in his home town of Stratford-upon-Avon in 1616. 

The new Globe continued on until something even more deadly than fire befell it—Puritans.  It was closed by order of the Cromwell government in 1642 and probably razed two years later to make way for tenements. 

Dominic Rowan and Kate Duchene perform as the King and Queen Katherine in Henry VIII at Shakespeare's Globe. This time the place did not burn down.

In 1997 Shakespeare’s Globe, a modern reproduction of the first theater, opened a few yards from the original site and regularly produces plays from the Shakespeare cannon.  Eleven years ago during a cycle of all of the Bard’s history plays Henry III received a rare revival there. 

This time the cannon fired safely.  Everyone was relieved.