The Ball Drop at Times Square has been part of the New Year's countdown ever since broadcasts began on TV. |
Well,
December 31 is New Year’s Eve. It is a designated night of revelry, semi-respectable over-indulgence, and general tom foolery. It is also considered amateur night by bartenders and regular imbibers. Many of the latter actually avoid going out because the amateurs are rowdy, annoying, likely to puke on their shoes, and frankly dangerous.
Like
all holidays and celebrations, New Year’s Eve has its customs. For those of us of a certain age, that included welcoming
the New Year from home with Guy Lombardo and his Royal Canadians
first on radio and later on television. Parents
would let kids stay up—or try to
stay up—and blow on noisemakers and drink sparkling grape juice at midnight in New York as the band
struck up its traditional rendition
of Auld
Lang Syne.
Lombardo
was born in 1902 in London, Ontario, Canada, one of
five sons of an immigrant Italian family. His father
was an amateur singer and had each
of his sons learn an instrument to accompany him in an informal family band. Guy’s first public performance was at a church
party when he was 12 years old. Lombardo and his brothers formed their own
orchestra and were playing
professionally on both sides of the international
border by 1920.
In
1922 Lombardo made his first recordings at
the Gennett Studios in Richmond, Indiana. Soon the orchestra,
now dubbed the Royal Canadians, was ensconced
in the Roosevelt Grill of New York
City’s Roosevelt Hotel. They played there for more than thirty
years. Like other big city hotel bands, Lombardo’s orchestra was soon making regular live radio broadcasts. It was a dance
band, only lightly touched by jazz. While contemporaries
like Paul Whiteman were adapting their music to the public’s developing taste
for Big Band Swing, Lombardo
continued to play what he called the Sweetest
Music this Side of Heaven. The
band’s immediately recognizable
signature sound was a lead saxophone
section featuring a wide vibrato.
Lombardo
first broadcast a New Year’s Eve program on CBS Radio on December 31, 1928.
He continued broadcasting from the Roosevelt Room until 1959, and then
moved his base to the larger Waldorf
Astoria. In 1959 the New Year’s Eve
program was first aired on CBS
Television and continued on that network
for 21 years.
After
the move to television, the show included coverage
from Times Square for the countdown
to the Midnight Ball Drop as described first by legendary broadcaster Robert Trout and then by Ben Grower. As soon as the
ball would hit the bottom Lombardo would strike up the familiar strains of Auld Lang Syne and the cameras would cut
between the proletarian mob in Times
Square and the elegant revelers in tuxedos and evening gowns in the hotel ballroom.
Guy
Lombardo died in 1977 having done 41
annual New Year’s broadcasts. His
brothers kept the orchestra together for a while and the show continued on CBS
for two more years.
Dick Clark rockin' New Years in. |
Dick Clark, already a well-established TV legend for his long
running American Bandstand program launched his Rockin’ New Year’s Eve
broadcasts from Times Square on December 31, 1972 on NBC. Lombardo was still the king of the night, but his music was old fashion even for most of his faithful adult listeners. The first Clark broadcast included pre-recorded performances by Three Dog Night, Blood, Sweat & Tears, Helen
Reddy, and Al Green with cutaways to Clark in a studio overlooking Times Square for the
Countdown.
The
broadcast moved to ABC after two
years and has dominated the night ever since.
After Clark suffered a stroke
in 2004 primary hosting duties were performed first by Regis Philbin and then by Ryan
Seacrest, best known as the host
for American
Idol. Clark returned for appearances on the program, although he
remained somewhat impaired by the
stroke.
Clark
died on April 18, 2012 at age 82. The program continued as Dick Clark’s Rockin’ New Year’s
Eve with Ryan Seacrest. It still
dominates all other Network counter programing.
This year featured artists include Alessia
Cara, DNCE, Nick Jonas, Macklemore &
Ryan Lewis, OMI, Pentatonix, and Nathan Sykes, performers so hip
and contemporary that I have only
heard of two of them. A major draw of
the evening will be the premier of a
new video by megastar Taylor Swift. You
will be glad to know I have heard of her.
Other
networks and Cable stations have
their own New Year’s programming. CNN’s program has become a cult favorite because comedienne Katy Griffith is always expected to say something vulgar and outrageous while newsman Anderson Cooper cringes.
This
year security in Times Square and at other big gatherings around the country
will be super tight as ISIL/ISIS/ Daesh has threatened
attacks on mass gatherings over the holidays.
In the past already tight security included welding manhole covers shut, removing all trash cans and mail Boxes, and even banishing port-a-poties for the over
one million revelers who will jam the area.
There is extensive video surveillance
and sophisticated facial recognition software
will be used on faces in the crowd.
What new wrinkles are meant by heightened security are a closely guarded secret.
No
wonder millions just stay home to
watch the whole thing on the tube.
New
Year’s is not quite the big night out it used to be. Strict drunk
driving enforcement has discouraged
many drinkers from going out
while publicity about highway mayhem deters moderate drinkers and teetotalers. It has been surpassed as a party night
out by both St. Patrick’s Day and
Halloween. But the evenings still is a huge money maker for hotels, nightclubs, and bars. Many cities have midnight fireworks. Non-alcoholic,
family centered events called First Night have developed a following in
many locations as an alternative to the traditional revelry.
My
wife and my plans for the evening
are still up in the air. We may venture
out for an early dinner and a drink or two before the parties kick
into high gear. We will certainly be
home well before midnight and Kathy will
likely be in bed. I’ll probably catch the New York ball drop and stay around for coverage
of Chicago celebrations. Or maybe I’ll just find a good old movie to watch.
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